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    <loc>https://www.kvg-kyoto.com/articles-1</loc>
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    <lastmod>2025-07-09</lastmod>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/meisui</loc>
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    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/59292602-9329-46cc-be79-7bfe90e7e16f/3086498_m.jpg</image:loc>
      <image:title>Articles - Meisui</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/kyotogeomancy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/14854c6b-36b6-4174-8e2c-6a9a5175d23a/%E6%96%B9%E4%BD%8D.jpg</image:loc>
      <image:title>Articles - Kyoto Geomancy - Though perhaps not many people may realize it, Kyoto is a city that is ideally situated—from the viewpoint of an Oriental geomancer, that is—to ensure the peace and tranquility of its inhabitants.    To understand Kyoto’s perfect location, one needs to have a basic understanding of the foundation ideas of Feng Shui or Chinese geomancy.  On a broad level, the directions of the compass were thought to be connected with the principles of ying and yang.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/938db27d-de74-47b8-a674-78fb6c3dddcd/%E5%9B%9B%E7%A5%9E%E3%82%A4%E3%83%A9%E3%82%B9%E3%83%88.jpeg</image:loc>
      <image:title>Articles - Kyoto Geomancy - In ancient times, all of these products had special merit: they were easy to preserve and yet differed greatly from place to place. Omiyage of this kind are available throughout the town or place they come from, especially stacked up in neatly wrapped (i.e. ready to go at the last minute) boxes at the train station. At any big international airport in the world, the Asian, but particularly the Japanese, custom of giving gifts is quite evident. Another prominent gift custom involves weddings. In Japan gifts are given to everyone that is invited to the wedding and then another kind of gift to everyone that donated money (about half is returned in the form of a gift). All department stores have special catalogues of popular and naturally suitable items from which one can choose a few or many of the same thing.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/japanesesake</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/60ca309f-be6e-4507-abef-b3bccf7f549d/sake2.jpg</image:loc>
      <image:title>Articles - The World of Japanese Sake - The heart of the Kyoto sake industry is Fushimi, the lively area in the southern part of the city. Blessed with pure sweet spring water and access to the best rice through its flourishing river port, Fushimi was a natural spot for sake brewing. Even today, the sake industry is an important presence in the area, and much effort has been put into preserving the many old brewery buildings. Fushimi Sake Brewery Opening Festival (Feb. 3) making is the cold, winter months since this is the best season to make finest sake.  On this day, some breweries in Fushimi join the event where people can enjoy sake tasting.  Stalls will sell sweets, Kyoto vegetables, sake wares and more.   10:00-15:00; Access: A 5-min. walk from the Keihan Fushimi Momoyama Sta., or a 6-min. walk from the Kintetsu Momoyama Goryo-mae Sta. Gekkeikan Okura Memorial Museum The Gekkeikan Okura Sake Museum introduces the fascinating history of sake brewing with its nostalgic buildings, tasting experience, and valuable collection of traditional brewing tools.  Experience the atmosphere of an old sake brewery.   ¥600; 9:30-16:30; Access: A 5-min. walk from the Keihan Chushojima Sta., or a 10-min. walk from the Kintetsu Momoyama Goryo-mae Sta.; www.gekkeikan. co.jp</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/64c05448-311f-45e7-9f5a-a4ab87a7d1a5/%E3%81%8A%E6%AD%B3%E6%9A%AE%EF%BC%92.jpg</image:loc>
      <image:title>Articles - The World of Japanese Sake - In ancient times, all of these products had special merit: they were easy to preserve and yet differed greatly from place to place. Omiyage of this kind are available throughout the town or place they come from, especially stacked up in neatly wrapped (i.e. ready to go at the last minute) boxes at the train station. At any big international airport in the world, the Asian, but particularly the Japanese, custom of giving gifts is quite evident. Another prominent gift custom involves weddings. In Japan gifts are given to everyone that is invited to the wedding and then another kind of gift to everyone that donated money (about half is returned in the form of a gift). All department stores have special catalogues of popular and naturally suitable items from which one can choose a few or many of the same thing.</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/2958a07d-edf5-4d0f-9d3b-8f0c75343a01/%E9%85%92%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8.jpg</image:loc>
      <image:title>Articles - The World of Japanese Sake - Sake has long been an inseparable part of Japanese culture. Not only as a staple item in homes in Japan, sake also has an important place at festivals, ceremonies and rituals. In a wedding ceremony, the bride and groom exchange a few cups of sake while promising their vows for the rest of their lives. In autumn, many shrines hold a festival to thank god for a good autumn harvest and sake is the first offering to the gods. Sake is also a symbol of purification. Thus, sake is more than just an alcoholic drink but something deeper, indispensable and intimate with Japanese people and life.</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/givinggifts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/64c05448-311f-45e7-9f5a-a4ab87a7d1a5/%E3%81%8A%E6%AD%B3%E6%9A%AE%EF%BC%92.jpg</image:loc>
      <image:title>Articles - Giving Gifts: A key to understand the ways of Japan - In ancient times, all of these products had special merit: they were easy to preserve and yet differed greatly from place to place. Omiyage of this kind are available throughout the town or place they come from, especially stacked up in neatly wrapped (i.e. ready to go at the last minute) boxes at the train station. At any big international airport in the world, the Asian, but particularly the Japanese, custom of giving gifts is quite evident. Another prominent gift custom involves weddings. In Japan gifts are given to everyone that is invited to the wedding and then another kind of gift to everyone that donated money (about half is returned in the form of a gift). All department stores have special catalogues of popular and naturally suitable items from which one can choose a few or many of the same thing.</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/05d2a479-bb04-4e35-9476-ff30770b0176/%E3%81%8A%E6%AD%B3%E6%9A%AE.jpg</image:loc>
      <image:title>Articles - Giving Gifts: A key to understand the ways of Japan - Gift-giving is as much a custom of every day life as it is an art. And few cultures in the world place as much importance on gifts as Japan does. Naturally, Kyoto was for the longest time the place in Japan where gift-giving customs developed and were refined. As is true in many cultures, in Japan gifts can be used to express thanks or, more importantly, to strengthen or create relationships. Indeed, in a society as strictly tiered and densely urban as Japan, gift-giving is nearly always a form of communication about one kind of relationship or another.</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/saiundo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/937be3de-5398-480a-8841-b1098e938633/IMG_9201.JPG</image:loc>
      <image:title>Articles - SAIUN-DO: The Best Choice of Classical Japanese Artists - Since its beginning, Saiun-do has been a favorite destination for many of Japan’s major nihon-ga and sumi-e (ink paintings) artists. The owners know pretty much everything, and they have every single ingredient and accessory that traditional Japanese art requires.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/75c5edc0-debf-40c9-ae8f-f106708bedde/IMG_9189.JPG</image:loc>
      <image:title>Articles - SAIUN-DO: The Best Choice of Classical Japanese Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f7b2b020-ecde-4835-99b3-0358ac0283fa/IMG_9226.JPG</image:loc>
      <image:title>Articles - SAIUN-DO: The Best Choice of Classical Japanese Artists - Nihon-ga (literally “Japan picture”) is the name given to a style of painting in which combinations of materials, mainly minerals and vegetables, are ground into colors and applied to a surface. Contemporary nihon-ga, which can be seen in Kyoto’s many museums and art galleries, tend to focus on animals, landscapes, and botanical subjects, but in past eras noblemen, women, and Buddha were popular subjects</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/yuzu-wintersolstice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/de5b566c-a1ce-4a9f-ba28-d2362007de5b/%E6%9F%9A%E5%AD%90.jpg</image:loc>
      <image:title>Articles - Keep yourself warm and healthy with Yuzu on the Winter Solstice - Around December 20-23 each year, the North Pole tilts its furthest from the sun, bringing the shortest day and longest night of the year. The day is called Toji, or the winter solstice in Japan (this year December 22nd).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3b65c188-54bd-4896-be46-c2ad2f5e64f1/3062762_m.jpg</image:loc>
      <image:title>Articles - Keep yourself warm and healthy with Yuzu on the Winter Solstice - Make it stand out</image:title>
      <image:caption>Many Japanese people continue to follow the ancient tradition of taking a yuzu bath on the winter solstice. The tradition started in the 8th century. Pieces of yuzu cut in half put in a cloth bag or whole fruits are floated in the hot bath water. Both the juice and its bright, sunny color are traditionally thought to have warming properties, helping bathers to ward off illness. There are few fragrances as memorable as the delicate aroma of yuzu. The fruit is a staple for chefs in Japan, who turn to it to enhance a countless variety of dishes from appetizers to main dishes and even desserts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ac82c69d-2e41-4cc3-9b09-4bc27a6bd0d5/Photo+2017-11-11+14+40+58.jpg</image:loc>
      <image:title>Articles - Keep yourself warm and healthy with Yuzu on the Winter Solstice - Yuzu is used for everything from cooking to bathing in Japan. In particular, the aroma of yuzu is considered to have strong calming qualities. Talking about yuzu in Kyoto, the village of Mizuo, located on the terraced far side of Mt. Atago (924 meters high; Kyoto’s highest mountain on the west side) is a must-mention as it is where yuzu farming began in Japan. Mizuo is one of the few hardly-accessible hidden villages in Kyoto where some 20 households still inhabit the mountain side. Many hikers start from here and go through Mt. Atago, too. Mizuo is the village of yuzu and it is not possible to wander around the village without seeing yuzu trees everywhere. During the harvest season, the whole village is filled with their enticing aroma.</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/kvg-revival-kyotoimpressions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1631003908904-W048XARZRZ6AUZXUPCKJ/202109071700_0001.jpg</image:loc>
      <image:title>Articles - KVG Revival - - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/kvg-revival-yasaka-pagoda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1630999679074-V5Y82DTKDI0QKZIDPB3N/202109071632_0001.jpg</image:loc>
      <image:title>Articles - KVG Revival - YASAKA PAGODA by Inge Israel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968-dfz66</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615469728830-DQPK9K86EXTB14PZM78Z/TomDoncourtBklynWorkspace_8x12.JPG</image:loc>
      <image:title>Articles - Inspired by Kyoto - Three years ago, when Tom was diagnosed with incurable pulmonary fibrosis from working in carpentry during his youth and with substances such as resin and fiberglass, we immediately made plans to return to Kyoto while Tom was still able to travel. At the Sanjusangen-do Temple he not only saw the many figures at Sanjusangen-do Temple but also the many hollow wooden blocks that were carved to create each figure. He noted the lacquer and the gold leaf. He spent much time contemplating the sacred space within each figure. In the cool, dark, reverent hall of the Sanjusangen-do, he stood drawing on a large cream-colored sketch pad. The window at that particular spot was open, casting a light diffused by a white rice paper screen. The light shone on the nearby Kannons of  Mercy, enabling him to draw their details. He said, “These are Bodhisattvas of healing and compassion.... we can’t have too many of  them.” “ I stood in that hall, Sanjusangen-do, for five or so hours over two visits to capture two drawings. The drawings are simply to as certain a composition from my own point of view for paintings.” When he returned home from Japan for the last time, he completed the painting of the Bodhisattva army in two years. He passed away shortly thereafter. “I love Japan so much it brings tears to my eyes.”</image:title>
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      <image:title>Articles - Inspired by Kyoto</image:title>
      <image:caption>Essay courtesy of Maxine Lu, the wife of Tom Doncourt Editing support by Daniel Coogan and Lisa Schell, photo courtesy of Chuck Bernklau</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1603079270656-U7JFZEKQ7KDGB9WJU8B1/sketch.jpg</image:loc>
      <image:title>Articles - Inspired by Kyoto - “I want to make works as a kind of offering to his immortal force of compassion and mercy. It is a quality that I find most “desirable” in all philosophies, whether Christian, Muslim, or Buddhist. It has to do with the state of sensitivity that also leads me to make art. One must “see” the world, be sensitive to it. When you know how things really are, how they flow together like a great stream, how can you not feel compassion? Making this art will help me personally. It is a good thing to do. Perhaps I will work on it slowly over a course of years.”</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/wh3v5kqvxlla9nudzdck40d42gws0x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615871217224-G1GW9EJEDI7JZX1CKLSV/_N5A0418.jpg</image:loc>
      <image:title>Articles - Kumihimo - In the Muromachi period (1333-1568), the samurai class used Kumihimo as decoration on their swords and armor. Braiding developed as an important part of the manufacture of armor, helmets and knotted sword handles for Samurai warriors. The robust braiding techniques, capable of producing materials that could withstand fierce fighting, have been passed down over generations. From the Edo period onwards, the merchant class also began to use these distinctive braids as decoration on their clothing, as hair accessories and on handbags. The flourishing tea ceremony encouraged the demand for Kumihimo, too, since many utensils used often incorporate Kumihimo, such as an inner pouch for tea caddies. Kumihimo came into wide use as obi-jime (the cord used to tie the kimono sash in place) in the Meiji period (1868-1912) due to the decline of samurai culture. The wearing of armor was prohibited by law and Kumihimo makers suffered from the loss of samurai business, but gained new employment from the popularity of the obi-jime. As imported weaving machines from England began to dominate Japan’s weaving industry, the number of artisans making Kumihimo by hand decreased. Today, since kimono are only worn on special occasions, Kumihimo use has decreased dramatically, but the tradition of handmade Kyo Kumihimo (Kyoto-style Kumihimo), which was designated a traditional craft by the Minister of International Trade and Industry in 1976, is still alive in this ancient capital.</image:title>
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      <image:title>Articles - Kumihimo</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615870521443-P2OPTEFYNG8EDF58YOQI/%25E3%2581%258F%25E3%2581%25BF%25E3%2581%25B2%25E3%2582%2582.jpg</image:loc>
      <image:title>Articles - Kumihimo - History of Kumihimo In the ancient Jomon period (B.C. 145th century - B.C.10th century), the origins of simple Kumihimo were already seen in people’s daily lives. In the Asuka and Nara period (6th-8th century) in Japan, Kumihimo were made as craft works with sophisticated and complicated skills brought from Korea and China.   During the Heian (794-1185) and Kamakura (1185-1333) periods, braiding design evolved from the Chinese style to an elegant Japanese style and was used for a wide variety of objects, such as accessories on clothes or crowns, and ornaments on scrolls, boxes, instruments and furnishings.</image:title>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
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      <image:title>Articles - Hachiju Hachiya - Spring in Kyoto includes the occasional chilly night, and local farmers worry about their crops whenever temperatures dip. But they, and locals alike, can breathe a sigh of relief around the beginning of May. This day, called Hachiju Hachiya, or the 88th Night, literally, marks the beginning of the Japanese summer on the ancient Japanese calendar (the name denotes the number of days after risshun, the first day of spring). The weather turns warm, and rice, as well as other tender annuals, can be planted from this day forward without fear.</image:title>
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      <image:title>Articles - Hachiju Hachiya - How to Make the Best Cup of Green Tea? When brewing Japanese green tea, the temperature of the water greatly affects the final taste. A lower temperature brings out the flavor, while a higher temperature brings out the astringency. Here is the way to make a perfect cup of sencha.</image:title>
      <image:caption>1) Use 2 heaped tablespoons (about 10 grams) of leaves per 210 ml of water to draw out the full flavor of the tea. The proper balance between leaves and water is essential. Even a one-person serving requires 10 grams of leaves to produce the proper flavor. 2) 80℃ (176℉) is the best water temperature. To cool boiling water down to 80℃, you can pour it into tea cups before pouring it into the tea pot. This also serves to pre-warm the tea cups. 3) The tea will be ready one minute later. Try not to disturb (i.e. no shaking the teapot) the leaves during the steeping process, as this will bring out some bitterness. To ensure an even strength, pour a little tea into each teacup in turn, then repeat. 4) The last a few drops contain the essence of the tea’s best flavor. Don’t leave any tea in the tea pot! When brewing the 2nd and 3rd pot, no steeping is required. Just add 80℃ water, and serve immediately.</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-four-bdnfa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-13</lastmod>
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      <image:title>Articles - Miso - Not just for miso soup - Miso plays a vital part in Japanese cuisine, appearing regularly in sauces, glazes, marinades and dressings. Made of soybeans fermented with koji (fermented rice, or in some cases, wheat) and salt, miso gives anything it touches a rich and flavorful boost. As a bonus, it’s also full of nutrients, beneficial enzymes and protein.There are many kinds of miso available in Japanese grocery stores today, as you can see in Kyoto’s markets and shops. There’s miso with dashi already included, low salt miso, organic miso and aged miso. There are also different kinds of miso, which vary radically in flavor and that are used for various purposes.</image:title>
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      <image:title>Articles - Miso - Not just for miso soup - Creamy Miso Dressing (Serves 4)</image:title>
      <image:caption>Mix 2 tablespoons of Saikyo miso (or white miso) with 1 tablespoon of neri goma (roasted white sesame paste). The mixtures will be very thick. Gradually add dashi (broth), one tablespoon at a time, until the dressing is the consistency of cream sauce. The miso dressing will be a good accompaniment for almost any vegetables (often steamed or lightly boiled): carrot, potato, beans, radish as well as going on grilled eggplant, roasted chilies or even chicken. Leftover sauce can be kept in the fridge for a few days.</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-one-4flfr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-15</lastmod>
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      <image:title>Articles - White – The unlimited variations - White, bright, and sophisticated are probably the words to describe porcelain works by a ceramic artist, Katsuhisa Kitano whose focus is how to express “white.” White is probably the most simple and pure color and, therefore, it might be the most difficult color to achieve as one wishes because white can present almost unlimited varieties. “I find white interesting because I can create so many different varieties depending on which technique, glaze, clay and form I choose. White is like an open canvas that I can draw as I want. White gives me so much freedom,” Kitano states.</image:title>
      <image:caption>Although he was born into a ceramic artist family, Kitano never imagined he would follow the same path of a ceramic artist like his own father and grandfather. From the very beginning of his life, he has always been surrounded by ceramic works made by these two predecessors whose works were in classical Bizen style. Bizen is often characterized by the natural and unglazed texture of the clay and is less decorative than other ceramic styles. For young Kitano, such characteristics of Bizen appeared as too dark, too heavy, and to say most honestly, too boring. “Well, I was too young at that time to appreciate the true attraction of Bizen,” admits Kitano today.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-three-llz5x-nymm6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1602568246613-IO023JAGYHRTI5NIGVDE/IMG_1280.JPG</image:loc>
      <image:title>Articles - Touch and Learn Local Wisdom through Unique Tours</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1602568059487-UBAM3QBVI1KO17684LV6/191121villagetable-260.jpg</image:loc>
      <image:title>Articles - Touch and Learn Local Wisdom through Unique Tours - Village to Table's Recommended Tour Plans</image:title>
      <image:caption>All about Tea Tour to Uji in Kyoto - Explore stories behind the tea ceremony Matcha and the tea ceremony are becoming popular in Kyoto, but this tour is for the people more interested in the ingredients, where and how it grows. You can visit some historical tea stores of Uji and a tea farm in Wazuka town, and enjoy a home meal together with the tea farmer, listening to the stories behind matcha bowls and tea whisks. A wide variety of food-centered programs can be arranged. Check out Village to Table Tours’ website for more tour plans and details.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-three-llz5x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1602566006772-6EP3DMAJ31HFDYQG7SX9/_H1A4095.jpg</image:loc>
      <image:title>Articles - Meet Wild Lifes in Kyoto</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1602566884743-LW1MC64HFKBIDIQCO9G4/%E3%82%A2%E3%82%AA%E3%82%B5%E3%82%AE%E5%BE%A1%E8%8B%91.jpeg</image:loc>
      <image:title>Articles - Meet Wild Lifes in Kyoto - KNT'S Recommended Tour Plans: Kamo River Night Walk</image:title>
      <image:caption>The iconic Kamo River is abundantly blessed with aquatic wildlife including over 30 species of fish, four species of turtles, and the legendary Giant Salamander, the largest amphibian in the world. This tour will walk you along the banks and wade through the shallow areas of the river after sunset, when the wildlife is easiest to observe. Times: 18:00-20:00 / Duration: 2 hours / Price: ¥5,000 per person (with full equipment) / Age restriction: 15 years or older / Booking must be made by 18:00 two days before the tour.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-one-4flfr-dz38r</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1618472301805-9JIAA42E0MBHRFIEK3BV/Photo+2021-04-15+16+36+36.png</image:loc>
      <image:title>Articles - Thoroughly White - Thoroughly white, delicate and sophisticated. Seiko Wakasugi’s white porcelain works epitomize the beauty of curved lines. She receives her inspiration from plants, flowers and gentle body lines and figures which she describes as “feminine.” The precise forms of her porcelain are produced by a method called ikomi, or casting. Almost from the very beginning of her career as a ceramic artist, her focus has always been solely on purely white porcelain.   Why? “At the early stage of my career, I tried some other techniques such as shaping by hand (te-bineri) or using a rokuro (pottery wheel), however, I liked casting because I can contemplate more on the form during the production process compared to other techniques. And the reason why I create only white porcelains is simply because white is the color which makes the figure of the work stand out,” Seiko explains. In other words, Seiko seeks to make her work impress viewers simply by its perfect figure. In 2015, Seiko had an opportunity to stay in Limoges, France, for a year. Limoges has been a city of ceramics since the late 18th century due to its proximity to the areas where a suitable clay called Kaolin was discovered thus replacing Paris as the main center for private porcelain factories.</image:title>
      <image:caption>“I could have enjoyed my life as a ceramic artist without going to Limoges, but I can say today, that being out of Japan made a significant difference to my life. As a city of ceramics, Limoges gave me a number of fresh perspectives and ideas as well as encounters with new people and works. Living as a foreigner from a different cultural background, I was able to learn how different their communication styles are from ours in Japan. My time in France added a certain depth to my inner self as an artist and as a person,” recalls Seiko.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1618472402952-6W0ERSGVJS5NE6CY4W4P/%E8%8B%A5%E6%9D%89%E3%81%95%E3%82%93.jpg</image:loc>
      <image:title>Articles - Thoroughly White - “I still use casts of my early works which I exhibited in my first solo exhibition nearly 20 years ago. This is one of the good points about ikomi because I can reproduce almost the same items anytime as long as I have the cast. However, even using the same cast, the final work is never identical to former ones. There are many detailed stages to add after casting such as polishing by hand, which gives a unique identity to every piece.”     Not only from looking but also touching Seiko’s white porcelain will show you how precisely and finely she creates every work, from daily utensils like tea cups and pots to conceptual art objects.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968-dfz66-mlnm5-rmztt-ap9ys-2psgt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617851738154-L8UM20RDPG4OG1JNQNGR/img_4394.jpg</image:loc>
      <image:title>Articles - Japanese Knives – The Fundamental of Japanese Cooking - Aogami Kyoto is the ultimate destination to have an original “Washoku” Japanese cooking experience as well as deepening your knowledge about Japanese hocho kitchen knives in English or French. Alexandre Thorr, the founder of Aogami Kyoto, talks about his passion for food and why Japanese food culture is so attractive. Aogami Kyoto is the ultimate destination to have an original “Washoku” Japanese cooking experience as well as deepening your knowledge about Japanese hocho kitchen knives in English or French. Alexandre Thorr, the founder of Aogami Kyoto, talks about his passion for food and why Japanese food culture is so attractive.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617851875128-TK1MJAIDLR57XCGN2165/image1.jpeg</image:loc>
      <image:title>Articles - Japanese Knives – The Fundamental of Japanese Cooking - In addition to learning Japanese cooking, participants can learn about Japanese hocho and its cutting techniques through Alexandre’s deep knowledge and experiences. Not only has he learned how to use them, his curiosity made him visit time-honored hocho production areas in Japan, such as Seki in Gifu and Sakai in Osaka. Through watching shokunin craftsmen’s works in the studio and engaging in conversations with them, his knowledge and passion for Japanese hocho and cooking grew even deeper.   “Which hocho you choose and how to use it affects the final taste and appearance of the dishes. Cutting food with a sharp hocho is not only meant to make food easier to eat but also to improve flavor and preserve ‘umami’,” Alexandre confirms. It is true that maintaining a hocho requires time and knowledge, however, the longer you take and cherish a hocho, the more it becomes the only one hocho for you through the years.   Join Alexandre’s class at Aogami Kyoto and let him share his experiences, knowledge and passion for Japanese cooking and hocho. Participants will discover full knowledge of local ingredients, how to cook several typical delicious dishes, and how to use and maintain hocho after his intimate and educational class.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617851525018-XHS7YZXHAOFN9ELVF3AH/%E5%8C%85%E4%B8%81%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8.jpg</image:loc>
      <image:title>Articles - Japanese Knives – The Fundamental of Japanese Cooking</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617851960667-JQO1RIR8Y5EKF3GIEFQH/image3.jpeg</image:loc>
      <image:title>Articles - Japanese Knives – The Fundamental of Japanese Cooking - Aogami Kyoto Contact Alexandre and discuss with him to find the best class for you.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968-dfz66-mlnm5-rmztt-ap9ys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617850679791-2DTY34Y5ORN3OR5PY4G8/P6190051.JPG</image:loc>
      <image:title>Articles - Create and Present Joy through Bamboo</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617851112196-JI59TLVGC8H5MKQC1P9K/P6190041.JPG</image:loc>
      <image:title>Articles - Create and Present Joy through Bamboo - Bamboo Craft Studio KISETSU Advance booking is necessary before visiting the studio. Booking through “Kyoto Artisans Concierge” is recommended as you can make the booking online and can arrange an interpreter free of charge: www.kyotoartisans.jp/en/</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617850869180-SL0NP9UCUKAKFQDVZV7G/P6190027.JPG</image:loc>
      <image:title>Articles - Create and Present Joy through Bamboo - “Once I started to learn, the more I learned about bamboo, the more I became fascinated by its beauty and complexity. For example, making a ceramic work offers more extensive freedom while bamboo has some limits. What I mean is that because bamboos have knots at every certain length, the length between two knots decides the size of material, thus, the size of the final craft we can create. It is very important to make a concretely structured plan, how we will knit the parts and put them together to achieve the final look. It is the most difficult but the most interesting part I find in my job.”   A few years after finishing the course, Hosokawa moved to Kyoto City and started his life as an independent bamboo craftsman at his studio, Kisetsu, in 2011.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968-dfz66-mlnm5-rmztt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617850295030-EWRWIHTN489WOT08NAYB/%E5%B5%90%E5%B1%B1%E7%AB%B9%E6%9E%97.jpg</image:loc>
      <image:title>Articles - Amazing Bamboo - Architecture is the realm in which the use of bamboo in Japan is perhaps most appreciated, with the ready availability of bamboo having significantly shaped the design of all manner of buildings, from traditional inns or ryokan, to restaurants, tea houses, and homes. In all cases, the medieval Japanese aesthetic notion of wabi-sabi, which among other things emphasizes the ideal of naturalness, has resulted in a traditional retention of bamboo’s original structure and appearance. Bamboo has also found prominence in other areas of Japanese visual arts, being a recurring subject in the art of ukiyo-e, or woodblock printing. In the realm of Japanese theatre, bamboo is often featured in compositions of lyrical Noh and Kabuki, and as a literary motif, bamboo has been favored for even longer. The motif of bamboo grouped with a pine tree and plum blossoms was introduced in medieval times, and symbolizes perseverance in the face of life’s difficulties; the ranking involved in this arrangement – “Sho Chiku Bai”, or pine, bamboo, and plum – has also been traditionally used when ordering sushi courses. Bamboo even has a religious significance in Japan: bamboo forests sometimes surround Shinto shrines as part of a sacred barrier against evil. Bamboo can be seen and enjoyed all over Kyoto – it is a common sight to see groves in the yards of residential properties. Perhaps the most famous forests in the city are those around the Daitoku-ji Temple complex, and especially the great bamboo grove in Sagano, adjacent to Tenryu-ji Temple in Arashiyama. Bamboo is also grown at the Kyoto Botanical Gardens.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617849750288-MQCRKJ9S0RZPKR772KFY/DSCF5378+%282%29.JPG</image:loc>
      <image:title>Articles - Amazing Bamboo</image:title>
      <image:caption>© Jeremy Hoare</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968-dfz66-mlnm5-4ydfs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1616740258779-1HWZ337SVL4D4KOVOEC5/Atelier+CASO+2018.jpg</image:loc>
      <image:title>Articles - Interview with Yuu Tsukinaga - Yuu Tsukinaga, a Kyoto-based artist, calls herself a “painter of Shinto &amp; Buddhist art.” From this title, some might imagine classical and austere Japanese paintings which depict Buddhist statues and Shinto figures in a calligraphic style. However, viewers will be instantly impressed by Yuu’s paintings that are far different from such an image. Yuu discovered her life mission to be a painter at the age of only eleven. How has she achieved her goal and what vision of the future does she focus on through her spiritual paintings?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1616740228444-1RJC3I76QNPHJ2KHUJLX/2.jpg</image:loc>
      <image:title>Articles - Interview with Yuu Tsukinaga</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1616741643942-5BVA1CZKC8TIZV87FO1Z/_MG_0038.jpg</image:loc>
      <image:title>Articles - Interview with Yuu Tsukinaga</image:title>
      <image:caption>Her mission: to live as a painter of Shinto &amp; Buddhist art It sounds like Yuu is not solely a painter whose main motif features Shinto and Buddhism. What is behind her purpose of creation? “To me, motifs inspired by the Shinto and Buddhism have no preordained form. When I create my work, I feel I transfer an image or a symbol that enters into my mind onto a canvas. Therefore, I really have no sense that I actually ‘create’ the work as an expression of my own will but I am just a medium with no sense of self who delivers the image or the message from somewhere. Curiously, I am not satisfied with my finished work when I try to create a work with my own strong and preconceived intention.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/blog-post-title-two-3g968-dfz66-mlnm5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1616730219291-J80AJ9V5VOUHWFWYINMS/JKL09861.jpg</image:loc>
      <image:title>Articles - Inspired by the Old  Capital - Interview with June Kimberly Lau - “OBI BOW” – Two sides of the bow comes together, just like two tying the knot Whilst in Kyoto, June found a well-kept secret, a fabric vault hidden beneath the grounds of Gion. The vault contained never worn antique kimono fabric that had been hand woven and painted over one hundred years ago. Each fabric swatch is unique meaning there is only a single meter of each piece in existence. Kimono and obi tying is a heritage art form in Japanese culture. June has curated a story that breathes life into the ancient fabric – that is her OBI BOW series: Each piece is pre-tied in traditional obi format for a contemporary take on a bow tie. The two sides of the bow come together by tying a knot in between, much like two in love sharing their symbolic vows of a lasting unity. It is about two “tying the knot” which symbolizes unbreakable pledges in their future together.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1616729033456-3UNPR6S9JAD9WGN4GTU8/20180629_080949046_iOS.jpg</image:loc>
      <image:title>Articles - Inspired by the Old  Capital - Interview with June Kimberly Lau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1616729082886-3P8HVF36AU3IS0AAL1LW/JKL.JPG</image:loc>
      <image:title>Articles - Inspired by the Old  Capital - Interview with June Kimberly Lau - June Kimberly Lau from Hong Kong is one of the leading product designers from the area. In 2016, June founded Novel Fineries, a brand built on telling the stories of dying art forms from around the world for the purpose of revitalizing heritage art forms into modern day wearable art pieces (www.novelfineries.com). She received the prestigious Design for Asia award in 2016 and was chosen to represent Hong Kong at the SS17 Paris fashion week. June’s unique approach and passion for artisanal heritage, naturally, drew her heart to Kyoto, the capital of Japanese artisanship and craftsmanship. What has she discovered in Kyoto and how has she incorporated inspirations from the city into her new creations?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/category/Water</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/category/Art</loc>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/category/Food+culture</loc>
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  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/category/Cooking</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/May</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Recipe</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Interview</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Traditional+Craft</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Shopping</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Yuzu</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Food</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Nature</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Kumihimo</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Craft</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Traditional+Japanese+Art</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Walking</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Tea</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Experience</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Art+%26+Craft</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Seasonal+tradition</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Ceramic</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/category/Bamboo</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Water</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Art</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Food+culture</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/KVG+Revival</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Craft</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/green+tea</loc>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/tag/Saiun-do</loc>
    <changefreq>monthly</changefreq>
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  </url>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/food</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Gallery</loc>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Japanese+Art</loc>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/tag/Ceramic</loc>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/articles-1/tag/interview</loc>
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  </url>
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    <loc>https://www.kvg-kyoto.com/articles-1/tag/Bamboo</loc>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-12-01</lastmod>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/tadasunomori</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c06205e4-8760-441a-819b-e57124b08da1/3568703_l.jpg</image:loc>
      <image:title>New Stories - Winter Stillness: Morning Walks at Tadasu-no-Mori - Tadasu-no-Mori, literally “the Forest of Purification,” is an ancient lowland forest located within the precincts of Shimogamo Shrine, covering approximately 12 hectares between the Kamo and Takano rivers. It has been preserved since the Heian period and represents one of the last remnants of the primeval forest that once covered the Kyoto Basin. The woodland is home to around 4,700 trees from over 40 species—including camphor, zelkova, oak, and hackberry—forming a diverse ecosystem that maintains its natural structure despite the surrounding urban environment.</image:title>
      <image:caption>Designated as part of the UNESCO World Heritage Site “Historic Monuments of Ancient Kyoto,” Tadasu-no-Mori holds both ecological and cultural significance as a living link between nature and the city’s early history. Visitors can enjoy a tranquil walk along the forest’s shaded paths, where dappled sunlight, birdsong, and the gentle sound of flowing water evoke the serene atmosphere of Kyoto’s ancient landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/0ddd159b-6da7-455c-9161-d56183e85f1c/3468696_l.jpg</image:loc>
      <image:title>New Stories - Winter Stillness: Morning Walks at Tadasu-no-Mori - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/lightcycleskyoto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/abbaeeb1-f41c-4cd3-b18d-43a64b3fa1d2/LightCyclesKyoto_MomentFactory_2025_ZONE2_2.jpg</image:loc>
      <image:title>New Stories - Light Cycles Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-december</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/eda8ff2f-e7a0-401b-af51-75cf7893bafa/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-11-23+161953.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE December 2025/January 2026 has been published - This Month’s Features:</image:title>
      <image:caption>Welcoming the New Year, Kyoto Style — Discover how Kyoto’s timeless traditions mark the passage from one year to the next KYOTO NOW: Light Cycles Kyoto — An Immersive Winter Illumination at Kyoto Botanical Garden What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Winter Stillness: Morning Walks at Tadasu-no-Mori — Where frost and prayer meet beneath thousand-year trees</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/inpraise-of-shadows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/784a5bb4-3a12-44cd-85f4-be4ddb638374/_DSC9796.JPG</image:loc>
      <image:title>New Stories - In Praise of Shadows - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1cb07812-7277-426d-85bf-4bc2e0121fcf/%E6%9D%B1%E5%AF%BA%E3%83%A9%E3%82%A4%E3%83%88%E3%82%A2%E3%83%83%E3%83%97%E3%81%A8%E9%B7%BA.jpg</image:loc>
      <image:title>New Stories - In Praise of Shadows - Eikando Temple 永観堂 : Nov. 15–Dec. 10; 17:30–20:30 (doors close at 21:00); ¥700; Kyoto City Bus #5, Nanzen-ji/Eikando-michi stop; Renowned since ancient times as one of Kyoto’s best maple-viewing spots, around 3,000 maple trees adorn its stroll garden with a pond, highlighting landmarks such as the Tahoto Pagoda and the Mieido Hall in vibrant hues.</image:title>
      <image:caption>Kiyomizu Temple Night-time Special Opening &amp; Illumination</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b0317de6-c110-450f-901a-f970aed55a36/DSCF1697_01.JPG</image:loc>
      <image:title>New Stories - In Praise of Shadows - In 1933, novelist Jun’ichiro Tanizaki wrote his classic essay In’ei Raisan (In Praise of Shadows), a meditation on the beauty of dimness and obscurity. Tanizaki lamented the arrival of Western electric lighting, which flooded Japan with brightness and erased the half-tones of traditional spaces.</image:title>
      <image:caption>For him, lacquer bowls glowed deepest in a candlelit room; a paper lantern revealed its charm only when its light was muted. Shadows gave architecture its mystery and dignity. He argued that beauty in Japan was not found in stark clarity, but in suggestion—in what is half-seen, half-felt. Tanizaki’s ideas resonate strongly with Kyoto, where temples, teahouses, and wooden townhouses still preserve environments shaped by shadow. His essay is more than nostalgia—it is a cultural lens, reminding us that Japanese aesthetics often prize ambiguity over clarity, restraint over exposure, and depth over surface. Kyoto remains one of the best places to experience what Tanizaki described. Step into a machiya townhouse at dusk: the glow filtering through paper shoji screens creates an atmosphere both humble and profound. Visit a Zen garden as twilight falls, and the stones and raked gravel shift into abstraction as shadows stretch across the surface. It is in these moments, when light is subdued, that Kyoto’s spirit reveals itself most deeply.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/japangardenseminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/66b31d37-cc8b-4658-bc11-57a3ac3f4e36/garden+3.jpg</image:loc>
      <image:title>New Stories - Tools for Understanding the Japanese Garden - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kikuichimonji</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6a9f9f25-88c6-400e-bf3a-d0aa4e1888ef/Photo+2025-10-01%2C+16+03+55.jpg</image:loc>
      <image:title>New Stories - Kikuichimonji Karasuma Store Reopened! - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/autumnleaves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/547c5355-902e-42b2-9659-f794b9f3ef00/%E5%96%84%E5%B3%AF%E5%AF%BA.jpg</image:loc>
      <image:title>New Stories - Autumn Leaves in Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>Brilliant autumn leaves frame the grand gate of Yoshimine Temple, where mountain air and vivid colors create a moment of serene beauty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/45647daa-4b3e-4559-9412-7b5aca05a669/25317852_l.jpg</image:loc>
      <image:title>New Stories - Autumn Leaves in Kyoto - The Japanese word for autumn leaf viewing is momijigari, literally “hunting for red leaves.” This tradition dates back over a thousand years, when aristocrats of the Heian period (794–1185) composed poetry and painted scenes celebrating the changing seasons.</image:title>
      <image:caption>In Buddhism, which profoundly shaped Kyoto’s cultural life, autumn leaves symbolize impermanence (mujō 無常), reminding us that all things are transient. Just as blossoms fall in spring, leaves blaze brightly before fading away—an image of beauty that is fleeting but deeply moving. Shinto, Japan’s indigenous faith, also plays a role in the reverence for autumn. Many shrines are nestled within ancient forests, where nature itself is considered sacred. The changing leaves are seen as an expression of the divine, inviting visitors to reflect on their connection with the natural world. This intertwining of faith and cultural heritage adds depth to the seasonal spectacle, transforming a simple walk through the trees into a moment of contemplation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7a037982-f547-497b-b5de-16aa35c30642/%E6%B8%85%E6%B0%B4%E5%AF%BA.jpg</image:loc>
      <image:title>New Stories - Autumn Leaves in Kyoto - Make it stand out</image:title>
      <image:caption>Kiyomizu Temple Night-time Special Opening &amp; Illumination</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-november</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f7d9fca6-55e6-4353-a24f-97ab978e219d/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-11-23+161111.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE November 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Autumn Leaves in Kyoto — Beauty, Belief, and Timeless Tradition Mingei — Japan’s Folk Craft Movement and Kyoto’s Legacy What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people In Praise of Shadows — Experiencing Kyoto’s Play of Light and Depth</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/fruitpicking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/22a50837-618f-498f-9492-61a546f10a2d/24873933_l.jpg</image:loc>
      <image:title>New Stories - Harvest Time in Kyoto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ca9d5e6c-314d-4d7b-88d8-c18c68e96223/2832459_l.jpg</image:loc>
      <image:title>New Stories - Harvest Time in Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-october</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b3f05692-ac7f-4f6d-86ac-e8559ef3db53/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-10-30+203559.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE  October 2025 has been published - This Month’s Features:</image:title>
      <image:caption>A Century of Canvas: The Spirit of Kyoto in Every Stitch — Ichizawa Shinzaburo Hanpu Harvest Time in Kyoto — Autumn Fruit-Picking Adventures What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Jidai Matsuri Festival — A Picturesque Procession ofKyoto’s 1,200 Years of History</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/shinzaburohanpu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7d01c723-7e9a-4f6d-ba5c-3b830134b3fb/%E8%81%B7%E4%BA%BA%E3%81%AE%E4%BD%9C%E6%A5%AD%E9%A2%A8%E6%99%AF.jpg</image:loc>
      <image:title>New Stories - A Century of Canvas - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4929b2a5-1282-4c42-a26f-70d4e9d555c7/%E7%94%BB%E5%83%8F_B.jpg</image:loc>
      <image:title>New Stories - A Century of Canvas - A Commitment to Craft</image:title>
      <image:caption>At the heart of Ichizawa Shinzaburo Hanpu’s philosophy is a sincere dedication to making things well. Every bag is made from specially woven canvas, dyed to rich colors, waterproofed, and assembled with custom-ordered threads and fittings. Even today, vintage Singer sewing machines from before the war are still in daily use. Each bag is made by a team of two: a senior craftsman on the sewing machine and a junior shitashoku, who marks the fabric, attaches fittings, and assists with details. It can take seven or eight years of training before an apprentice becomes skilled enough to operate the sewing machines independently. This careful passing down of knowledge ensures that the quality of each bag never wavers. Unlike mass production, their process is slow and meticulous—but that’s precisely why the bags last for decades. For the artisans, it is not simply work; it is a matter of responsibility and joy. Without manuals to follow, they rely on their own ingenuity and creativity, ensuring each bag carries a personal touch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/712cfe67-4492-41e7-951a-bb5bdb7df757/%E3%80%90A%E3%80%91_%E5%B7%A5%E6%88%BF%E9%81%93%E5%85%B7_%E6%9C%A8%E6%A7%8C.jpg</image:loc>
      <image:title>New Stories - A Century of Canvas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3f028239-08f8-4f6d-9b71-aacd07f48a79/%E3%80%90%E8%BF%BD%E5%8A%A0%E5%B8%8C%E6%9C%9B%E3%80%91_%E5%BA%97%E5%A4%96%E8%A6%B3_%E6%AD%A3%E9%9D%A2.jpg</image:loc>
      <image:title>New Stories - A Century of Canvas - Ichizawa Shinzaburo Hanpu Open: 10:00–18:00 Closed Tues; 602 Takabatake-cho, Higashiyama-ku, Kyoto www.ichizawa.co.jp/en</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/bunzaburo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c7d3b020-7fa1-471b-bd97-e51c02d02028/21.png</image:loc>
      <image:title>New Stories - Reimagining Shibori with Kyoto Spirit - Housed in a beloved Kyo-machiya (traditional Kyoto-style townhouse), the building had aged gracefully but required structural renewal after nearly a century. The first floor began retail operations in 2004, but until now, little had changed. Recognizing the cultural value of the machiya itself, the company undertook a thoughtful renovation — aimed not just at restoring, but reimagining the space for the next generation.</image:title>
      <image:caption>The newly reopened first floor continues to showcase the brand’s signature creations: BUNZABURO’s iconic polyester scarves, bags, and garments with their distinctive shibori textures, alongside Katayama Bunzaburo Shoten’s silk apparel and accessories. Meanwhile, the second floor, formerly used as office space, has been transformed into a showroom and salon for the new brand KATAYAMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/60566dc8-07a4-42b4-8a4a-8bb351277997/28.png</image:loc>
      <image:title>New Stories - Reimagining Shibori with Kyoto Spirit - Make it stand out</image:title>
      <image:caption>BUNZABURO: 10:00–18:30; https://www.bunzaburo.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/cce844d2-0347-42fb-b352-bc551fc3925d/7.jpg</image:loc>
      <image:title>New Stories - Reimagining Shibori with Kyoto Spirit - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-september2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9b54ac55-0432-4113-8b0d-219966785ee4/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-10-30+013736.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE September 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Reimagining Shibori with Kyoto Spirit — “Shibori in New Form” by BUNZABURO Celebrating the Beauty of Hair of Japan — The Annual Comb Festival &amp; Hair Ornament Exhibition What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Wabi-sabi and Mono-no Aware — Sensing the Subtle Beauty of Kyoto</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/wabisabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/369f26c6-b700-4845-b442-9659a56a8b18/1007847_l.jpg</image:loc>
      <image:title>New Stories - Wabi-sabi and Mono-no Aware - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>The moss garden of Saiho-ji Temple (Moss Temple), a UNESCO World Heritage Site, offers a serene expression of Japan’s wabi-sabi philosophy—an appreciation for simplicity, impermanence, and the beauty found in nature’s quiet rhythms</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/izumikatoxchiso</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/21396809-f190-495c-b608-cb1280665cc4/Kimono_1.jpeg</image:loc>
      <image:title>New Stories - “Izumi Kato × Chiso: Painting in Kimono” - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b487e790-8050-4d36-8341-fa70647dc051/Exhibition_1.jpg</image:loc>
      <image:title>New Stories - “Izumi Kato × Chiso: Painting in Kimono” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6a34baab-b59b-4900-9af0-3c24ced912f5/Working_1.jpg</image:loc>
      <image:title>New Stories - “Izumi Kato × Chiso: Painting in Kimono” - Celebrating its 470th anniversary in 2025, and marking this milestone, Chiso Gallery is now hosting the exhibition “Izumi Kato × Chiso: Painting in Kimono,” which showcases works co-created with contemporary artist Izumi Kato.</image:title>
      <image:caption>This project began several years ago and came to fruition after extensive experimentation. Notably, the kimono-shaped works were crafted based on Kato’s sketches, employing 20 to 30 traditional processes such as Itome Yuzen, hand-painted Yuzen, shibori tie-dyeing, embroidery, and tailoring.  These creations involved the collaboration of over 20 highly skilled artisans based in Kyoto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e4606ebd-5cc2-4690-955b-9b706202b99a/Working_3.jpg</image:loc>
      <image:title>New Stories - “Izumi Kato × Chiso: Painting in Kimono” - Production took place both at Chiso’s in-house workshop and at specialized studios throughout Kyoto Prefecture.  Kato himself visited Kyoto multiple times, actively participating in the creation process.  His distinctive motif, known as “Hito-gata” (human figure), was painted by himself using traditional Yuzen dyeing techniques, working side by side with the artisans.  This marks a rare occurrence in Chiso’s long history, as non-Yuzen artisans seldom contribute directly to the dyeing process on kimono fabric.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/buddhist-accessories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/46cae85a-e5e0-47f1-9a92-789928141528/pg02+%E4%BB%8F%E5%85%B7.jpg</image:loc>
      <image:title>New Stories - Buddhist Accessories - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/karakami</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6b2eecc9-6766-4b69-b89a-c09ef4001991/%E4%BD%93%E9%A8%93%E3%81%AE%E6%A7%98%E5%AD%90.jpg</image:loc>
      <image:title>New Stories - Timeless Touches: The Art of Karakami - Maruni - Preserving and Sharing Karakami Today</image:title>
      <image:caption>Among one of Kyoto’s most revered Karakami studios is Maruni, established in 1901. This studio in the heart of the city has preserved Karakami craftsmanship. Maruni holds an archive of over 300 wooden printing blocks and continues to produce hand-printed papers using traditional methods. Their patterns range from classical court motifs to subtle nature-inspired themes, each imbued with history and elegance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/02bb1b77-b986-4cf8-89cf-569f4a0809b9/koubou_4.jpg</image:loc>
      <image:title>New Stories - Timeless Touches: The Art of Karakami - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>Each piece of Karakami paper is carefully hand-printed using traditional tools and techniques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3d4e269b-8af4-4734-bd56-67a6f128de11/%E5%94%90%E4%B8%B8%E5%BA%97%E5%86%85.jpg</image:loc>
      <image:title>New Stories - Timeless Touches: The Art of Karakami</image:title>
      <image:caption>To share this cultural heritage with the public and the next generation, Maruni has created Karamaru, a hands-on Karakami experience studio and shop. At Karamaru, visitors can learn about the history and techniques of Karakami while trying their hand at printing their own paper using authentic blocks and pigments. This interactive experience invites deeper appreciation for the precision and creativity involved in the craft, offering a unique souvenir infused with a personal touch and cultural depth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e029568b-6baa-4dcf-8413-f632298661f3/%E7%89%88%E6%9C%A8.jpeg</image:loc>
      <image:title>New Stories - Timeless Touches: The Art of Karakami - Hangi: Wooden plates hand-carved with characters or patterns. At Maruni, many woodblocks dating back a few centuries are still in use</image:title>
      <image:caption>Today, Karakami is cherished not only for its beauty but also for its rarity. Few studios still practice this labor-intensive craft, making each piece a precious artifact of living tradition. Beyond traditional uses in homes and temples, Karakami is now incorporated into modern design objects, stationery, and art installations, connecting ancient sensibilities with contemporary aesthetics.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-august2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/39a722e7-d516-4bc4-972b-c4a31049122e/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-07-17+120636.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE August 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Timeless Touches: The Art of Karakami — A journey through 1,000 years of handcrafted beauty Buddhist Accessories — Essential for religious faith in Japan What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Izumi Kato x Chiso Collaboration Exhibition — An extraordinary exhibition where “contemporary” meets “tradition”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kawadoko</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7f2a0764-353f-4190-97ea-22f998dd0f2d/22480293_m.jpg</image:loc>
      <image:title>New Stories - Dining on the River - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-july</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/35fb1dee-7648-4436-ba51-9951cd882205/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-07-09+114142.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE July 2025 has been published - This Month’s Features:</image:title>
      <image:caption>The Soul of Kyoto: Gion Matsuri Festival -        A Journey Through Tradition, Pageantry, and Community Spirit What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Dining on the River – The Unique Charm of Kawadoko in Kibune</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/dawnserenity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c0597c68-68a8-433b-960d-65f78737b8b7/4418627_l.jpg</image:loc>
      <image:title>New Stories - Dawn Serenity - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/pearl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/87623184-72d0-4fce-98b1-b4e734c36e0a/29504963_l.jpg</image:loc>
      <image:title>New Stories - Japanese Pearls</image:title>
      <image:caption>Where to Experience Japanese Pearls in Kyoto TASAKI Kyoto Boutique – Known for its modern and artistic pearl jewelry, TASAKI blends traditional pearl cultivation with contemporary designs.  Mikimoto Kyoto – The brand that pioneered pearl farming, Mikimoto offers classic and exquisite pearl pieces reflecting Japan's rich heritage (located in Takashimaya and Isetan Department Store). enwsp Kyoto Shijo – No two pearls are exactly the same.  Enwsp provides a special space where customers can encounter their own one-of-a-kind treasure.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/778b9501-a1fa-4d63-9cc1-2f609f67771f/24524849_l.jpg</image:loc>
      <image:title>New Stories - Japanese Pearls - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-june</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/795a0418-e712-4de9-92a5-8dcac24ab795/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-07-09+114058.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE June 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Honoring the Spirit of Summer with Tradition -        Nagoshi-no Harae - Seasonal Rituals in Kyoto Japanese Pearls – Find A Timeless Natural Treasure of Japan What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Dawn Serenity – The Art of Morning Temple Visits in Kyoto</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/run</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e9f41ad5-e4ac-43a5-8565-01a0e9d6a172/%E9%B4%A8%E5%B7%9D.jpg</image:loc>
      <image:title>New Stories - Run Through Kyoto - Practical Tips for Jogging in Kyoto</image:title>
      <image:caption>When to Run: Early Mornings: Kyoto’s streets and attractions can get busy during the day, so early mornings are ideal for running. Etiquette: Respect locals and avoid running through temple and shrine grounds unless permitted.  Stick to designated paths and avoid busy pedestrian areas.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dfb5ed27-cfa3-4499-bb0c-b24548a5fa6b/26593137_m.jpg</image:loc>
      <image:title>New Stories - Run Through Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f01f5b5c-5cc2-4b5a-bb7a-258ca7d038e3/%E8%A1%A84+%E5%BE%A1%E6%89%80.jpg</image:loc>
      <image:title>New Stories - Run Through Kyoto</image:title>
      <image:caption>l  Imperial Palace Park and Kyoto Gyoen The grounds of the Kyoto Imperial Palace (Kyoto Gyoen) are a haven for runners seeking a quiet, shaded route.  The park encircling the palace offers wide, gravel paths surrounded by old trees, making it a refreshing escape from the city’s bustle.  You can start your run at Imadegawa Station or Marutamachi Station, and loop around the palace grounds. This area is flat and family-friendly, ideal for a light jog or even a brisk walk.  You can catch glimpses of the palace buildings through the gates, adding a historical element to your workout.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/dashi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8cd6284e-1ea1-4551-851e-8d6a8905b3ef/23503158_l.jpg</image:loc>
      <image:title>New Stories - Dashi - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a05dca34-3504-43d6-9790-bcbc944433b6/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-07-09+115749.png</image:loc>
      <image:title>New Stories - Dashi</image:title>
      <image:caption>Popular Ingredients of Dashi Kombu (Kelp): Harvested from the cold waters around Hokkaido, kombu provides the foundational umami in dashi. It is rich in glutamate and has a subtle, oceanic flavor.  Katsuo-bushi (Bonito Flakes): Made from fermented and smoked skipjack tuna, katsuo-bushi adds a smoky, savory depth to dashi.  It is a quintessential ingredient in Japanese cuisine.  Niboshi (Dried Sardines): These small, dried fish create a dashi with a robust, briny flavor, often used in hearty soups and noodle dishes.  Shiitake Mushrooms: Dried shiitake mushrooms contribute a rich, earthy flavor to vegetarian dashi, making them a popular choice for plant-based diets.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-april2025-k885h</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d30be8f0-9cff-4080-9f35-c69481194064/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-07-09+114023.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE May 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Dashi - The Essence of Japanese Cuisine Aoi Matsuri Festival – Kyoto's Majestic Festival of Tradition What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Run Through Kyoto – Recommended jogging and routes for runners of all levels</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/nihonga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/20b411b5-1323-4b34-8ec6-a0d7ff33a6d2/07-1_%E9%A2%A8%E7%A5%9E%E9%9B%B7%E7%A5%9E%E5%9B%B3%E5%B1%8F%E9%A2%A8%28%E5%B7%A6%E9%9A%BB%E3%83%BB%E5%8F%B3%E9%9A%BB%29_300dpi_%E5%86%8D%E5%8A%A0%E5%B7%A5.jpg</image:loc>
      <image:title>New Stories - Nihonga: A Legacy of Japanese Aesthetics</image:title>
      <image:caption>National Treasure, Wind God and Thunder God. By Tawaraya Sōtatsu (n.d.). Edo period, 17th century. Kennin-ji Temple, Kyoto. *These works on view the special exhibition “Japan, an Artistic Melting Pot” at the Kyoto National Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/2ce1841f-2bec-4ef4-b25a-a258c4a28018/02-1_%E5%AF%8C%E5%B6%BD%E4%B8%89%E5%8D%81%E5%85%AD%E6%99%AF+%E7%A5%9E%E5%A5%88%E5%B7%9D%E6%B2%96%E6%B5%AA%E8%A3%8F_300dpi.jpg</image:loc>
      <image:title>New Stories - Nihonga: A Legacy of Japanese Aesthetics - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>“Under the Wave off Kanagawa,” also known as “The Great Wave,” from the series Thirty-six Views of Mount Fuji / By Katsushika Hokusai (1760–1849) / Edo period, about 1831 / Hagi Uragami Museum, Yamaguchi *This work on view the special exhibition “Japan, an Artistic Melting Pot” at the Kyoto National Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4771ae3f-cee0-4e5a-b310-8f07ddf9d4ca/02-2_%E5%AF%8C%E5%B6%BD%E4%B8%89%E5%8D%81%E5%85%AD%E6%99%AF+%E5%87%B1%E9%A2%A8%E5%BF%AB%E6%99%B4_300dpi.jpg</image:loc>
      <image:title>New Stories - Nihonga: A Legacy of Japanese Aesthetics - “Fine Wind, Clear Weather,” also known as “Red Fuji,” from the series Thirty-six Views of Mount Fuji. By Katsushika Hokusai (1760–1849). Edo Period, about 1831. Hagi Uragami Museum, Yamaguchi. *This work on view the special exhibition “Japan, an Artistic Melting Pot” at the Kyoto National Museum.</image:title>
      <image:caption>It was not until the beginning of the Meiji period (1868-1912) that China’s position as Japan's cultural mentor was replaced by Europe.  Soon Japan came under the influence of the Western tradition of oil painting.  In no time at all, Japanese art, literature, and music were more and more like branches of the Western arts.  As is common in such circumstances, a counter-reaction set in almost immediately.  Perhaps it was at this time that the concept of Nihon-ga as a style of art different from the Western style (Yo-ga) came to be accepted.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b53d6c73-42f8-4f7e-8562-7f5851467498/02-3_%E5%AF%8C%E5%B6%BD%E4%B8%89%E5%8D%81%E5%85%AD%E6%99%AF+%E5%B1%B1%E4%B8%8B%E7%99%BD%E9%9B%A8_300dpi.jpg</image:loc>
      <image:title>New Stories - Nihonga: A Legacy of Japanese Aesthetics - “Rainstorm beneath the Summit,” from the series Thirty-six Views of Mount Fuji. By Katsushika Hokusai (1760–1849). Edo period, about 1831. Hagi Uragami Museum, Yamaguchi. *This work on view the special exhibition “Japan, an Artistic Melting Pot” at the Kyoto National Museum.</image:title>
      <image:caption>April 19–June 15 Special Exhibition Commemorating EXPO2025 Osaka, Kansai "Japan, an Artistic Melting Pot" at Kyoto National Museum In the year of the World Expo in Osaka, this special exhibition brings together the greatest treasures of Japanese art, which were dynamically shaped by cultures from overseas throughout time.  Featuring paintings, sculptures, calligraphic works, and decorative arts from ancient times through the modern era, the exhibition displays approximately 200 cultural properties tracing the history of intercultural exchange within Japanese art. ¥2,000; 9:00-17:30 (last entry 17:00), until 20:00 on Fri. (last entry 19:30); Closed Mon.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-april2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c377eefc-866c-46f0-8dd3-c1ecba368e02/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-03-30+174845.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE April 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Sakura Viewing in Kyoto ー A meditation on impermanence A Blend of Time and Taste — Modern cafes in historic buildings What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people Nihonga: A Legacy of Japanese Aesthetics ー A Journey Through Japan’s Traditional Painting</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kids-friendly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d7505831-e75b-4bae-845c-c8e0caefaca4/%E3%83%A2%E3%83%B3%E3%82%AD%E3%83%BC%E3%83%91%E3%83%BC%E3%82%AF.jpg</image:loc>
      <image:title>New Stories - Family-Friendly Kyoto - Nature and Adventure</image:title>
      <image:caption>The Arashiyama Bamboo Grove offers more than just scenic walks. Local guides provide morning "Bamboo Grove Tours" where children learn about this remarkable plant's growth and uses.  The path's natural acoustics create fascinating sound experiences as the bamboo stalks sway and knock together.  map D, e-1; admission free. At Iwatayama Monkey Park, the experience goes beyond monkey watching. The hiking trail features educational signage with fun facts about Japanese macaques, and staff members regularly give talks about monkey behavior and conservation.  At the top, children can feed the monkeys from inside a protected station.  The observation deck also offers spectacular views of Kyoto, making it a perfect spot for family photos.  map D, e-1; Adults ¥800, Children 4-15 ¥400; 9:00-16:00; closed irregularly.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ebdf626c-3663-4075-b913-19a78b51159a/%E3%83%A2%E3%83%B3%E3%82%AD%E3%83%BC%E3%83%91%E3%83%BC%E3%82%AF+%E5%B7%AE%E3%81%97%E6%9B%BF%E3%81%88.jpg</image:loc>
      <image:title>New Stories - Family-Friendly Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e243b463-e332-4e47-b8c1-b513add87bcf/%E3%83%8B%E3%82%AC%E3%82%AA%E3%82%A8%E3%82%B3%E3%83%BC%E3%83%8A%E3%83%BC.jpg</image:loc>
      <image:title>New Stories - Family-Friendly Kyoto - Interactive Cultural Experiences</image:title>
      <image:caption>The Kyoto International Manga Museum transforms comic appreciation into an immersive cultural journey. Beyond its vast manga collection, visitors can have their portrait painted by professional artist. Why not make your trip memorable with a portrait of your family with a beautiful smile? (¥2,000 per person) map D, D-3; Adults ¥1,200, Students 13-18 ¥400, Children 6-12 ¥400; 10:00-17:00 (last entry 16:30), closed Wed. At the Nishijin Textile Center, the art of traditional Japanese textiles comes alive through multi-sensory experiences. Children can watch master weavers create intricate patterns on centuries-old looms, each click and clack telling the story of Kyoto’s textile heritage. The center also offers an engaging “Mini Weaver” program with a fee where children create a small table runner to take home (children 10 years old or older accepted). map C, d-2; admission free; 10:00-16:00; closed Mon</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/takuro-noguchi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c9f2944f-d43d-45e5-bbb5-c8799ffc3751/Landscape%2335%E6%B4%9B%E4%B8%AD%E6%B4%9B%E5%A4%96%E5%9B%B3.jpg</image:loc>
      <image:title>New Stories - A New Art Form Weaving Nishijin Heritage and Traditional - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>“Landscape #35 - Rakuchu Rakugai Zu”(2016): Hakuga / Wood panel, lacquer, gold foil, platinum foil, sulfurized silver foil (red, blue, black), tin powder, black pigment, acrylic paint / Dimensions: 4080 × 1580 mm / Displayed at Kyoto Okazaki TSUTAYA BOOKS (ROHM Theatre Kyoto)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/72827904-7429-4370-811d-5e314bd10a48/Michelle+Kyoto+2.jpg</image:loc>
      <image:title>New Stories - A New Art Form Weaving Nishijin Heritage and Traditional</image:title>
      <image:caption>The studio will be opened by appointment only, with guidance by the artist for a fee (no free plans, e.g. visiting the studio only is not accepted). Non-English speakers must be accompanied by an interpreter. Contact Noguchi about fees and other details.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/430858cd-1a09-42fb-a7cc-91945a18cf38/unleash.jpg</image:loc>
      <image:title>New Stories - A New Art Form Weaving Nishijin Heritage and Traditional</image:title>
      <image:caption>Transitioning from craftsman to artist required a major shift in mindset. Noguchi recalls struggling with the concept-driven approach of art education, which at times made him lose his love for painting. However, he found inspiration in a statement from his university’s ikebana instructor: “The most beautiful works of art are those that embrace a delicate instability.” This idea resonated with him, reinforcing the importance of movement, depth, and imaginative engagement in his work.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dbe444e5-1f7b-47dd-93a8-47b3139c530c/%E3%83%97%E3%83%AD%E3%83%95%E3%82%A3%E3%83%BC%E3%83%AB%E7%94%BB%E5%83%8F.jpeg</image:loc>
      <image:title>New Stories - A New Art Form Weaving Nishijin Heritage and Traditional - Takuro Noguchi</image:title>
      <image:caption>Born in 1975 in Kyoto, graduated from Kyoto University of Art and Design, Department of Western Painting in 1997, and returned to his family business in Nishijin, Kyoto in 2001. He started his career as a hakuga artist, applying the technique used in Nishijin textile production. Using a unique technique of gluing gold, silver and platinum leaf and coal dust onto lacquered wooden panels, Noguchi creates abstract landscapes (Landscape Series) and landscapes of sea and sky, dawn and starry skies, expressing the beauty of the light of hope in his works. “I painted a bird’s-eye view of Kyoto’s cityscape as if seen from above. My “Landscape” series is an abstract representation of urban landscapes viewed from an overhead perspective. Rather than depicting real locations, these works primarily express imagined scenes. This Kyoto cityscape blends actual elements of the city with my own abstract interpretations. A large full moon is prominently featured in the piece. While a true aerial perspective wouldn’t include a visible moon, its presence creates a world that feels both real and surreal—inviting viewers to expand their imagination and immerse themselves in the scene.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/121780c5-9168-465d-bda5-572b020068c5/%E3%83%88%E3%83%AA%E3%83%9F%E3%83%B3%E3%82%B0%E6%A1%88%EF%BC%93.jpg</image:loc>
      <image:title>New Stories - A New Art Form Weaving Nishijin Heritage and Traditional</image:title>
      <image:caption>Born in 1975 into the Kyoto-based family business, Takuro Noguchi grew up surrounded by the traditional craft of hikibaku—a specialized foil used in Nishijin textile weaving. His father was the fourthgeneration head of the business, which produced materials for obi sashes. From a young age, Noguchi had a passion for painting, leading him to study Western painting at Kyoto City Dohda High School of Arts and later graduate from Kyoto University of Art and Design. After spending a year assisting the esteemed photographer Shomei Tomatsu in Nagasaki, he returned to Kyoto in 2001, initially intending to take over the family business. However, he faced an industry in decline. The rise of mechanization significantly reduced demand for handmade hikibaku, making it increasingly difficult to sustain the craft in its traditional form. Realizing the need for reinvention, Noguchi decided to channel his expertise into creating original artworks. “Hikibaku is an incredibly specialized technique, and I thought that by applying it to painting, I could create something entirely new. Since foil reflects light, the appearance of a painting changes throughout the day depending on the light, giving it a unique and evolving presence.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kids-friendly-fdm36</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/50219630-208a-4ce1-93f8-60b259eef11d/%E5%85%AD%E8%A7%92%E5%A0%82+%E3%82%B9%E3%82%BF%E3%83%90.jpg</image:loc>
      <image:title>New Stories - A Blend of Time and Taste - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-march2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/488e46d6-fc57-4211-9162-1524f2b6526c/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-03-11+105436.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE March 2025 has been published - This Month’s Features:</image:title>
      <image:caption>A New Art Form Weaving Nishijin Heritage and Traditional Craftsmanship ー Interview with the artist from Kyoto, Takuro Noguchi Family-Friendly Kyoto — Where ancient Japan meets modern adventure What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/otaginenbutsuji</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/df1082a8-6f82-499a-92a9-b6ac6c50ce2b/24425580_l.jpg</image:loc>
      <image:title>New Stories - Discovering the Enchanting Otagi Nenbutsu-ji Temple</image:title>
      <image:caption>Otagi Nenbutsu-ji’s history dates back to the 8th century, when it was first established by Empress Shotoku.  Originally located in central Kyoto, the temple suffered repeated damage from floods and civil wars during the medieval period.  In the 1920s, the temple was relocated to its current site in the tranquil outskirts of Arashiyama.  The temple gained prominence in the 1980s when sculptor and head priest Kocho Nishimura invited worshippers and artisans to carve “rakan”, or statues representing the disciples of Buddha.  This initiative brought the temple to life with over 1,200 unique stone carvings, each filled with character and individuality.  Volunteers, including both locals and visitors, were invited to carve the statues.  This collaborative effort resulted in a charmingly diverse collection, with each rakan reflecting the creativity and emotions of its sculptor. For first-time visitors to Kyoto, Otagi Nenbutsu-ji provides a refreshing contrast to the more crowded, tourist-heavy attractions.  It’s a place where humor and spirituality coexist, where each statue tells a unique story, and where nature and art blend seamlessly.  Its serene location and fascinating history make it a perfect spot for those seeking a deeper, more personal connection to Kyoto’s cultural heritage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c3c0c22a-d6e7-4027-964b-f55b2215eb2d/22308380_l.jpg</image:loc>
      <image:title>New Stories - Discovering the Enchanting Otagi Nenbutsu-ji Temple</image:title>
      <image:caption>The temple grounds are surrounded by lush greenery, offering a peaceful retreat from the bustling city.  In the spring, cherry blossoms add a soft pink hue to the landscape, while autumn transforms the area into a vibrant tapestry of red and orange leaves.  The winding paths, moss-covered statues, and towering trees create an otherworldly ambiance, making it easy to lose yourself in contemplation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c2fe367f-7aab-43c6-bffa-72f538fe1ccc/30332049_m.jpg</image:loc>
      <image:title>New Stories - Discovering the Enchanting Otagi Nenbutsu-ji Temple - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/fu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c513d913-711c-44ec-ac93-f322d4bf8f21/2794073_m.jpg</image:loc>
      <image:title>New Stories - “Fu”- Kyoto's Ancient Wheat Gluten Delicacy - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/0e9e6523-1b9e-4a60-a294-f5f1487579e1/888430_l.jpg</image:loc>
      <image:title>New Stories - “Fu”- Kyoto's Ancient Wheat Gluten Delicacy - Historical and Cultural Significance of Plum Blossoms in Japan</image:title>
      <image:caption>This traditional food aligns perfectly with contemporary dietary trends. Fu is 1) high in protein (containing all essential amino acids), 2) low in fat, 3) cholesterol-free, 4) rich in iron and B vitamins, and more.  These qualities make it an excellent choice for vegetarians, vegans, and health-conscious diners. However, those with gluten sensitivities should note that fu is not suitable for their consumption.   For tourists visiting Kyoto, sampling fu in its various forms provides insight into Japan's sophisticated vegetarian cuisine and the enduring influence of Buddhist dietary principles on Japanese food culture.  Whether enjoying it in a bowl of clear soup at a temple restaurant or as part of an elegant kaiseki course, fu offers a unique taste of Kyoto's culinary heritage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/plumblossoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f16127ac-c425-456c-b63e-8033e5e59506/kitanotenmangu18.jpg</image:loc>
      <image:title>New Stories - Bright signs of spring in the Old Capital - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/35b1c8cd-cf10-40c9-837d-603c78a0d672/yun_3392.jpg</image:loc>
      <image:title>New Stories - Bright signs of spring in the Old Capital - How People Enjoy Plum Blossom Viewing</image:title>
      <image:caption>Plum blossom viewing is a cherished activity in late February and early March, marking the transition from winter to spring.  The blossoms’ sweet, subtle fragrance fills the air, enhancing the sensory experience.  Unlike cherry blossom hanami, which often involves large, lively gatherings under the trees, plum blossom viewing tends to be a quieter affair.    Visitors enjoy strolling through gardens or temple grounds, appreciating the beauty of the blossoms up close.  The blossoms range in color from pristine white to soft pink and vibrant red, often with gnarled branches that add to their aesthetic appeal.  Many also savor seasonal treats like ume-flavored sweets or sip ume sake, a plum-infused alcoholic beverage, during their outings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3752e144-f4d0-4263-9981-97be8d8e3509/%E6%A2%85%E8%8B%91%E8%8A%B1%E3%81%AE%E5%BA%AD.jpg</image:loc>
      <image:title>New Stories - Bright signs of spring in the Old Capital - Historical and Cultural Significance of Plum Blossoms in Japan</image:title>
      <image:caption>The tradition of appreciating plum blossoms dates back over a thousand years. Introduced to Japan from China during the Nara period (710-794), plum trees were initially prized for their medicinal properties and poetic allure.  In the Heian period (794-1185), plum blossoms were a favored motif in waka poetry and classical literature, symbolizing elegance, renewal, and resilience.    Unlike the fleeting nature of cherry blossoms, plum blossoms represent enduring beauty and vitality, blooming even in the chill of late winter.  They have been associated with scholarly pursuits, as many plum trees were planted near temples and shrines frequented by intellectuals.  Today, the tradition of flower viewing for plum blossoms continues, offering a serene and reflective experience compared to the bustling festivities of cherry blossom season. Plum blossoms offer a glimpse into Japan’s rich cultural tapestry, where nature and art intertwine seamlessly.  Their quiet beauty and historical significance make them a must-see for anyone visiting Kyoto in late winter or early spring.  By exploring Kyoto’s iconic shrines, temples, and gardens adorned with these delicate blooms, travelers can experience a more contemplative and intimate side of Japan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-february2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/97c9291a-dd1f-4795-ad13-609567f66897/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-03-11+105358.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE February 2025 has been published - This Month’s Features:</image:title>
      <image:caption>“Fu”— Kyoto's Ancient Wheat Gluten Delicacy Discovering the Enchanting Otagi Nenbutsu-ji Temple — Off-the-beaten-path gem where history, spirituality, and nature converge What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/ohara</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/5779c7bb-3d0e-40fc-8f56-190edbda60fa/25991724_l.jpg</image:loc>
      <image:title>New Stories - Winter Wonders in Nostalgic Ohara - Sanzen-in Temple</image:title>
      <image:caption>The most famous place in Ohara is Sanzen-in Temple, which is famous for its trees, moss gardens and especially cool and refreshing surroundings. The approach from the Ohara bus stop to Sanzen-in Temple is lined with shops and restaurants catering to temple visitors, and there are a number of smaller temples in the neighborhood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7ae81b72-c836-4d30-9006-14a1548ea097/24468490_l.jpg</image:loc>
      <image:title>New Stories - Winter Wonders in Nostalgic Ohara - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/97a6747b-b2da-420a-957d-a359e241265b/%E5%A4%A7%E5%8E%9F+%E5%AE%9D%E6%B3%89%E9%99%A2.jpg</image:loc>
      <image:title>New Stories - Winter Wonders in Nostalgic Ohara - Hosen-in Temple</image:title>
      <image:caption>The highlight of Hosen-in Temple is its carefully maintained garden. The trimmed shrubs, flowering trees and mosscovered rocks stand before a bamboo grove that admit a few glimpses of mountains in the background. The highlight of the garden is a 700-year-old pine tree, whose aged branches are held up with the help of wooden supports. Visitors are able to sip green tea while contemplating the garden from the main hall. Hosen-in Temple: 9:00-17:00; Admission: ¥900 (including matcha green tea); www.hosenin.net</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/winter-traditions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f1234691-1577-4a10-ae61-ec67b2f0e966/23168549_l.jpg</image:loc>
      <image:title>New Stories - Winter Festivals&amp;amp; Traditions - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>Kyoto, the ancient capital of Japan, is often associated with the elegance of cherry blossoms in spring or the vibrant koyo (autumn foliage) that paints the city’s temples and gardens in fiery hues. However, winter in Kyoto offers an equally enchanting, yet less commonly known, experience. As temperatures drop and the city becomes a peaceful winter wonderland, several traditional festivals and seasonal celebrations bring warmth and vibrancy to the quiet streets. Let’s explore some of the most unique and fascinating winter festivals held in Kyoto during December and January.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7a233465-5a13-4d48-b879-a8b9caf00c02/25558837_l.jpg</image:loc>
      <image:title>New Stories - Winter Festivals&amp;amp; Traditions - January 1: Hatsumode: Welcoming the New Year at Fushimi Inari Shrine</image:title>
      <image:caption>After Joya-no Kane, the first few days of January are dedicated to Hatsumode (初詣), the first shrine visit of the new year. It is a time when people come to pray for good fortune, health, and prosperity for the year ahead. One of the most popular spots for Hatsumode in Kyoto is the Fushimi Inari Shrine, famous for its thousands of red torii gates that lead up Mount Inari. During Hatsumode, Fushimi Inari is bustling with visitors, both locals and tourists, who come to make their first offering of the year. The shrine is also known for its stunning New Year’s decorations, including colorful banners and traditional offerings. Despite the cold weather, the energy at the shrine is lively and festive, as people buy omamori (protective charms) and draw omikuji (fortune slips) to see what the year will bring. While Fushimi Inari can be crowded during Hatsumode, the experience is a must for visitors looking to immerse themselves in the cultural and spiritual customs of Japan. The hike through the torii gates offers a sense of renewal and hope for the coming year.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-december2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/896bfa1e-a117-48cf-bc9a-7e9242c2b1c2/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-03-11+105358.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE February 2025 has been published - This Month’s Features:</image:title>
      <image:caption>Bright signs of spring in the Old Capital — The Tradition of “Ume” Plum Blossom Viewing “Fu” — Kyoto's Ancient Wheat Gluten Delicacy Discovering the Enchanting Otagi Nenbutsu-ji Temple — Off-the-beaten-path gem where history, spirituality, and nature converge What’s on in the Old Capital This Month — Quiet temples, gardens, farmers &amp; the nostalgic life of people</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/japanese-aesthetics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e1ed4440-ea90-4834-90d9-3d98838c265b/5175087_l.jpg</image:loc>
      <image:title>New Stories - The Quintessential of Japanese Aesthetics - The Flavorless and Odorless: Finding Beauty in the Unadorned The third key concept is “flavorless &amp; odorless.”  To Western ears, this may sound unappealing, but in Japanese aesthetics, it symbolizes the ideal of neutrality and subtlety. It is about removing distractions and unnecessary elements to focus on the true essence of a thing.     In culinary traditions, for example, dishes are often prepared in a way that enhances the natural taste of ingredients rather than masking them with heavy sauces or spices. This allows one to savor the original flavors — a simplicity that is both refined and profound.   The philosophy extends beyond food. In traditional Japanese incense ceremonies, the best fragrances are those that linger faintly in the air, almost undetectable.  A powerful scent would be considered vulgar and overwhelming.  Instead, the beauty lies in a fragrance that is nearly imperceptible, engaging the senses in a subtle, almost subconscious way.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e0c3a565-1e69-4b0c-8d59-200f9c17c777/30041958_l.jpg</image:loc>
      <image:title>New Stories - The Quintessential of Japanese Aesthetics</image:title>
      <image:caption>Translucence: A Balance of Clarity and Obscurity The idea of “translucence” is not just about visual transparency; it represents a delicate balance between revealing and concealing.  It is the allure of something partially hidden, creating a space for imagination and appreciation.  This concept is vividly captured in the traditional shoji paper screens found in Japanese homes.  Made of washi Japanese handmade paper, these screens diffuse natural light, creating a soft, serene atmosphere. Instead of fully separating spaces, they allow light and shadow to mingle, symbolizing the coexistence of the seen and the unseen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c4b5ce14-44d0-4a00-bc73-da02deb73069/%E9%BE%8D%E5%AE%89%E5%AF%BA.jpg</image:loc>
      <image:title>New Stories - The Quintessential of Japanese Aesthetics - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>When people think of Japanese aesthetics, they often imagine cherry blossoms in full bloom, refined tea ceremonies, or the minimalist beauty of Zen rock gardens.  However, beneath these visual symbols lies a deeper foundation rooted in three essential concepts: “translucence”, “pure white”, and the “flavorless &amp; odorless.”   These seemingly subtle ideas are integral to understanding the Japanese sense of beauty, influencing everything from art and architecture to daily life and rituals.  For those visiting Japan, understanding these three pillars offers a deeper appreciation of the understated beauty and harmony that characterize Japanese aesthetics.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kyotosgreatbuddha-5pptl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/513c3942-b25b-4f63-affb-11afbafd4775/%E5%B5%90%E5%B1%B1.jpg</image:loc>
      <image:title>New Stories - The Art of Koyo - The breathtaking autumn foliage of Arashiyama, woven by the grandeur of nature</image:title>
      <image:caption>At the core of Japan’s appreciation of autumn leaves is the concept of “Mono-no Aware,” the poignant awareness of the impermanence of all things.  In Kyoto, this philosophy manifests in the way people view the changing leaves, not just for their beauty, but for the reminder they offer of life’s fleeting nature. The bright colors of the maples (momiji) evoke a sense of beauty tinged with melancholy, as the viewer knows that the leaves will soon fall.  This reflective approach to nature is central to Japanese art, literature, and spirituality, and Kyoto’s landscapes have long inspired poets, painters, and monks to contemplate these themes.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/17f810e5-bff3-4956-81f8-a9a243350a01/%E6%B0%B8%E8%A6%B3%E5%A0%82.jpg</image:loc>
      <image:title>New Stories - The Art of Koyo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dad3ab54-843b-4295-8154-53f06dfc17a6/%E5%A4%A7%E5%BE%B3%E5%AF%BA%E5%A1%94%E9%A0%AD+%E9%BB%84%E6%A2%85%E9%99%A2.jpg</image:loc>
      <image:title>New Stories - The Art of Koyo - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1976be6f-d542-49c3-832c-04b281258b2b/%E7%A6%85%E6%9E%97%E5%AF%BA%EF%BC%92.jpg</image:loc>
      <image:title>New Stories - The Art of Koyo</image:title>
      <image:caption>Another highlight is Eikan-do Zenrin-ji Temple (map D, D-8), often considered the crown jewel of Kyoto’s koyo spots.  The temple is particularly famous for its night illuminations, where the fiery leaves of the maples are reflected in the temple's pond, creating a mesmerizing spectacle. Eikando’s maple-lined paths lead visitors through a contemplative journey of stillness, light, and shadow, offering moments of serene reflection. Temples like Tofuku-ji and Eikando are not just beautiful backdrops for nature's transformation but serve as spiritual sanctuaries where nature and meditation intersect.  In Zen Buddhism, with its emphasis on mindfulness and impermanence, the changing of the leaves becomes a metaphor for the transient nature of life.  The act of visiting these temples during autumn becomes not only a visual experience but also a spiritual one, where the viewer is encouraged to contemplate their place in the world and the passage of time.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-november2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/56b21537-733a-44b7-a6fd-42ae1b0e9536/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-11-06+102724.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE November 2024 has been published - This Month’s Features:</image:title>
      <image:caption>The Art of Koyo — Exploring Kyoto's Autumn Foliage and its Cultural Significance Discover Kyoto’s Timeless Traditions — Feel the elegance of unmissable cultural events this month The Quintessential of Japanese Aesthetics — Translucence, Pure White, and the Flavorless &amp; Odorless What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/seasonalevents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8493b3e7-ddcb-4ea6-b03e-61a2e04dba5b/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-10-25+162753.png</image:loc>
      <image:title>New Stories - Discover Kyoto’s Timeless Traditions - October 21 Enter NOH: Masked Stage Art of Japan At Kyoto Kanze Noh Theatre</image:title>
      <image:caption>Noh is a classical Japanese performing art that was developed by the playwrights and actors Kanami and Zeami around the 14th century. The Kyoto Kanze Noh Theatre is the largest Noh theater in Kyoto and hosts numerous Noh performances throughout the year. This month, Kyoto Kanze Noh Theatre offers a special program for international tourists and residents titled “Enter NOH: Masked Stage Art of Japan.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/09888695-d07f-496f-83b0-f55aba0096af/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-10-25+162927.png</image:loc>
      <image:title>New Stories - Discover Kyoto’s Timeless Traditions - Noh Stage at Kyoto Kanze Noh Theatre</image:title>
      <image:caption>People who participate in the Backstage Tour (limited to 20 persons) will be able to watch how the performers don precious masks and costumes up close as well as to visit the backstage of a Noh theatre, guided by Englishspeaking Noh experts. During the performance, English subtitles will be displayed to provide commentary. The subtitles shown on a rental tablet or on your smartphone will scroll automatically along with the action on stage, making the stories easy to understand, even for beginners. Backstage tour: 18:00 - 19:00, Performance: 20:00-21:30; Ticket: Backstage Tour + S Seat ¥25,000, S Seat ¥12,000, A Seat ¥10,000, Students (2F Non-reserved seats) ¥3,500.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b7f75793-c50d-4e74-98ba-6fdbbb39105d/05.jpg</image:loc>
      <image:title>New Stories - Discover Kyoto’s Timeless Traditions - Oct. 25-30 Daniel Ost Flower Exhibition At Shozan Resort Kyoto (North Garden &amp; Hogyoku-tei)</image:title>
      <image:caption>The Belgian flower artist, Daniel Ost, creates works that highlight the unique qualities of floral materials, with a focus on the fusion of Eastern and Western cultures. Ost has created works for the royal wedding of the Belgian royal family and exhibited his creations in various traditional architectural settings around the world. His use of plants as a medium to create breathtaking designs transcends traditional concepts of floral art, elevating flowers to a new realm of artistic expression. Photo: To-ji Temple; 2006; © DANIEL OST All rights reserved.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kyotosgreatbuddha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d2d6657e-133b-47a4-a2b2-29995e9f5ef5/28539952_l.jpg</image:loc>
      <image:title>New Stories - The Tragic Tale of the Kyoto Great Buddha</image:title>
      <image:caption>In 1591, Hideyoshi’s brother Hidenaga and his son, Tsurumatsu both passed away, leaving Hideyoshi without an heir. He adopted his nephew Hidetsugu and appointed him as his successor. Hidetsugu moved into Jurakudai (Hideyoshi’s base in Kyoto) and became a powerful figure in Japan. However, in 1593, Hideyoshi had a new son, Hideyori, with his concubine Yodo, which changed his plans. Hideyoshi began to favor his own son over Hidetsugu, leading to a dual governance system that caused tensions.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a4ea81be-c626-43ab-b7c7-2631fa3472d2/buddha.jpg</image:loc>
      <image:title>New Stories - The Tragic Tale of the Kyoto Great Buddha - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/379300e9-671e-45ba-89bc-5c1eaee3affe/29045413_l.jpg</image:loc>
      <image:title>New Stories - The Tragic Tale of the Kyoto Great Buddha - The bell bore inscriptions that read “Kokka Anko 国家安康 (Peace and Prosperity to the Nation) and “Kunshin Horaku 君臣豊楽 (Joy for the Sovereign and Subjects).” Ieyasu Tokugawa (1543-1616), who succeeded Hideyoshi as the ruler of Japan and established Edo Shogunate, took offense at these inscriptions, interpreting them as a slight against him and the Tokugawa shogunate. He used this as a pretext to initiate the Siege of Osaka in 1615, which led to the downfall of the Toyotomi clan.</image:title>
      <image:caption>The Great Buddha of Kyoto faced numerous calamities over the centuries. In 1662, the Great Buddha was damaged in the Omi-Wakasa earthquake. It was rebuilt in 1667 but was struck by lightning in 1798, causing another fire that destroyed both the Buddha and its hall. In 1843, a smaller wooden Buddha was constructed but was later lost in a fire in 1973. Eventually, the Great Buddha of Kyoto disappeared entirely.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/vegansweets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/476165ad-9e9c-4236-a1f1-7df99b02247b/food001.jpg</image:loc>
      <image:title>New Stories - Kyoto’s Healthy &amp;amp; Sweet Delights - AIN SOPH. Journey KYOTO “Return to Your True Self” with Gentle, Creative Vegan Sweets</image:title>
      <image:caption>Located in the heart of Kyoto, AIN SOPH. Journey is a fully vegan cafe-restaurant offering a place where guests can “return to their true selves.” Despite being free from meat, fish, dairy, and eggs, the dishes here are not simply alternative meals but rather creations overflowing with vibrant, creative energy. Their plant-based cuisine is brought to life with colorful ingredients, aromatic herbs, and spices, creating a heartwarming experience. From 100% vegan burgers and plate lunches to decadent vegan sweets, AIN SOPH. Journey offers a delightful range of options.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/bdb2580c-a25f-4ea1-b124-0fae9a830990/tengai001.jpg</image:loc>
      <image:title>New Stories - Kyoto’s Healthy &amp;amp; Sweet Delights - “Heavenly Pancake” (¥1980) is a gluten-free treat made from Japanese rice flour. These fluffy, moist pancakes, served with homemade ice cream and seasonal fruits, offer an indulgent dessert experience that feels truly heavenly. For those craving something rich, the New Yorkstyle “Vegan Cheesecake” (¥1080) offers a satisfying, creamy texture using plant-based cheese, perfectly complemented by their homemade strawberry ice cream.</image:title>
      <image:caption>Lunch 11:30-17:00 (L.O. 16:00), Dinner 18:00-21:00 (L.O. 20:00); On lunch-only days: 11:30-16:00 (L.O. 15:00); Closed: irregularly; map D, E-4; https://www.ain-soph.jp/journey-kyoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/987e3b3e-65bd-440e-9959-47df4b1d22e7/20221014musubis-6686.JPG</image:loc>
      <image:title>New Stories - Kyoto’s Healthy &amp;amp; Sweet Delights - In the cozy, wood-filled, and open atmosphere, you can enjoy the vegan treats alongside freshly roasted coffee, offering a peaceful retreat from the everyday hustle and bustle. The menu features an array of cakes and sweets, many using local Kyoto ingredients, that are so delicious you’d never guess they were vegan. Highlights include the “Banana Pound Cake with Okara and Rice Flour”(¥930), “Matcha Cake with Kyoto Tofu” (¥1000), “Chocolate Cake with Kyoto Tofu” (¥530) and more. These healthy, Kyoto-inspired sweets are not to be missed, offering a delightful balance of taste and nourishment.</image:title>
      <image:caption>Cake prices include a drink; 11:00-18:00 (L.O. 17:00); Closed: irregularly on Tuesdays; https://musubi-cafe.jp/sweetsfactory</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a8abaddb-68e5-4c7a-88a9-902b3cdde5d0/20221014musubis-6656.JPG</image:loc>
      <image:title>New Stories - Kyoto’s Healthy &amp;amp; Sweet Delights - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/76f48c49-0a17-473e-943c-af62ebf60325/20221014musubis-6685.JPG</image:loc>
      <image:title>New Stories - Kyoto’s Healthy &amp;amp; Sweet Delights - musubi sweets factory “Happiness Spreading Through Connections”</image:title>
      <image:caption>Located near the iconic Togetsukyo Bridge in Kyoto’s Arashiyama, musubi sweets factory is all about nourishing both the body and mind through wholesome eating. The cafe, part of the musubi group, embraces a plant-based approach to their sweets, using only gluten-free ingredients like rice flour and nut powders. musubi’s concept, “taking care of your body and heart through food and movement,” is reflected in every bite of their delightful desserts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-october2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7e0afc28-05ab-4a7d-a7a2-948b6488a0bd/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-09-22+201440.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE October 2024 has been published - This Month’s Features:</image:title>
      <image:caption>“Kyoto's Healthy &amp; Sweet Delights” — Vegan Sweets born in the ancient capital Discover Kyoto’s Timeless Traditions — Feel the elegance of unmissable cultural events this month The Tragic Tale of the Kyoto Great Buddha — Did Kyoto also have a Great Buddha statue? What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/023982dc-158b-40ba-9985-a7dfc5634763/kokusaikaikan3.jpg</image:loc>
      <image:title>New Stories - Discovering the Architectural Marvel of Kyoto International Conference Hall - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9e8d648c-2cd3-47c4-ae40-6c3d91cf09ce/takaragaike12.jpg</image:loc>
      <image:title>New Stories - Discovering the Architectural Marvel of Kyoto International Conference Hall</image:title>
      <image:caption>Access: Take the Karasuma Line and get off at Kokusai Kaikan Station, the final stop. From the station, KICH is just a short five-minute walk. Guided Tours The guided tour is held on designated days each month (the explanation is in Japanese ONLY; approx. 60 minutes; free of charge). The tour is very popular, so participants are determined by lottery. The application is accepted on their website: www.icckyoto.or.jp/en/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kintsugi-craft</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/77c93e70-72c4-4f13-8bbd-81e803cd70df/28969153_l.jpg</image:loc>
      <image:title>New Stories - Kintsugi - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6d8e2e39-00ce-47f0-9aed-659811812628/27506343_l.jpg</image:loc>
      <image:title>New Stories - Kintsugi</image:title>
      <image:caption>At a certain point in the drying process of the final layer, the repairs are dusted with powdered gold, silver or platinum, which is then brushed and polished to bond permanently with the lacquer. Not only is the powdered metal carefully chosen to complement the piece — and there are many different shades of gold — the color of the underlying urushi itself is also selected so that it remains beautiful even when the metal wears away with age and use.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/interview-aya-kawato</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b18026b4-593c-46d4-b723-d7ed1ced7d8b/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-08-19+111215.png</image:loc>
      <image:title>New Stories - "Control and Imperfection" - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>CUT, C/U/T_dcccv-dcccv_(w)_I; H80.5 x W80.5cm; Acrylic on wooden panel; 2024; Photo by Takuya Oshima (Northern Studio)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d4d41b2e-d285-4212-9c03-8545bb9a9c9b/%E5%A4%96%E8%A6%B3photo+by+OMOTE+Nobutada.jpg</image:loc>
      <image:title>New Stories - "Control and Imperfection" - Sept. 7-28: "Tsuzuru Minamo" Solo Exhibition by Aya Kawato @ Imura Art Gallery</image:title>
      <image:caption>Currently, Kawato has been involved in the production of the woven tapestry sponsored by Kawashima Selkon Textiles. She is designing and overseeing the production of the tapestry which will be displayed in the Guest House at the Osaka-Kansai Expo in 2025. The upcoming solo exhibition at Imura Art Gallery will showcase paintings inspired by the tapestry dyeing and weaving process. imura art gallery Tues.-Sat.; 12:00-18:00, Closed: Sun., Mon., national holidays Imura art gallery first opened its door in Kyoto in 1990 as the contemporary art space in the city. The gallery has gained a reputation as a contemporary art gallery by presenting and exhibiting some of the most interesting and exciting contemporary art works both on the international and national stage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-september2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6e8532f0-7741-4567-80c6-86879723ad48/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-08-20+174703.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE September 2024 has been published - This Month’s Features:</image:title>
      <image:caption>"Control and Imperfection" — Interview with Aya Kawato, a Kyoto-based contemporary artist Discovering the Architectural Marvel of Kyoto International Conference Hall Kintsugi — The Japanese Art for Healing a Broken World What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/gion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3f148665-32ee-49ec-ba39-9b580059769b/230128_0169.jpg</image:loc>
      <image:title>New Stories - Timeless Charm in Gion - Gion Corner</image:title>
      <image:caption>Gion Corner provides a great opportunity to enjoy 7 traditional performing arts on one stage. The program is approx. 1 hour long making it a perfect evening activity for tourists with limited time. It includes chanoyu (the art of preparing tea), koto music, ikebana flower arrangement, bugaku dance, kyogen comedy, and Kyomai dance. Depending on the season, a scene from bunraku puppet theater or a noh play is performed. The production is perfectly suited for travelers who are interested in the time-honored performing arts of Japan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/83f2bc4e-9209-4a6e-a9fc-76dbc9a7dd9a/store_20151205144820.jpg</image:loc>
      <image:title>New Stories - Timeless Charm in Gion - Man in the Moon Gion Branch</image:title>
      <image:caption>Step into Man in the Moon Gion Branch, an Irish pub meticulously crafted to mirror the charming street-corner pubs of Dublin. Enjoy a diverse selection of world-class beers, including 6 on tap and various bottled options. Whisky enthusiasts can savor Japan’s finest, alongside over 60 global whiskies. It’s a perfect spot to enjoy top-notch food, like their signature Fish &amp; Chips, and drinks while watching sports on two large TVs. Friendly English-speaking staff await you!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e3b888b9-3a41-4079-8e03-a55366236357/%E7%A5%87%E5%9C%92%E3%82%AB%E3%83%90%E3%83%BC.jpg</image:loc>
      <image:title>New Stories - Timeless Charm in Gion - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f569022a-feb5-45d2-817b-e4c07735f292/IMG_4969.JPG</image:loc>
      <image:title>New Stories - Timeless Charm in Gion - Discovering Kennin-ji Temple, the First Zen Temple in Kyoto</image:title>
      <image:caption>At the south end of the Hanami-koji Street lies Kennin-ji Temple, the oldest Zen temple in Kyoto. Founded in 1202 by the monk Eisai, who introduced Zen Buddhism to Japan, Kennin-ji Temple is a place where history and spirituality converge. The temple’s serene atmosphere is complemented by its stunning architectural features and art. One of the temple’s most striking features is the twin dragons painted on the ceiling of the Ho-do Hall, a masterpiece created in 2002 to commemorate the temple’s 800th anniversary. These dragons, swirling in the clouds, symbolize protection and the dynamic energy of the universe. Kennin-ji’s gardens are equally enchanting. The Hojo Garden, designed in the karesansui (dry landscape) style, invites contemplation with its meticulously raked gravel and strategically placed rocks. The Cho-on-tei Garden, known for its beautiful moss and vibrant seasonal flowers, offers a contrasting yet harmonious experience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/2735182f-b135-4cde-bb57-152083a9897d/%E4%BA%95%E6%BE%A4%E5%B1%8B.jpg</image:loc>
      <image:title>New Stories - Timeless Charm in Gion - Izawaya</image:title>
      <image:caption>Founded in 1865, Izawaya has walked alongside the kimono culture in the Gion district for about 160 years. This store has long been loved not only by kimono enthusiasts but also by geiko and maiko from the nearby Gion, as well as kabuki actors and their associates. Izawaya’s items combine the elegance of Kyoto’s craftsmanship, such as Nishijin weaving and Kyo-Yuzen dyeing, with the refined charm of Kyoto’s Kagai district.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b80ee287-2987-43c3-b98b-97ab5ccfb7ec/museum01.jpg</image:loc>
      <image:title>New Stories - Timeless Charm in Gion - Gion Kagai Art Museum</image:title>
      <image:caption>The Gion Kagai Art Museum offers a permanent exhibition which allows visitors to appreciate a comprehensive introduction to the Kagai culture of geiko and maiko. Visitors can watch elegant dance performances and have their photos taken with a geiko or maiko. 11:00-20:00 (last admission 19:00); Closed Wed.; Admission: ¥1,600; *Additional fees will apply for dance performances and photo sessions with a geiko or maiko.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-august2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/96833140-2a32-4156-995f-035f329a76ab/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-08-01+123745.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE August 2024 has been published - This Month’s Features:</image:title>
      <image:caption>Timeless Charm in Gion — The enchanting allure and nearby spots Kamogawa Noryo Yuka — A delightful Kyoto summer experience Obon: Respecting the Spirits of Ancestors — A Buddhist-based custom of Japan What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/byobu-matsuri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/71f35af2-0b00-4699-ad2e-f78af7d71336/JH+%288%29.JPG</image:loc>
      <image:title>New Stories - The Byobu Matsuri - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1e00fc89-39a8-42ca-b003-d784582f926a/JH+%286%29.JPG</image:loc>
      <image:title>New Stories - The Byobu Matsuri - Recommended shrines to experience the Nagoshi-no Harai</image:title>
      <image:caption>These displays are often set up in entrance halls, front rooms, and other spaces within traditional machiya townhouses. By opening their homes and businesses, these families not only showcased their wealth and taste but also contributed to the communal spirit of the Gion Festival. Unlike museums, where artworks are often displayed behind glass, the Byobu Matsuri allows visitors to view these pieces in their intended settings. This close, personal encounter with art enhances appreciation and understanding as visitors can observe the intricate details and craftsmanship up close. The festival provides a rare opportunity to enter traditional machiya, offering a glimpse into the architectural and cultural history of Kyoto. These homes, with their sliding doors, tatami mats, and serene gardens, are an essential part of Kyoto’s heritage. Exploring these spaces while viewing beautiful artworks creates a profound sense of connection to the past. Originally, the Byobu Matsuri was a form of social interaction and community pride, where residents could admire and share in the beauty of finely crafted screens, calligraphy, and paintings.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/imura-art-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f65c6bb5-4ca7-4258-b447-d509aaa2584a/8562_%E6%A8%82%E9%9B%85%E8%87%A3_%E8%BC%AA%E5%BB%BBTransmigration+Photo+by+Makoto+ITO.JPG</image:loc>
      <image:title>New Stories - Meet Japan’s Leading Artists in Kyoto - MASAOMI RAKU Masaomi Raku (1983- ) was born in Kyoto as the second son of Kichizaemon Raku XV, from the esteemed Raku Family, which has been associated with tea bowl craftsmanship for over 450 years. After graduating from the graduate school of Tokyo Zokei University, he embarked on an independent career as a sculptor, separate from the Raku Family tradition. Raku expresses this philosophy through his work, encapsulated in his words, “express within the stone, coexist with nature through expression.” In his 20s, he explored the principles of life through his “Transmigration” series. In his 30s, he developed the “Stone Box” series, depicting birds with beak motifs carrying the concept of reincarnation. In 2023, upon turning 40, he expanded his expression of stone by introducing a new technique of firing stones, unveiling the “Sekki” series – the underlying concepts of “circulation” and “creating with a sense of nature”remain constant in his artistic practice.</image:title>
      <image:caption>Masaomi Raku, “Transmigration,”Photo by Makoto ITO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d9aee97e-c798-4a42-b4a3-a7e62619ebd0/%E5%B1%B1%E6%9C%AC%E5%A4%AA%E9%83%8E_%E7%BE%BD%E8%A1%A3%E3%83%90%E3%83%AB%E3%83%BC%E3%83%B3%2C2014.jpg</image:loc>
      <image:title>New Stories - Meet Japan’s Leading Artists in Kyoto - TARO YAMAMOTO</image:title>
      <image:caption>Taro Yamamoto (1974- ) is a contemporary artist who advocates for “Nippon-ga,” a concept that incorporates modernity and social themes within the traditions and styles of Japanese painting. Yamamoto has proposed this innovative approach, blending classical Japanese literature and performing arts with contemporary themes, creating works that are both traditional and groundbreaking. Infusing it with humor and parody from a contemporary perspective, making his work accessible to a wide audience, from fans of classical art to contemporary art enthusiasts. In recent years, Yamamoto has also garnered praise for his “NEO UKIYOE” series, which bases itself on ukiyo-e prints while incorporating the vivid colors typical of pop art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ac7839ef-ccf1-4ccf-b0f5-bd3c9875cd7d/%E5%A4%96%E8%A6%B3photo+by+OMOTE+Nobutada.jpg</image:loc>
      <image:title>New Stories - Meet Japan’s Leading Artists in Kyoto - imura art gallery</image:title>
      <image:caption>Open: Tues.-Sat.; 12:00-18:00, Closed: Sun., Mon., national holidays Imura art gallery first opened its door in Kyoto in 1990 as the contemporary art space in the city. The gallery has gained a reputation as a contemporary art gallery by presenting and exhibiting some of the most interesting and exciting contemporary art works both on the international and national stage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/eb042dfb-35fe-4077-a8aa-ef2c9e664efa/Shiro+Tsujimura%2C+Tea+bowl%2C+Shino+styl</image:loc>
      <image:title>New Stories - Meet Japan’s Leading Artists in Kyoto - Make it stand out</image:title>
      <image:caption>Shiro Tsujimura, Tea bowl, Shino style; Photo by Makoto ITO</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-july2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b4b9f938-03da-4e24-8ae2-7ef389770b23/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-06-30+104125.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE July 2024 has been published - This Month’s Features:</image:title>
      <image:caption>Meet Japan's Leading Artists in Kyoto — Shiro Tsujimura, Masaomi Raku, Taro Yamamoto Discover the Gion Festival — A Timeless Celebration in Kyoto The Byobu Matsuri — A Hidden Gem of Kyoto's Gion Festival What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/matsunoo-taisha-shrine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/975727d4-5261-4a98-bbc4-7c1627072626/%E6%9D%BE%E5%B0%BE%E5%A4%A7%E7%A4%BE+AC.jpg</image:loc>
      <image:title>New Stories - Matsuno-o Taisha Shrine - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/799f8026-0e20-45aa-b383-14f70d7db07c/%E6%9D%BE%E5%B0%BE%E5%A4%A7%E7%A4%BE+%E3%82%AB%E3%83%A1.jpg</image:loc>
      <image:title>New Stories - Matsuno-o Taisha Shrine</image:title>
      <image:caption>It is said that the shrine at the foot of Mt. Matsuo was established in 701 when the divine spirit of the sacred rock on the mountaintop was transferred to the shrine at the foot of the mountain. The Hata clan resided around Mt. Inari in the south of Kyoto and other areas in the Yamashiro (southern area of Kyoto Pref.), developing various places.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e2c00965-4a65-4503-9935-82d5d67b9cc1/%E6%9D%BE%E5%B0%BE%E5%A4%A7%E7%A4%BE+%E5%BA%AD.jpg</image:loc>
      <image:title>New Stories - Matsuno-o Taisha Shrine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/nagoshi-no-harai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/37e31ff0-db91-4fcf-84a4-b731fe7339ee/%E5%BE%A1%E6%9C%AC%E6%AE%BF%E5%89%8D%E8%8C%85%E3%81%AE%E8%BC%AA.jpg</image:loc>
      <image:title>New Stories - Nagoshi-no-Harai - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/58574bd1-7e3b-4eb2-9e89-f360047ceb25/%E5%A4%A7%E8%8C%85%E3%81%AE%E8%BC%AA.jpg</image:loc>
      <image:title>New Stories - Nagoshi-no-Harai - Recommended shrines to experience the Nagoshi-no Harai</image:title>
      <image:caption>Kitano Tenman-gu Shrine: A chinowa that visitors can go through will be set up in the precinct from June 1 to 29 (7:00-16:00); The ceremony takes place from 16:00 on the 30th (no going through the chinowa until 16:00 on this day); A giant chinowa (5 meters tall, the largest in Kyoto) will be set up at the shrine gate from the 25th to the 30th; the special small chinowa amulet is also available from June 1; Kyoto City Bus #50, get off at Kitano Tenmangu-mae. Kifune Shrine (June 25-30): Chinowa is set up from the 25th and the ceremony takes place on the 30th from 15:00; Eizan Railways to Kibuneguchi Sta. Fushimi Inari Taisha Shrine (June 30): The ceremony starts from 15:00; Keihan Fushimi Inari Sta. or JR Inari Sta. Heian Shrine (June 30): The ceremony starts from 16:00; Kyoto City Bus #5, get off at Kyoto Kaikan Bijutsukanmae.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kyotodenim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9de3b07a-311c-4047-8151-e941a8722084/syokunin_temoto-3.jpg</image:loc>
      <image:title>New Stories - KYOTO DENIM</image:title>
      <image:caption>While the term, “kimono,” is recognized as “traditional Japanese clothing” in contemporary times, originally, it simply referred to “clothing” which had nothing to do with a traditional context. However, today, when people hear “kimono,” it often evokes a sense of “traditional” and “not for daily life.” The concept behind Kyoto Denim stems from the desire for people to wear kimono as casually as they do jeans, and at the same time, to preserve the elaborate traditional craftsmanship of kimono for future generations. At the same time, Kyoto Denim aims to pass down the intricate traditional techniques of kimono production, which involve traditional craftsmanship, to future generations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/641978ce-2b69-4a66-8d43-ff02ddd80466/main.jpg</image:loc>
      <image:title>New Stories - KYOTO DENIM - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/52253e19-30ae-4564-8f0b-de26663be29c/gaikan.jpg</image:loc>
      <image:title>New Stories - KYOTO DENIM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-june2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9e475004-c185-4d1b-a299-0a3b024b5a50/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-06-30+103653.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE June 2024 has been published - This Month’s Features:</image:title>
      <image:caption>KYOTO DENIM — Transplanting traditional craftsmanship of kimono to denim, connecting to the next generation Nagoshi-no-Harai — Go through the Chinowa Wreath and Purify Yourself Matsuno-o Taisha Shrine — Exploring Kyoto's Sacred Oasis What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/summer-hiking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/cce12690-fa69-4e3a-8015-09808e710ffd/%E8%B2%B4%E8%88%B9.jpg</image:loc>
      <image:title>New Stories - Early Summer Nature Hiking &amp;amp; Walking - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/92feca8f-e56a-448d-92b2-bed7b50233f8/%E6%A0%B9%E3%81%A3%E3%81%93%E9%81%93.jpg</image:loc>
      <image:title>New Stories - Early Summer Nature Hiking &amp;amp; Walking</image:title>
      <image:caption>Alighting at Kibune-guchi Station on the Enzan Railways, the hiking trail head is a 20-minute walk up a two-lane mountain road. The walk is quiet and peaceful and framed by cedar trees towering above you on both sides. The hike starts at a small red bridge on your right as you enter the village and the first several hundred meters are fairly steep. After perhaps fifteen minutes you will come to the first shrine: Oku-no-in, or the Inner Sanctuary. This is a small mountain shrine and a good place for a break. Shortly beyond this, you will come to an open area full of cedar roots – one of the highlights of the hike – from here the walk becomes easier.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/sencha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e3267745-f477-4de3-b309-47a73954451b/%E8%8C%B6%E7%95%91.jpg</image:loc>
      <image:title>New Stories - Sencha</image:title>
      <image:caption>Zen was the background to chanoyu; art and literature, with an underlay of Taoism, to sencha. Both ceremonies originated in China but were transmuted into something Japanese when they crossed the waters. There was a time when the sencha ceremony was in the ascendant in the Japanese tea world. At the end of the Edo period, sencha was the choice of the National Learning (Kokugaku) School and of other political leaders pushing for the overthrow of the military rulers, still associated with matcha and chanoyu. Both the chanoyu and sencha ceremonies might strike the average non-Japanese as stiff and formal, but, without doubt, sencha is on the loose and easy side, and a typical ceremony resounds with banter and laughter. Then, too, the tea used is delicious.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/48ec90e1-259a-4d88-a19a-94dff3277ece/%E7%85%8E%E8%8C%B6.jpg</image:loc>
      <image:title>New Stories - Sencha - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/choshitsu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f920659b-72ce-40c0-ab99-041ceae9a64e/%E9%81%A0%E9%9B%B7.jpg</image:loc>
      <image:title>New Stories - CHOSHITSU - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b99a9d42-6c1c-4ccf-b767-0b263577e883/%E8%8F%AF.jpg</image:loc>
      <image:title>New Stories - CHOSHITSU - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/db5add9a-76a4-4323-a684-2836c5058d63/160517-095_c.jpg</image:loc>
      <image:title>New Stories - CHOSHITSU - Uesugi Manju Kobo, located in Higashiyama ward of Kyoto, is a small family-run studio that has been in operation for about 100 years. Gakusui Uesugi, now the fourth generation, has found his own high point as a craftsman in choshitsu. The world of lacquer consists of a system of division of labor. The process usually begins with the selection of a design, followed by a woodworker who makes the wood from the lumber, a craftsman who prepares the base, another craftsman who applies the lacquer over and over again, and finally a maki-e lacquer craftsman who applies the decorations. However, Gakusui’s father, the third-generation of the studio who was specialized in making tea ceremony utensils in addition to furniture, established a system where only family members were involved, allowing for integrated production of base coating, painting, and sprinkled design. Although Gakusui was born to a father who was a craftsman, he never thought about taking over the family business when he was young. Only when he was nearing the end of his college years and thinking about finding a job did the idea of taking over the family business pop up in his mind. In fact, he has always liked to make things. When he got involved in manufacturing, he found himself surprisingly absorbed in the technical aspects of the craft. Wanting to learn more deeply, he first spent four years in Yamanaka, Ishikawa Prefecture, training on the woodworking wheel.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8c45710b-a56f-4b74-8656-8f59b8d5edea/%E7%89%A1%E4%B8%B9.jpg</image:loc>
      <image:title>New Stories - CHOSHITSU - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-may2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1efe8c59-ddad-4fb5-b164-c010a2b30540/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-06-30+103218.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE May 2024 has been published - This Month’s Features:</image:title>
      <image:caption>CHOSHITSU — The Eternal Beauty of Japan Unveiled through Layering and Carving Sencha — Tea tempers the spirit, calms and harmonizes the mind Early Summer Nature Hiking &amp; Walking — Going from Kibune to Kurama What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/takenoko</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8dd657f0-cb19-4268-8969-0da47105dec1/%E3%81%9F%E3%81%91%E3%81%AE%E3%81%93.jpg</image:loc>
      <image:title>New Stories - REACHING FOR HEAVEN - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9631caa1-e7a4-4f30-961f-1019ac14b255/%E3%81%9F%E3%81%91%E3%81%AE%E3%81%93%E3%81%94%E3%81%AF%E3%82%93.jpg</image:loc>
      <image:title>New Stories - REACHING FOR HEAVEN</image:title>
      <image:caption>Simmered bamboo shoots is a classic choice, too. Tender bamboo shoots are gently simmered in a savory broth, soy sauce, mirin, and sugar until they absorb all the rich flavors, creating a dish that is both hearty and comforting. For those who enjoy the crispy texture of fried foods, tempura is an irresistible choice. Whether enjoyed in traditional dishes or innovative culinary creations, bamboo shoots are a culinary treasure that embodies the essence of spring in Japan. Once you try fresh bamboo shoots, you’ll understand why you cannot eat canned ones anymore! Fortunately, Kyoto is blessed with many restaurants specializing in this delicacy. Try the seasonal delight at one or more of the restaurants in Kyoto this month!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/oharano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a80c3681-2edb-42c6-8714-8191541b1d0c/%E5%A4%A7%E5%8E%9F%E9%87%8E%E7%A5%9E%E7%A4%BE+%E6%A1%9C.jpg</image:loc>
      <image:title>New Stories - Oharano and the Temple of Flowers - “Sengan-zakura” at Oharano Shrine</image:title>
      <image:caption>Oharano Shrine dates from about 784, when nearby Nagaoka was the site of the imperial court. When it was decided to move the court to Kyoto, along with the emperor went the influential Fujiwara clan, many of whose members were government ministers. The head of the clan invited the family’s tutelary god to relocate with them, and the god accepted, riding into the new capital on the back of a divine deer. Because of the area’s associations with the Fujiwara, a bronze deer, and several stones are found at this shrine. Fortunes here come as tightly-rolled slips of paper held in the mouths of tiny wooden deer. Another interesting feature is that, instead of the usual guardian lions, male and female deer keep watch at either side of the main shrine. Cherry trees are found all over the shrine precincts, many of them around a large waterlily pond. Just beyond the pond is a stone-enclosed spring, water from which was used in 851 for Emperor Seiwa’s first bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/74e7d37e-6392-4794-9464-1985950db4a5/%E5%8B%9D%E6%8C%81%E5%AF%BA+%E3%83%A8%E3%82%B3.jpg</image:loc>
      <image:title>New Stories - Oharano and the Temple of Flowers - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>“Hana-no Tera” Shoji-ji Temple; www.kyoto-sakura.net</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d51e5eba-8514-4a74-bc7b-eea648ffb96a/%E6%AD%A3%E6%B3%95%E5%AF%BA+%E5%BA%AD.jpg</image:loc>
      <image:title>New Stories - Oharano and the Temple of Flowers - Make it stand out</image:title>
      <image:caption>Garden with the weeping cherry tree at Shobo-ji Temple</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c5376536-b2e7-401d-9fae-b4c53eeefee2/%E5%8B%9D%E6%8C%81%E5%AF%BA.jpg</image:loc>
      <image:title>New Stories - Oharano and the Temple of Flowers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-april2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/32cb8e15-321c-49f4-8eef-d477efa77cfa/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-06-30+102610.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE April 2024 has been published - This Month’s Features:</image:title>
      <image:caption>Oharano and the Temple of Flowers — Lesser-known temples in the Nishiyama area for superb sakura Reaching for Heaven — The spring delicacy “TAKENOKO” bamboo shoot Experiencing Hanami in Kyoto — A Guide to Cherry Blossom Viewing and Culinary Delights What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/daigojitemple-csxc6-wf3ge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7ce2592d-1d0a-45b3-b64a-d2b1bce012fb/Mindful+dining+%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8+%283%29.jpg</image:loc>
      <image:title>New Stories - A Heratfelt Journey into Mindful Dining in Kyoto - Recommended destination for the Mindful Dining</image:title>
      <image:caption>Tenryu-ji Temple Shigetsu: Surrounded by the natural beauty of Tenryu-ji Temple’s World Heritage gardens, experience Shojin ryori (Zen vegetarian cuisine) which harmonizes with Buddhist ideals, creating nourishing meals from fresh seasonal vegetables, herbs, and wild plants. Visit the countryside of Ohara, home of farmers and shiso herbs Ohara is a rural town nestled in the mountains of northern Kyoto. One of their main specialties in this area is shiso, or red perilla, a type of herb from the mint family which is used to make tsukemono (pickled vegetables). Try Kaiseki, elaborate course of Japanese seasonal dishes Kaiseki is Japan’s answer to hautecuisine. More than a food, kaiseki is an art form and balances of taste, color, and texture. Check page 10 and 11 for a ryokan (Japanese inn) or a restaurant where you can experience this extraordinary food creation. Join the tea ceremony experience Tea ceremony is not just drinking tea but it compounds the extraordinary depth and breadth of all elements of Japanese culture. Horaido and Marukyu Koyamaen are recommended places to discover the world of Japanese tea.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c27a23f7-aef7-4a55-b6cf-dc1e14f0eaf3/Mindful+dining+%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8+%286%29.jpg</image:loc>
      <image:title>New Stories - A Heratfelt Journey into Mindful Dining in Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/daigojitemple-csxc6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/64ac95a7-9e4e-443f-a775-c287a9626ff0/Photo+2024-01-28%2C+10+21+47.jpg</image:loc>
      <image:title>New Stories - The Garden of Fine Arts Kyoto</image:title>
      <image:caption>The building was designed by the world-renowned architect, Tadao Ando. Visitors descend along a gentle slope to two underground floors, where they can view the artworks from corridors at three different levels, providing unique perspectives. Ando’s architecture is characterized by harmony with the environment and integration with nature. The building itself becomes a work of art, complementing the ceramic plate artworks and leaving a deep impression on visitors. The outdoor setting allows viewers to appreciate the paintings’diverse expressions, which change depending on the viewing location, angle, and the shimmering water and sunlight. Benches along the pathway provide opportunities to sit and contemplate the large-scale artworks. Visitors can enjoy a cultural moment in the garden, listening to the flowing water and feeling the breeze while admiring the beauty of the paintings, ceramic prints, and architecture. Open: 9:00-17:00 (last entry 16:30); Admission ¥100; 1-min. walk from Subway Kitayama Sta.; kyoto-tobanhp.or.jp</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/527952a7-8e5f-4a46-b447-608a99fecd78/Photo+2024-01-28%2C+10+22+27.jpg</image:loc>
      <image:title>New Stories - The Garden of Fine Arts Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/daigojitemple</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/56dcbd6c-7965-4cb5-b0b8-f945e414339f/%E9%86%8D%E9%86%90%E5%AF%BA%E3%81%AE%E7%B4%85%E8%91%89.jpg</image:loc>
      <image:title>New Stories - DAIGO-JI TEMPLE</image:title>
      <image:caption>In 874, the Buddhist monk, Shobo, aka Rigen Daishi, discovered a well of spiritual water on the top of the Kami-Daigo (the upper part of Daigo) mountain and Daigo-ji Temple began its existence as a hermitage. After a while, pious supports of Emperor Daigo (897-930), Suzaku (930-946), and Murakami (946-967) contributed to the development of the Daigo-ji Temple complex. Consequently, a plan for the creation of the Shimo-Daigo (the lower part of Daigo) was carried out. With its precinct encompassing the entire mountain of Daigo, it is one of the largest temple complexes in Kyoto. After entering the main gate on the west side, you’ll find yourself in the Shimo-Daigo. Daigo-ji Temple went through many tragedies over the centuries, and especially the fire caused by the Onin and Bunmei wars in Kyoto destroyed the entire Shimo-Daigo complex except for the Five-storied Pagoda built in 951. It is at least fortunate that even today we can see one of the oldest buildings in this prefecture.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6db6d1e1-c25a-42c3-8e79-911c39bc0368/%E9%86%8D%E9%86%90%E5%AF%BA+%E4%B8%89%E5%AE%9D%E9%99%A2.jpg</image:loc>
      <image:title>New Stories - DAIGO-JI TEMPLE - Make it stand out</image:title>
      <image:caption>The gate of Sanbo-in Temple. It is said that this gate was opened only when receiving envoys from the Imperial Court. In 2010, it was restored to its original magnificent appearance – the entire gate was coated in black lacquer with four large crests of chrysanthemum and paulownia adorned with gold leaf.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/cedc975e-5a14-4910-8a32-3deda6d18f27/%E9%86%8D%E9%86%90%E5%AF%BA+%E4%BA%94%E9%87%8D%E5%A1%94.jpg</image:loc>
      <image:title>New Stories - DAIGO-JI TEMPLE - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>Construction of this massive five-story pagoda (National Treasure) was made by Emperor Suzaku to pray for the repose of Emperor Daigo, and it was completed in 951. It is the oldest existing building in Kyoto Prefecture, and its interior wall paintings are said to be the origin of Japanese esoteric Buddhist paintings.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-march2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4780c33d-a677-44b2-a6a1-bf80e6a4ec28/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-06-30+102102.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE March 2024 has been published - This Month’s Features:</image:title>
      <image:caption>Daigo-ji Temple — The time-transcending beauty of nature and craftsmanship The Garden of Fine Arts Kyoto — Combination of masterpieces of art, ceramic prints, and architectural marvels Celebrating Hina Matsuri — Embracing Tradition in Japan's Doll Festival What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide A Heartfelt Journey into Mindful Dining in Kyoto</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-february2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d9cf57db-25e1-4fb0-b56a-447c769580d2/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2024-02-14+160010.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE February 2024 has been published - This Month’s Features:</image:title>
      <image:caption>The World of Japanese Sake — Fushimi, Mecca of Sake Industry in Kyoto Kyoto Geomancy — Designing a perfect city Plum Blossom Viewing in Kyoto — Bright signs of spring in the Old Capital What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/experience-teaceremony</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dcdbd249-53e5-4dbb-9049-e1c3899bfb34/IMG_8600.JPG</image:loc>
      <image:title>New Stories - Taste, Learn and Experience Japanese Tea and Tea Ceremony - The event is organized by Michael Drzmisek Sozui, a Urasenke tea instructor, and his wife, Harumi. Born in Switzerland, Michael graduated from the College of Arts and Crafts in Zurich as a display designer. His first contact with Japanese culture was through the martial art of Aikido and later he began to learn about the tea ceremony to complement his martial arts studies.</image:title>
      <image:caption>After becoming more deeply interested in tea, he came to Japan to focus on the study and practice of tea. With more than thirty years of experience, Michael sees chanoyu as a way of communication between people and ideas. Michael purchased tea at Horaido over 30 years ago during his first visit to Japan. Since then, he has been a regular drinker of Horaido matcha.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/51503878-6ca6-4393-b7ea-181c9392cc90/%E8%93%AC%E8%8E%B1%E5%A0%82%E6%A7%98.jpeg</image:loc>
      <image:title>New Stories - Taste, Learn and Experience Japanese Tea and Tea Ceremony - Make it stand out</image:title>
      <image:caption>Horaido: Open: 10:30-18:30; Closed: 2nd, 7th, 12th, 17th, 22nd, 27th of the month; On the west side of Teramachi, north of Shijo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/17fc2505-4622-46b4-983c-7925cc1d0e3b/IMG_7085.jpg</image:loc>
      <image:title>New Stories - Taste, Learn and Experience Japanese Tea and Tea Ceremony - Make it stand out</image:title>
      <image:caption>Kanjo-an: 191-3 Nishiyashiro-cho, Kamigyo-ku, Kyoto; At Kanjo-an, visitors can join programs featuring tea ceremony in English, Japanese or German; contact them for details.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b35216f3-5762-4dc2-8008-2c8e764bccc8/P1010062.JPG</image:loc>
      <image:title>New Stories - Taste, Learn and Experience Japanese Tea and Tea Ceremony - A very old traditional shop can be found along Teramachi Shopping Arcade. Horaido is a tea specialty shop established in 1803 run by the Yasumori Family. Dignified tea pots are lined up and tea utensils for daily use and formal tea ceremony are placed all around. The present owner, Nagahiro Yasumori, always welcomes customers from all around the world with gentle smile and his incredibly wide knowledge of Japanese teas. If you are wondering which tea leaf to choose, just tell him your preference and questions, then, he will give you the best answer. Horaido will lead you into the deep world of Japanese green tea.</image:title>
      <image:caption>“What we offer in our shop is not merely the tea leaves but the tradition of drinking tea that our ancestors followed for some hundreds of years.” In 2020, Horaido made a full refurbishment in the back of their classical tea shop and today, an authentic tea ceremony room and garden from the Edo period was restored. They offer a great opportunity for visitors to experience Japanese tea ceremony a few times a month.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3a3b765a-7111-429d-8175-9ab0263c0066/P1010031.JPG</image:loc>
      <image:title>New Stories - Taste, Learn and Experience Japanese Tea and Tea Ceremony - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/masahiro-swordsmith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8c618167-147c-4a52-aa50-f69f53639f8e/_N5A1153.jpg</image:loc>
      <image:title>New Stories - Creating Swords where the Spirit Resides - The Japanese sword is the result of the fusion of these spiritual forces with human technology. Perhaps ancient people sought beauty in the sword as a weapon because they felt that more beautiful things are more vital.” continues Nakanishi. “Usage,” “Beauty,” and “Spiritual role.” All three elements of the Japanese sword are expressed in the hamon (blade pattern). The harder the blade is, the more powerful the sword becomes as a weapon with a sharp cutting edge, but if it is too hard, the risk of breakage increases. To prevent breakage, the blade is quenched so that only the actual blade part for cutting becomes hard. The pattern created during the quenching process is called hamon. *Quenching is the process of forging iron by heating it to a high temperature and then cooling it rapidly by placing it in water. Upon stepping into his workshop, Nakanishi becomes a part of nature and concentrates on his unending quest of creating strong and beautiful swords. The swords created by this master swordsmith, whose mind and spirit comprehend both hardness and softness, or persistence and flexibility, are imbued with beauty and vitality nurtured by nature and human life.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/cba7bc02-164c-4049-9753-36773c3cbbcc/_N5A1206-2.jpg</image:loc>
      <image:title>New Stories - Creating Swords where the Spirit Resides - Before entering the workshop, Nakanishi gives a lecture on the history of Japanese swords and tips on how to appreciate them. When looking at a sword, there are three things to look for: the shape of the sword, the base metal, and the pattern on the blade, known as “hamon,” a pattern that emerges on the blade during the manufacturing process.</image:title>
      <image:caption>One can know the period and style in which the sword was made from the pattern. The beauty of the hamon (blade pattern) is of particular importance. “The Japanese sword has three quintessential qualities: its ‘Usage’ as a weapon, its ‘Beauty’ as the embodiment of aesthetics, and its ‘Spiritual role’ as a talisman,” Nakanishi states. “Since ancient times, Japanese people have believed that a spirit resides in the sword. In the process of making a sword, the existence of a divine spirit is felt in the process of making fire, using wind, touching water, and from other natural forces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/0354acb7-d88c-4d5e-83e3-c546c2b53bd9/_N5A2373-2.jpg</image:loc>
      <image:title>New Stories - Creating Swords where the Spirit Resides - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/22c06624-5c90-41ca-86ac-94f86c992b8a/_N5A1289.jpg</image:loc>
      <image:title>New Stories - Creating Swords where the Spirit Resides - Naturally, swordsmiths, who were authorized to make and take care of Japanese swords, were also a necessary role in those times. Japanese swords used to be made with the best of cutting-edge technology and art, but as time changed from the Edo period to the Meiji period (1868-1912), people were officially forbidden to wear or even possess swords.</image:title>
      <image:caption>Literally, swords disappeared from the society, which in turn led to the disappearance of swordsmiths and their skills. Swordsmiths were forced to change careers and many of them switched to manufacturing cooking knives or daily cutting tools. Today, there are fewer than 300 swordsmiths in Japan, and it is said that even fewer swordsmiths are actually making swords. On the outskirts of Kameoka, north of Kyoto City, lies a swordsmith’s studio, Masahiro Japanese Sword Studio. This is where one of the few swordsmiths in Japan, Yuya Nakanishi, a.k.a. Masahiro, the Swordsmith, devotes himself to producing swords.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-december2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a2b90f1f-f59b-4f32-9a23-ed090f41ca1f/Photo+2023-12-01%2C+12+51+00.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE December 2023/January 2024 has been published - This Month’s Features:</image:title>
      <image:caption>Creating Swords where the Spirit Resides — An interview with Masahiro, the Swordsmith Giving Gifts — A key to understand the ways of Japan Taste, Learn and Experience Japanese Tea and Tea Ceremony What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/lifestyle-of-floor-living-kmwhy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a510af41-67cf-4729-a388-df8960510e0f/zabuton+%284%29.jpg</image:loc>
      <image:title>New Stories - Lifestyle of Floor Living - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8a5f470b-0944-4aba-bf44-58c374a3a8be/finishing+%285%29.jpg</image:loc>
      <image:title>New Stories - Lifestyle of Floor Living</image:title>
      <image:caption>&lt;KVG&gt; What do you think are the charms of Japan’s unique “floor living” lifestyle? &lt;Takaokaya&gt; The era of Japan’s rapid economic growth sees Western cultures being introduced into our lifestyles. While many Japanese homes start using chairs, sofas and beds, they still maintain Japanese furnishings such as tatami mats, shiki-futon mattresses, kake-futon comforters and zabuton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c4993e90-652b-4281-8228-ea120553f880/ojamiseries.JPG</image:loc>
      <image:title>New Stories - Lifestyle of Floor Living - Whether it’s Shiki-futon mattress, Kake-futon comforters, Ojami cushions, Zabuton cushions, or Meditation pillows, you can create your unique Takaokaya Kangu with custom-order.</image:title>
      <image:caption>&lt;KVG&gt; How do people overseas use Takaokaya products? &lt;Takaokaya&gt; Since the launch of our global online store 8 years ago, our Kangu is made more available to people overseas. Our top three products are shiki-futon mattress, our iconic Ojami cushions, inspired by Japanese beanbag toy (Otedama) and zabuton cushions. Many of our international customers love the plushness and fluffiness of the shiki-futon. To rekindle their Japanese experience, some pair their shiki-futon with tatami mats or sunoko bed frames. Others opt to use the shiki-futon as a luxurious mattress topper. Our Ojami and zabuton cushions are versatile, serving as comfortable floor seat cushions or providing excellent backrest support on couches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4d082dbf-447a-4895-9f7c-381845a4f1eb/zabuton+%285%29.jpg</image:loc>
      <image:title>New Stories - Lifestyle of Floor Living - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ab92866f-28c6-4bb1-a478-f63df5927084/zen+meditation+set+%281%29.jpg</image:loc>
      <image:title>New Stories - Lifestyle of Floor Living</image:title>
      <image:caption>Japanese people have long lived on the floor, commonly, on tatami mats. One room can be a dining room, a guest room, or a bedroom. While sofas and chairs can only accommodate a limited number of people, a low table in the middle of the floor allows for flexible seating positions and number of people. Not only can a large number of people can gather around the table but also low tables and furniture also make a room seem larger. To achieve this, it was necessary to minimize furniture and other objects to create a livedin space with a high degree of flexibility and mobility. This is what has nurtured one of Japan’s core philosophies and cultural concept of “simplicity.” Tatami is made of a plant called igusa (a kind of Japanese rush). The scent of igusa from a new tatami is very refreshing. The delicate sense of savoring the fragrance has also been nurtured by the Japanese people’s lifestyle of sitting on the floor. Also, by sitting on the floor, it lowers the line of one’s sight compared to sitting on a chair. As a result, you can get closer to nature and see things from a different angle, which must be deeply related to the Japanese view of nature.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kitanotenmangu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ee1fdd04-bd34-447e-89d8-bc150f467647/%E2%91%A0%E3%83%A9%E3%82%A4%E3%83%88%E3%82%A2%E3%83%83%E3%83%97%E3%81%95%E3%82%8C%E3%81%9F%E5%9B%BD%E5%AE%9D%E5%BE%A1%E6%9C%AC%E6%AE%BF%E3%81%A8%E3%82%82%E3%81%BF%E3%81%98.jpg</image:loc>
      <image:title>New Stories - Kitano Tenmangu Shrine - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/831e6021-4620-4995-bcdb-8b284f4d23b9/%E2%91%A3%E5%9B%BD%E5%AE%9D+%E5%BE%A1%E6%9C%AC%E6%AE%BF.jpg</image:loc>
      <image:title>New Stories - Kitano Tenmangu Shrine</image:title>
      <image:caption>Michizane Sugawara (845-903), the deity of Kitano Tenmangu Shrine, was a man of great talent who from an early age studied hard, and composed emotionally rich waka poems, and elegant Chinese poetry. Michizane was a scholar-turned-politician who demonstrated exceptional skills. In 899, he was appointed to an important position in the government, overseeing the nation’s political affairs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3e6c149e-c9a9-4072-8683-0c6852f8087d/%E2%91%A2%E9%8C%A6%E7%A7%8B%E3%81%AE%E7%B4%99%E5%B1%8B%E5%B7%9D.jpg</image:loc>
      <image:title>New Stories - Kitano Tenmangu Shrine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-november-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/0d788900-e9dd-4fca-9917-7c4ad707e86c/Photo+2023-10-30%2C+13+40+34.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE November 2023 has been published - This Month’s Features:</image:title>
      <image:caption>"Lifestyle of Floor Living" — Culture and Tradition Deeply Ingrained in Japanese DNA Kitano Tenmangu Shrine — Feel the Japanese autumn at the “Odoi Maple Garden” and the night-time illumination What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/soreninterview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8afe0963-4bd3-441d-9590-4b178184f7b6/My+self+in+a+classic+full+stop+pose+fixing+your+gaze+and+thus+concentration+on+%27the+point+in+front%27.JPG</image:loc>
      <image:title>New Stories - "Sharing and making others happy through tea" - "A Tea house may be the refuge that could restore not only cultural values, but human self-esteem and bring meaning and direction to a fulfilling life.” Søren M. Chr. Bisgaard</image:title>
      <image:caption>Born in Copenhagen, Denmark, 1946. Became interested in philosophy at the age of 15, went to the Oracle of Delphi at 18, and became a sannyasin monk at the age of 20. Studied Sanskrit, philosophy, and Japanese at Copenhagen University. Arrived in Japan in 1976 and joined the Urasenke Midorikai program, continuing his studies to this day in Kyoto and engaging in tea-related activities in Japan and abroad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/944e92de-2d16-455b-83e7-fe1497cbb16f/25758274_l.jpg</image:loc>
      <image:title>New Stories - "Sharing and making others happy through tea" - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4502e8c0-13fe-4fed-babf-2b4a64ecbfa0/A+teaching+situation+at+my+tea+house+in+Kyoto.jpg</image:loc>
      <image:title>New Stories - "Sharing and making others happy through tea" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1b106efc-d0b0-4635-85e7-4ea7cb97ed8c/Making+tea+on+top+of+Daimonji+during+a+solar+eclipse.jpg</image:loc>
      <image:title>New Stories - "Sharing and making others happy through tea"</image:title>
      <image:caption>&lt;KVG&gt; Tea ceremony comprehends so much of true Japanese culture and spirit. Do you perceive any benefits for people living today from the practice of tea ceremony? &lt;Søren&gt; The formative development of the Japanese tea ceremony took place in the Sengoku period (16th century) of warring states. The tea house was the only place of peace recognized by all. Nobody could bring weapons into the tea house and all were considered equal there in stark contrast to the ordinary world were all carried weapons within a society strictly stratified by clans and ranks. The tea house was even a place for diplomacy, a sanctuary of peace where you could relax in an elegant, refined and beautiful environment conducive to appreciation of nature, the arts and crafts and not least lofty philosophy to attain peace of mind and sanity in a turbulent world. The mental effect of tea itself induced this state of mind.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgoctober-2023-23nkt-fltcl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/914b479e-6539-4933-9b8e-d37263e009e6/Photo+2023-10-09%2C+10+56+51.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE October 2023 has been published - This Month’s Features:</image:title>
      <image:caption>"Sharing and making others happy through tea" — Interview with Søren M. Chr. Bisgaard, the Urasenke Tea Master from Denmark Jidai Matsuri Festival — A Picturesque Procession of Kyoto’s 1,200 Years of History Takikomi Gohan — Infusing rice with seasonal flavor What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kamigamoshrine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d1e928e9-18a9-48e6-91f9-f5e95504e241/774111_l.jpg</image:loc>
      <image:title>New Stories - Exploring Kamigamo Shrine - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/678d7231-5dbd-4fbe-88e3-8740b513db69/22602478_l.jpg</image:loc>
      <image:title>New Stories - Exploring Kamigamo Shrine - Kamigamo Shrine</image:title>
      <image:caption>Access: From Kyoto Station or Kitayama Subway Staion, take the Kyoto City Bus #4 and get off at Kamigamo Jinjamae. From Kitaoji Subway Station, take the Kyoto City Bus #37, and get off at Kamigamo Misonobashi. https://www.kamigamojinja.jp</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c476dc4f-7aa3-45d1-b2ca-75387034957a/22336808_l.jpg</image:loc>
      <image:title>New Stories - Exploring Kamigamo Shrine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/cho</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f9bb4889-e97d-437a-a5b3-c5e1aba4436d/%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8+%282%29.jpg</image:loc>
      <image:title>New Stories - Chopsticks</image:title>
      <image:caption>History Chopsticks have an extremely long history. The origin of today’s chopsticks is said to date back to pre-historic times, when people used fire to cook meals and needed to use something to get food out of the fire or to carry hot food to a hungry mouth. The oldest historical record about chopsticks in Japan is found in the Kojiki (Japan’s first history book completed in 712). The oldest record in the world is in China in which the emperor requested his servant to make him a set of gorgeous ivory chopsticks; that was 4,000 years ago! Japan’s double chopstick pair sets entered Japan from China via Korea in the 6th century. Ritual utensils for the Gods In the early days in Japan, chopsticks were used only to offer sacred items to the Shrine god or deity, for example as a part of the autumn ritual to thank heaven and earth for a good harvest. All food in such ceremonies and rituals were handled not by hand but with chopsticks (a human hand should not touch food meant for the gods). These ritual instruments are still used and have a special shape. Both ends of the stick are identical in shape and have almost the same thinness at either end. One end is for food meant for the gods and the other is for food for the people (or whoever performs the ritual/ceremony). So you could say that the Japanese Gods and the Japanese people share the chopsticks and become one through that sharing. Chopsticks play a very important role in Japanese folk culture as a way of showing thanks to the powerful and natural deities that ultimately feed them with rain, earth, wind, and sun.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/04db8d61-e378-43ed-b1fc-73f8368b9c11/pic_mon.jpg</image:loc>
      <image:title>New Stories - Chopsticks - Chopstick Gallery MON</image:title>
      <image:caption>In the Shinkyogoku Shopping Arcade there is a small but incredible chopstick shop: Chopstick Gallery MON. Believe it or not, there are over 2,000 pairs of chopsticks in the shop! MON offers every kind of chopstick, from traditional or modern glass ones to simple or highly decorative. Some incorporate the traditional craft skills of Kyoto and designs including Nishijin woven textile and Kiyomizu-yaki ceramics.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c28e96b5-33ff-4391-a56e-75deab9e3c85/26460082_l%281%29.jpg</image:loc>
      <image:title>New Stories - Chopsticks - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/114bed8f-df29-461c-9fce-5763123d82d4/%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8+%281%29.jpg</image:loc>
      <image:title>New Stories - Chopsticks - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgseptember-2023-23nkt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3d8499a5-8d10-486f-9d03-2e2a67aedbbc/Photo+2023-10-09%2C+10+56+21.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE September 2023 has been published - This Month’s Features:</image:title>
      <image:caption>Chopsticks — Eating elegance &amp; craft excellence of Japan Higan &amp; Jugoya — September Seasonal and Religious Highlights Exploring Kamigamo Shrine — Sacred ground, symbolic power point, place of natural spiritual strength What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgaugust-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/daddc718-ac41-4676-94fd-49f68074ec00/Photo+2023-07-25+16+43+53.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE August 2023 has been published - This Month’s Features:</image:title>
      <image:caption>All Kyoto-made Decomposable Urushi Contrabass — One-and-only instrument born from innovative collaborations Gozan Okuribi — Sending off the sprits until next Obon The Lotus Flower — A symbol of beauty and transformation What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/urushi-contrabass</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f27b52da-2910-451f-ad7b-dff865372b91/%E4%BC%9A%E7%A4%BE%E7%B4%B9%E4%BB%8B+%E3%83%92%E3%82%AC%E3%82%B7%E5%BC%A6%E6%A5%BD%E5%99%A8.jpg</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass - Higashi String Instrument Factory</image:title>
      <image:caption>Higashi String Instrument Factory has been making contrabass, viola da gamba, and cello. The artisans make instruments carefully with traditional Japanese carpentry tools. Their instruments produce stately and extensive sounds and their balanced sounds make each one distinctive.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6dc8011c-9930-4902-8c9a-44d8d99e100d/%E4%BC%9A%E7%A4%BE%E7%B4%B9%E4%BB%8B+NAO%E6%BC%86.jpg</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass - Nao Urushi Studio</image:title>
      <image:caption>Involved in the refurbishing and restoration of Buddhist altars and equipment as well as the creation of original interiors, Nao Urushi Studio expands the possibilities of lacquer expression with natural lacquer painting and polishing techniques using a variety of brushes and spray guns.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1a9c7836-3f20-4fd4-be9f-fc953093929a/2.jpg</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass - Photo: Connecting parts made of metal for the contrabass neck produced by Nango</image:title>
      <image:caption>The following year, the circle of collaboration expanded even further. Obata of Nao Urushi Studio was a certified traditional craftsman in Kyoto and who was also participating in DESIGN WEEK KYOTO, joined the project. He and his studio members took part in applying urushi lacquer on the contrabass to make it truly a one-of-a-kind instrument.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/da50614b-ecba-4eb6-8633-5390f8e21bc2/IMG_0973.JPG</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/778820d0-b5a2-41e4-9632-d2441fcd2c53/%E4%BC%9A%E7%A4%BE%E7%B4%B9%E4%BB%8B+%E3%83%8A%E3%83%B3%E3%82%B4%E3%83%BC.jpg</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass - Nango</image:title>
      <image:caption>Nango produces the hard machine elements including low demand metal parts by combining cutting-edge technology and　programming. Nango has invented a new 3D printing technology which can be applied for all textures. “Nango printing” has obtained a patent.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/217e6629-0cd4-4ccd-aeb7-3ca850e73a3b/IMG_7954.jpg</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass</image:title>
      <image:caption>The contrabass (also called wood bass) is a stringed instrument that plays the lowest sound in an orchestra. It is similar in shape to a violin or cello, but its overall length is approximately 180 to 200 cm; exceeding the height of an adult, and its body is 50 to 60 cm thick. Founded in 1979, Higashi String Instrument Factory in Uji City is the only factory in Japan that handcrafts contrabass, cello, viola da gamba, and other instrument using Japanese carpentry tools such as Japanese planes. Higashi, the representative of the company, had been hearing comments from contrabass performers that the size of the contrabass was always a difficult issue for the players. Meanwhile, Higashi started to try to find a way to make the neck of the instrument decomposable, but it wasn’t easy to do on his own. It was at this time that Higashi met Nango, a metalwork specialist company also located in Uji, at DESIGN WEEK KYOTO, an event held once a year in Kyoto that features crafts and manufacturing. When Higashi talked about his problem to Nango, they were willing to help and immediately took action although they had had no connection to musical instruments.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/868eac4d-dd7b-4a97-805e-ade3524bc13d/IMG_0163.jpg</image:loc>
      <image:title>New Stories - All Kyoto-made Decomposable Urushi Contrabass - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/biwakocanal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1b7b383c-6766-4397-955b-8ae2ab8d0896/2514347_m.jpg</image:loc>
      <image:title>New Stories - The Ways of Water in the Old Capital</image:title>
      <image:caption>Less than just twenty years before, Japan had emerged from its three-century slumber of feudal isolation. Yet in a mere five years, Tanabe overcame monumental problems of technology and bureaucracy to complete Japan’s first modern large-scale public works project. The new canal was also used for shipping rice, charcoal, ceramics, kimono and other commodities into the city, at great benefit to the local economy and that of Shiga Prefecture, where Lake Biwa lies.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dcb5101a-181f-4b17-85c4-ae4b4d5ec772/3674054_m.jpg</image:loc>
      <image:title>New Stories - The Ways of Water in the Old Capital - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e29d9496-dd06-4b3b-8953-afddb204a3de/%E3%81%B3%E3%82%8F%E6%B9%96.jpg</image:loc>
      <image:title>New Stories - The Ways of Water in the Old Capital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgjuly-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/000795b0-86b3-41ce-b407-19fba64c0565/Photo+2023-06-26+14+04+07.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE July 2023 has been published - This Month’s Features:</image:title>
      <image:caption>GION MATSURI FESTIVAL — A living symbol of Kyoto’s 1,200 years of rich, colorful history The Ways of Water in the Old Capital - Bringing Lake Biwa to Kyoto What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/aikido</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/08e50b74-a40b-497b-91af-177ef7e36f7f/shioda_gozo1.jpg</image:loc>
      <image:title>New Stories - Experience Aikido “The Martial Art of Peace”at Shioda Gozo Memorial - Gozo Shioda (1915-1994) founded his own aikido school “Yoshinkan”</image:title>
      <image:caption>Aikido, which is now practiced throughout the world and known as the Martial Art of Peace, was created by martial arts legend Morihei Ueshiba (1883-1969), easily recognizable by his sage-like long white beard. Aikido’s soft and circular joint locks and throws to subdue or redirect attackers without injuring them are based on principles Ueshiba studied while living in Ayabe, a village in the countryside northeast of Kyoto’s Arashiyama mountains. Gozo Shioda met Ueshiba in 1932 at the age of seventeen. Already an accomplished judo practitioner, Shioda was overwhelmed by Ueshiba’s new martial art and dedicated his youth to mastering aikido, rising every day at 4:00 am to run several kilometers to Ueshiba’s dojo (martial arts school) for practice.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1e90e63d-b525-499f-a422-98e1cc8726c9/DSC01487%281%29.JPG</image:loc>
      <image:title>New Stories - Experience Aikido “The Martial Art of Peace”at Shioda Gozo Memorial - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/aad471b7-4fb3-4ed8-b1b4-0ffe367c6175/012%281%29.JPG</image:loc>
      <image:title>New Stories - Experience Aikido “The Martial Art of Peace”at Shioda Gozo Memorial - Butokuden, the Budo Center’s 19th-century main hal l</image:title>
      <image:caption>Black belt testing, technical seminars, and demonstrations will be held at the Butokuden, the Budo Center’s 19th-century main hall, built with an elegant karahafu (curved gable) roof. The Butokuden and the grounds of the Budo Center are open to visitors to roam around. The Memorial’s main event will be an aikido demonstration from 1:00 pm to 4:00 pm on Sunday, July 2. However, the seminars can also be observed, and visitors at other times can watch the regular martial arts practice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a4a29b45-c413-4fd3-9d36-5c4a815d8d30/Shioda-gozo-07.jpg</image:loc>
      <image:title>New Stories - Experience Aikido “The Martial Art of Peace”at Shioda Gozo Memorial</image:title>
      <image:caption>Learn more about the Butokuden: www.DNBK.org www.Kyoto-Sports.or.jp/facilities — about the 2023 Memorial: www.YoshinkanAikidoFellowship.com Read in depth: — Shioda, G. Aikido Jinsei: My Life in Aikido (Shindokan Books) — Payet, J. Uchideshi: Walking with the Master (Shindokan Books)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/00d6553c-2561-4ea6-ab96-f6d4ba02638a/gozo-shioda-aikidos-little-giant-1140x500.jpg</image:loc>
      <image:title>New Stories - Experience Aikido “The Martial Art of Peace”at Shioda Gozo Memorial - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgjune-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/02049ea6-e2e8-41e2-bd4b-10c331a643dc/Photo+2023-05-22+23+42+20.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE June 2023 has been published - This Month’s Features:</image:title>
      <image:caption>Experience Aikido “The Martial Art of Peace” — Shioda Gozo Memorial at Kyoto Budo Center Rain - Water, mist and mystery June Garden Tour - Seasonal splendors at Heian Jungu Shrine’s Shin-en Garden What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/manpukuji</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/5566fe86-8723-448f-ab07-96fc86e200b5/5189963_l.jpg</image:loc>
      <image:title>New Stories - Manpuku-ji Temple</image:title>
      <image:caption>Hotei is known as the deity of contentment and happiness</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f8c9214b-5247-41a9-929d-b1f13f8a2895/22187534_l.jpg</image:loc>
      <image:title>New Stories - Manpuku-ji Temple - Beautiful Chinese style incense stand</image:title>
      <image:caption>Although twenty-three of the buildings are designated Important Cultural Properties, Manpuku-ji Temple is not all history. Each year there are monks in training on the grounds and there are also regular programs of zazen (meditation) that are open to the public. There is also a major Chinese style festival held here every October in which stalls are set up and a traditional lion dance is held. Approaching the temple, Chinese architectural flavor is immediately spotted on the main gate with its double layered, pavilion like roof. A stone path leads to the majestic Sanmon Gate, the first of the main temple buildings. Continuing on the path takes you to the Tenno Hall, which houses an eye-catching statue of the deity Hotei in a style rarely seen in Japan. Hotei is the incarnation of Miroku Bodhisattva, also known as the Laughing Buddha. At the four corners of the hall are big statues of the Four Heavenly Kings.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/fcb1a0c0-554b-4d39-b4d5-ae382b8acca5/pg10+Manpukuji.jpg</image:loc>
      <image:title>New Stories - Manpuku-ji Temple</image:title>
      <image:caption>Historically, Manpuku-ji Temple has also been the principle disseminator of a style of tea ceremony known as sencha that utilizes green tea leaves rather than the powdered tea (matcha) used by most tea schools. Consequently, the All Japan Sencha-do Association is located here and large sencha tea ceremonies are held twice a year (one of them is held in May, on the third weekend: May 20 &amp; 21 this year). Manpuku-ji Temple 9:00-17:00; Admission ¥500; www.obakusan.or.jp/en/ Access: To get to Manpuku-ji Temple from the city center, take an Uji-bound Keihan Railway local from either Sanjo or Gion Shijo Station. Get off at Keihan Obaku Station. It’s a five-minute walk to the temple through a shopping arcade. Or from Kyoto Station take a Nara-bound JR train and get off at Obaku Station.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1f23e20a-6028-44c4-9786-369f71ad1654/Manpuku-ji.jpg</image:loc>
      <image:title>New Stories - Manpuku-ji Temple - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/ethicalmarkets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/2e459e53-435b-4929-b85f-f56a09b63d54/S__44482576.jpg</image:loc>
      <image:title>New Stories - Have Fun &amp;amp; Be Ethically Conscious at Markets in Kyoto</image:title>
      <image:caption>naked market “nature” &amp; “weekday” Address: 5-1 Osumi Kokuzodani, Kyotanabe City (TAMISA Matsui Yamate Studio / yinyang) 10:00-15:00; Check their Instagram for the schedule.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/53bd59dd-57ef-41d9-a3bd-7a720ecd0f2e/S__44482572.jpg</image:loc>
      <image:title>New Stories - Have Fun &amp;amp; Be Ethically Conscious at Markets in Kyoto - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/209a236a-0156-4d7f-9023-60defd1417fb/S__44482570.jpg</image:loc>
      <image:title>New Stories - Have Fun &amp;amp; Be Ethically Conscious at Markets in Kyoto - naked market — Building a future with people who share common "likes" and "enjoyment"</image:title>
      <image:caption>“naked market” is a fun and ethical event where, with your own containers and eco-bags in hand, you can enjoy talking with producers and vendors, and reconsider what is a “truly rich life.” With a “sale by volume,” “plant-based,” and “plastic-free” concept, the naked market offers you both the opportunity of earth-friendly ethical shopping and congenial interaction with people.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a94ae63b-e254-4709-916b-f8fae4c32714/S__44482564.jpg</image:loc>
      <image:title>New Stories - Have Fun &amp;amp; Be Ethically Conscious at Markets in Kyoto - Maaya Hanson, the founder of naked market</image:title>
      <image:caption>The organizer is Maaya Hanson, a Kyoto native. “In 2020, I moved to the suburbs of Kyoto, and began to feel that I wanted to organize a community-based market with the people who could share same concerns and interest. I started naked market with the hope of reducing the amount of disposable plastic waste from everyday shopping, and to create a warm, person-to-person cycle where people can purchase vegetables, clothing, and other items directly from producers we can trust,”says Maaya. Unlike supermarkets, the unique appeal of naked market is that you can talk with the vendors and producers directly about the characteristics and stories of each product. Join naked market and you will become more aware of conscious consumption and how to use an item sustainably and simply, as well as enjoying shopping and meeting people!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d67cb5f3-2bd7-45a0-a188-a4427857cd3b/1680182295042.jpg</image:loc>
      <image:title>New Stories - Have Fun &amp;amp; Be Ethically Conscious at Markets in Kyoto</image:title>
      <image:caption>Launched in April 2022, 1000Market has been held on the 28th of every month in front of the Kiyomizu Temple main gate following three core concepts : 1) passing on traditional craftsmanship and culture to the future, 2) reducing food waste, and 3) building a network among people. Encounter a wide variety of“authentic” products: Japanese crafts including ceramics, metalwork, dyed fabrics, Japanese paintings, organically grown vegetables and processed goods, sweets, natural cosmetics, and more at 1000Market! 1000Market Address: Kiyomizu Temple; 9:00-16:00 / Held on the 28th of every month</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/87a094f8-096e-4338-9b8c-8bdef8e65d99/IMG_20220429_095406_723.jpg</image:loc>
      <image:title>New Stories - Have Fun &amp;amp; Be Ethically Conscious at Markets in Kyoto</image:title>
      <image:caption>1000Market — A market creating a “circle of goodwill” through “Honma-mon”in both spirit and quality</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgmay-2023-kdals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b95fca56-3bf3-4c8c-b4f0-51aa2febd4c3/Photo+2023-05-22+23+41+44.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE May 2023 has been published - This Month’s Features:</image:title>
      <image:caption>Have Fun &amp; Be Ethically Conscious at Markets in Kyoto Manpuku-ji Temple — A Chinese-style Zen temple with a lot to offer Aoi Matsuri Festival — The Greatest Festivals of the Picturesque Heian Period Procession Hachiju Hachiya — Savor the Best Japanese Tea of the Season What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/ryokan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/02f87be6-d2c9-478c-bfac-0b575ac8d906/Photo+2023-03-31+0+29+39.jpg</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - Ryokufuso</image:title>
      <image:caption>Ryokufuso is a lovely traditional Japanese inn located in the center of Kyoto, whose defining principle is to bring smiles to the faces of its guests. Their extremely friendly and helpful staff will always welcome you. They have just finished a full-scale renovation so that all guest rooms are comfortable and refurbished. They serve a delicious Kyoto cuisine meal which will be a delight both to your eyes and palate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1fd4642a-27b9-4a23-ad32-127ae4f583b8/%E8%A5%BF%E6%9D%91%E3%80%80%E6%98%8E%E7%BE%8E.JPG</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - Hiiragiya Hiiragiya has been a beloved traditional Japanese ryokan in Kyoto for over 200 years since its foundation in 1818. Charlie Chaplin stayed here in the past, along with many other famous Japanese and international literati and recognized figures. The finest quality Kyoto-style Kaiseki cuisine is another highlight at Hiiragiya. Akemi Nishimura, the 6th-generation Okami-san (proprietress), states, “A deep sense of hospitality and sensitivity to others is an inherent characteristic of Kyoto people. I believe what makes Kyoto special is that this city has never lost sight of the essence of things which must not be forgotten or changed.”</image:title>
      <image:caption>Nobuhiro Yasuda, an experienced prosthetist (artificial limbs) and the leader of KYOTO gishi*design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/11cf8f50-b479-4868-8b47-94c5250b89e1/main_02.jpg</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>© Hiiragiya</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ffbe6084-acd5-4f15-8c8d-89704ff36c3a/%E7%B6%BF%E5%96%84%E5%B0%8F%E9%87%8E.JPG</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - Watazen Ryokan</image:title>
      <image:caption>Watazen Ryokan opened as a ryokan in the heart of Kyoto in 1830. Located in downtown Kyoto, all that you will find attractive about the city is within walking distance, such as famous temples, shopping arcades, the Nishiki Food Market, and more! Bathing in the relaxing large shared bath and dining on Watazen’s traditional Japanese kaiseki cuisine (vegetarian option is available, too) will be another unforgettable memory for your stay in the old capital.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7a9757ee-76be-41fd-ada0-07f9995ecefa/IMG_2968.JPG</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - Yoshikawa Inn</image:title>
      <image:caption>Yoshikawa is a classical Japanese ryokan which has welcomed guests from around the world. They are also renowned as a fine restaurant specializing in tempura. Crispy, steaming-hot fresh seafood and seasonal vegetables are served one after another with perfect timing. Chisato, who will be the next fourth-generation Okami-san (proprietress), says, “It is becoming more difficult to maintain a traditional ryokan. However, in order to remain a place where guests can experience the good old days of Kyoto, we are working hard to improve everything. We hope that many people will enjoy every detail.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3d2747f2-9f9a-4afc-b777-dee312e28159/_M1A5793.jpg</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan</image:title>
      <image:caption>Sanga Sanga is conveniently located in the heart of Kyoto, within walking distance of many of the city’s tourist attractions. The main building is a 150-year-old authentic Japanese-style wooden structure with a beautiful courtyard. They serve meals of Kyoto-style kaiseki cuisine using local and seasonal ingredients such as Kyoto vegetables. Sanga provides a relaxing hospitality that will make anyone who visits Sanga feel as if they have returned “home”.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/483f322b-1a55-415b-b60f-661cf52f1025/DSC02303.jpg</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - NISHIYAMA RYOKAN</image:title>
      <image:caption>Opened in 1953, Nishiyama Ryokan has welcomed numerous international guests over the years. Combining the essence of a Japanese ryokan and western-style hotels, Nishiyama Ryokan offers their guests an opportunity to experience an authentic Japanese atmosphere and hospitality along with the comfort and service of a Western style accommodation. Staff members in Nishiyama Ryokan are all encouraged to not just follow the training manual but instead to welcome and support their guests with their “heart”.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4067dbc3-7775-4a41-b281-f386d3182b7c/IMG_9806.jpg</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan</image:title>
      <image:caption>Matsubaya Ryokan If you wish to stay near Kyoto Station and prefer a Japanese-style experience to a Western-style hotel, Matsubaya Ryokan is a recommended choice. Matsubaya Ryokan first opened around 1884, when their predecessors were welcoming monks from the nearby Higashi Honganji Temple. Since then, this cozy ryokan has welcomed a number of guests from different backgrounds, from Buddhist priests to students on school trips as well as many tourists from overseas.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a329413e-f17e-478d-a6cd-a2a43b704caa/IMG_7009.jpg</image:loc>
      <image:title>New Stories - “Welcome to Kyoto!”from Ryokan - Yachiyo</image:title>
      <image:caption>Yachiyo features classical Japanese-style rooms and Onsen-style (hot spring) large shared baths. They also offer guest rooms with beds for those who prefer beds to futon. Some rooms offer a half-open-air garden bath. Soaking in the hot water with the seasonal garden view will be unforgettable! Surrounded by beautiful Japanese gardens, guests will be able to appreciate a superb view no matter in which season they visit. Kyoto cuisine is also an essential part of the Yachiyo experience. Their experienced chefs use the top quality seasonal ingredients, and the dishes are served on beautifully decorated plates.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kyotographie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1942e65e-1182-44e1-91dd-907c3c69382f/%28c%29Isabel+Mu%C3%B1oz.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHIE - “Life inhabits and defends various borders. These lines shape our existence and frame our experience; they protect, destroy, discriminate, and differentiate life in all forms. Human instinct pushes us to evolve, face new frontiers and create new territories. This innate desire to differentiate and break boundaries is a powerful force in nature and essential to survival. In 2023, we seek out these borders, identified as physical, temporary, transient, or transparent.” Lucille Reyboz &amp; Yusuke Nakanishi Co-founders and Co-Directors of KYOTOGRAPHIE</image:title>
      <image:caption>Nobuhiro Yasuda, an experienced prosthetist (artificial limbs) and the leader of KYOTO gishi*design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/aa1d7350-ea27-4514-aabd-e7ca21d50d94/KG_LOGO_ENGLISH-03.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHIE</image:title>
      <image:caption>KYOTOPHONIE SPRING EDITION Every weekend and over Golden Week, between April 15 to May 14 At various locations in Kyoto City Anew international music festival, KYOTOPHONIE, will be launched this spring as a natural progression of its successful sister event KYOTOGRAPHIE. KYOTOPHONIE is a vehicle for connection, conversation, and experience through meaningful and vibrant events. KYOTOPHONIE harmonizes itself in the city of Kyoto — uniting its history, future, and aspirations. Like KYOTOGRAPHIE, KYOTOPHONIE will support and involve the local community and create new opportunities for local artists to collaborate with international professionals and vice versa. The Spring sessions of KYOTOPHONIE bring people together to experience music not commonly available ‘live’in Japan. In most cases, they will perform in formats crafted especially for the Kyoto audience and venues - some developing premier pieces to be shown first in KYOTOPHONIE and only accessed in Kyoto.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e2e1a9a7-6953-45db-8329-ea4145fa9447/%E5%B1%B1%E7%94%B0%E5%AD%A6.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHIE - © Gak Yamada</image:title>
      <image:caption>Valuable collections of photography and works by internationally renowned artists are exhibited in elegant, historic buildings and modern architectural spaces. Some shows feature the work of traditional artisans, while others highlight modern collaborations and new approaches to design. The goal is to present a multifaceted photography festival that can only be found in Kyoto. Annually the festival is presented with a theme. In 2023, 15 exhibitions and 19 venues explore the theme BORDER.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/305eabf8-372e-42ec-b0a0-927e3667ceaf/Mabel+Poblet_01+%E4%BD%9C%E5%93%81%E3%83%A1%E3%82%A4%E3%83%B3.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHIE - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>Mabel Poblet, WANDERING, 2022; Artwork photo courtesy of Alejandro Gonzales</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgapril-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/58c97f44-fd54-4d81-968f-3b64d4c5f449/Photo+2023-03-31+0+37+12.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE April 2023 has been published - This Month’s Features:</image:title>
      <image:caption>“Welcome to Kyoto!”from Ryokan — Meet, experience and enjoy the exotic world of the Japanese inn The Lake Biwa Canal Cruise - Take in the Historical and Natural Beauty of the Lake Biwa Canal KYOTOGRAPHIE - International Photograhy Festival What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/noh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dd8b1400-f4df-4dae-99ab-7bc81d037f32/%E5%B0%8F%E9%9D%A2%E3%80%80%E5%8F%A4%E5%85%83%E4%BC%91.jpg</image:loc>
      <image:title>New Stories - “YUGEN”</image:title>
      <image:caption>The moving spectacle of the Noh is inseparable from the striking, often haunting beauty of “Noh-men” masks, which can be divided into five basic categories: shin (gods), nan (men), jo (women), kyo (crazy entities) and ki (demons). There are about 80 distinct masks. The masks themselves are such beauty element representing traditional Japanese craft. Though many Noh masks appear to be expressionless, they actually function to express any of the wide range of human emotions – joy, anger, sorrow or pleasure – common to Japanese dramas. Worn with a downward tilt, the mask is said to express sorrow. Tilted upward, the mask conversely is interpreted to express joy and laughter. A Noh mask contains the very soul of the character it depicts. When an actor begins to prepare for a role, it is to the mask that he or she looks to discover the essence of the character. Until the mask is in place, the actor is simply himself, but once it is on, he is transformed — body and soul — into that character. Given the central importance of the mask to Noh, it is no surprise that every Noh school treats its masks with a profound reverence. The leading schools often use masks in their performances that are hundreds of years old! Photo: KOOMOTE: A work by KOGENKYU, Owned by The Katayamake Foundation</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/37a1ea66-116a-4ac5-b443-212c263cda22/%E4%BA%AC%E9%83%BD%E8%A6%B3%E4%B8%96%E4%BC%9A%E9%A4%A801.jpg</image:loc>
      <image:title>New Stories - “YUGEN” - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>Classical Noh stage at Kyoto Kanze Noh Theatre</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/0a30099f-8400-4c63-9790-165911259d0e/%E4%BA%AC%E9%83%BD%E8%A6%B3%E4%B8%96%E4%BC%9A%E9%A4%A804.JPG</image:loc>
      <image:title>New Stories - “YUGEN”</image:title>
      <image:caption>Kyoto has some major Noh performance groups and one of them is Kyoto Kanze Noh Theatre. Plays are held regularly. Try and experience the wonders of this dramatic form at least once: you won’t be disappointed. March 25: Kyoto Kanze Noh Theatre Stage Open Day (10:30-16:00) March 25th is the 65th anniversary since the opening of the Kyoto Kanze Noh Theatre. Visitors are welcomed to come inside of the theatre (admission free) and look around the stage facility (no performance will be held). Enjoy the traditional and splendid Noh stage facility of Japan. March 26: Kyoto Kanze Monthly Noh Performance (from 11:00) Every month, Kyoto Kanze Noh Theatre hold their monthly Noh performance. English instructions will be provided (using a tablet; ¥1,000). Tickets are booked online or by phone. Tickets: Adults ¥6,500, Students ¥3,000 (only non-reserved seat on the 2nd floor). Kyoto Kanze Noh Theatre: A 5-min. walk from subway Higashiyama Sta.; www.kyoto-kanze.jp/en/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ebb98f09-2449-4e1f-8afe-24ecee91eae3/%E4%BA%AC%E9%83%BD%E8%A6%B3%E4%B8%96%E4%BC%9A%EF%BC%88%E7%99%BD%E9%AC%9A+%E5%91%B3%E6%96%B9%E7%8E%84%EF%BC%89R5%E5%B9%B43%E6%9C%88%E4%BE%8B%E4%BC%9A%E3%83%81%E3%83%A9%E3%82%B7%E6%8E%B2%E8%BC%89.JPG</image:loc>
      <image:title>New Stories - “YUGEN” - Dramatically, the Noh theatre is by no means as complicated as Western theatre forms. Essentially, there is no plot and everything on stage takes place very slowly. The plays are quite short: not much more an hour, during which only two or three hundred lines will be chanted. The plays are usually tragic and related to themes beyond the human realm in a space populated by gods, demons and ghosts. The setting is generally a very simple place that has some special significance to the main character or actor (called shite). The other main performers on the stage are the waki (playing the role of a Buddhist priest or the opposite role of the shite) and the one or two actors that “assist” the shite and waki. All the performers in a Noh play are men, even when the role is female. In addition to the main actors on the stage, who often wear symbolic wooden masks and carry one of two simple props — a fan or a wooden stuff — Noh performances involve a chorus of 8 singers and up to four musicians playing one of two kinds of instruments (3 sizes of drums and a flute). The rhythm of the drums indicated the degree of tension the main actor is trying to convey to the audience. All the elements blend into a single harmonic whole and no one single element dominates.</image:title>
      <image:caption>Nobuhiro Yasuda, an experienced prosthetist (artificial limbs) and the leader of KYOTO gishi*design</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kyotogishidesign</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/67bda610-7d6a-45f2-80c7-eda1d3cdf805/DSC_0358.jpg</image:loc>
      <image:title>New Stories - “Prosthetic limb”× “Art and Craftsmanship”</image:title>
      <image:caption>It was also the moment when I made a new decision to deliver the feeling I had at that time to a wider range of people. I believe that the prosthetics and orthotics I create under the KYOTO gishi*design concept should be “socially implementable” which means the service can be reached out by anyone, not only in Japan, but also worldwide. In a society where diversity is often discussed, I hope that this small design project, “KYOTO gishi*design” will lead towards a society where people who need prosthetics and orthotics have a “choice”, and we will continue to act proactively in the future! I would be very happy if I can meet just one person who needs and likes “KYOTO gishi*design”somewhere in the world! Kusuoka Prosthetics &amp; Orthotics: https://kusuoka-gishi.co.jp/ KYOTO gishi*design: https://kyoto.gishi.design/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9e250d7a-163e-43a4-ad4a-119bcfac0fcf/DSC_0349.jpg</image:loc>
      <image:title>New Stories - “Prosthetic limb”× “Art and Craftsmanship” - “In the fall of 2021, when the lockdown in New York loosened a little, I was struck by a sudden impulse, and I wanted to see the Northern Lights! So, I flew to Alaska, a place I had never set my foot, even though I had lived in New York for nearly 50 years. The Northern Lights were far beyond my imagination I had in my studio. Later, in the fall of 2022, still fascinated by the light of the north, I traveled to Norway as I was attracted to the fjords. The rolling views and white clouds rising from the fjords captured my heart. In the capital city of Oslo, men and women were enjoying the “floating sauna” on the bay of the Fjord. If this was a mirage, it was like the Floating World, or Ukiyo, and I wouldn’t have been surprised if I saw carp from the ponds of Kyoto’s gardens swimming there. Every time I visit Japan, I can’t help but make a stop in Kyoto. Even if it is only for a night or two, I always wish to walk around the streets of Kyoto and add some new memories of my beloved town before returning to New York. In December of 2021, I first visited Kitano Tenmangu Shrine. There I was awestruck by the magnificent plum blossoms loved by Michizane Sugawara. If Vincent Van Gogh had ever come to Kyoto in the 19th century, I have no doubt he would have been overjoyed, and have created a superb painting featuring the plum blossoms and trees of Kyoto.” Noriko Shinohara (aka Nori-chan)</image:title>
      <image:caption>Nobuhiro Yasuda, an experienced prosthetist (artificial limbs) and the leader of KYOTO gishi*design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/64e5523a-3342-4830-9b25-a82bac27fe7d/DSC_0360.jpg</image:loc>
      <image:title>New Stories - “Prosthetic limb”× “Art and Craftsmanship” - Kusuoka Prosthetics &amp; Orthotics, located in Uji City which is famous for its quality tea in the south of Kyoto, was established in 1975 as a family business. Since them they have manufactured medical prosthetics and orthotics. Today, the company has been taken over by the second-generation people who are thoroughly committed to their philosophy, “manufacturing that is faithful to the basics”, which their predecessors advocated. As the company approaches its 50th anniversary in 2025, they are taking on a totally new project which sounds far beyond the conventional concept of ‘medical prosthetics an orthotics’. One such project is “KYOTO gishi*design”. Nobuhiro Yasuda, who has been involved in the manufacture of orthotics in the company’s studio for many years and is the leader of this new project, talked about the background to the creation of KYOTO gishi*design.</image:title>
      <image:caption>“Black and Red on White”© Ushio + Noriko Shinohara, courtesy of ANOMALY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgmarch-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/69b7e50f-3009-49f4-83e5-ffec42e9de44/Photo+2023-02-27+17+44+59.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE March 2023 has been published - This Month’s Features:</image:title>
      <image:caption>“YUGEN”Performances for the Deities — The world of Japanese Noh Theatre NARA-YAMATO JUNREI — Experience the charms of the central and south regions of Nara through the NARA-YAMATO Four Temple Pilgrimage “Prosthetic limb” × “Art and Craftsmanship” — Interview with Nobuhiro Yasuda, the craftsman of “KYOTO gishi*design” What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/cutiefamilyslove</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/60bc908b-9c38-4bb2-a88f-4e0e2fddbba3/DSC01450.jpeg</image:loc>
      <image:title>New Stories - Cutie Family's Love at the Time and after Corona</image:title>
      <image:caption>AMMON KYOTO Opened in July 2022 as a branch of AMMON TOKYO (Jimbocho, Tokyo) in the central area of Kyoto. Focusing on contemporary art from Japan and abroad, the gallery holds exhibitions of a wide range of genres, including painting, sculpture, photography, and calligraphy by internationally acclaimed artists as well as artists from Kyoto and artists for the future generation. Hours: 11:00-19:00 On the south side of Sanjo, between Kawaramachi and Kiyamachi http://www.ammon.co.jp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/fd10be7b-29f8-4c20-a772-c4923e3b1f03/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2022-12-28+15.43.11.png</image:loc>
      <image:title>New Stories - Cutie Family's Love at the Time and after Corona</image:title>
      <image:caption>From February 17 to March 26, “Cutie Family’s Love at the Time and after Corona,” a special exhibition featuring Ushio and Noriko Shinohara and their son, Alex Kukai (1974-), will be held at AMMON KYOTO. The exhibition will showcase a series of paintings by Ushio, including his representative “boxing paintings,” the “Cutie” series by Noriko started in 2006 in which she projects her avatar, and drawings by their son, Alex Kukai. From recent works to those created under the difficult circumstances of the Covid pandemic, the exhibition will present the Shinohara Family’s way of showing their passion and beliefs in “Cutie Family’s Love.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3f1503e4-2c2a-4000-a43d-2be1a4f6024a/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2022-12-28+15.43.20.png</image:loc>
      <image:title>New Stories - Cutie Family's Love at the Time and after Corona</image:title>
      <image:caption>“Cutie &amp; Boxer” is a documentary film that features New York-based Japanese artist couple Ushio (1932-) and Noriko (1953-) Shinohara over a four-year period. The film captures their daily life full of “love and struggle.” The film was nominated for an Academy Award in 2014, and won an Emmy Award in the Documentary Film category in 2016. Their artwork and their passionate way of living fascinates people all around the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f23b8213-fe5a-4695-9f37-7c0014d77dfc/Photo+2023-02-27+18+05+34.jpg</image:loc>
      <image:title>New Stories - Cutie Family's Love at the Time and after Corona - “In the fall of 2021, when the lockdown in New York loosened a little, I was struck by a sudden impulse, and I wanted to see the Northern Lights! So, I flew to Alaska, a place I had never set my foot, even though I had lived in New York for nearly 50 years. The Northern Lights were far beyond my imagination I had in my studio. Later, in the fall of 2022, still fascinated by the light of the north, I traveled to Norway as I was attracted to the fjords. The rolling views and white clouds rising from the fjords captured my heart. In the capital city of Oslo, men and women were enjoying the “floating sauna” on the bay of the Fjord. If this was a mirage, it was like the Floating World, or Ukiyo, and I wouldn’t have been surprised if I saw carp from the ponds of Kyoto’s gardens swimming there. Every time I visit Japan, I can’t help but make a stop in Kyoto. Even if it is only for a night or two, I always wish to walk around the streets of Kyoto and add some new memories of my beloved town before returning to New York. In December of 2021, I first visited Kitano Tenmangu Shrine. There I was awestruck by the magnificent plum blossoms loved by Michizane Sugawara. If Vincent Van Gogh had ever come to Kyoto in the 19th century, I have no doubt he would have been overjoyed, and have created a superb painting featuring the plum blossoms and trees of Kyoto.” Noriko Shinohara (aka Nori-chan)</image:title>
      <image:caption>“Golden Temple”By Noriko Shinohara, Oil Paint &amp; Oil Stick on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ac417160-c4bd-413a-9032-1a7337f70d77/black+and+red+on+white.jpeg</image:loc>
      <image:title>New Stories - Cutie Family's Love at the Time and after Corona</image:title>
      <image:caption>“Black and Red on White”© Ushio + Noriko Shinohara, courtesy of ANOMALY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgfebruary-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/efbf5e90-d7a5-4a1b-904c-ece6c421d930/Photo+2023-02-27+17+44+14.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE February 2023 has been published - This Month’s Features:</image:title>
      <image:caption>“Cutie Family's Love at the Time and after Corona” — Exhibition featuring Ushio, Noriko and Alex Kukai Shinohara at AMMON KYOTO February Seasonal Highlights — Setsubun and Plum Blossoms at Kitano Tenmangu Shrine Shojin Ryori — Kyoto’s contribution to vegan temple cuisine What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kyotographerandkuraku</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/42f49257-952b-4a18-9995-5e75e8983209/Mento-1a-Kyotographer-D-Moritz-Marutschke-2021-08-06-LEICA+SL+%28Typ+601%29-L1010426.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHER × KURAKU</image:title>
      <image:caption>When he became 51, he decided to pursue his life as a potter and left Toray. Being self-taught, his real career as a potter finally began. He used clay from Shigaraki and began creating human faces. He named those unique ceramic works “Mentō” and started to call himself by his artist name, “Kuraku.” “When I hold clay it already looks like faces to me. I don’t have to try to create faces, instead they appear naturally on their own,” said Kuraku. Kuraku left a few thousand Mentō in different sizes in his 36 year-long career as a potter. Each Mentō has a different expression, but many of them are contemplating, concerned or shouting while some exhibit smiles. Curiously enough, the Mentō looks different depending on from which angle it is viewed. In the beginning, the shapes of Mentō were flat, but after a while, their shapes evolved to three-dimensional after Kuraku traveled to India and Nepal. He drove a van around Kansai, eastern Japan and even Hokkaido in order to hold his Mentō exhibitions as well as holding one in Michigan in 1982.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6dc8bba2-0bc7-4334-8540-0ec706d905bf/Kaori-Tokio-Portrait+%282%29.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHER × KURAKU</image:title>
      <image:caption>He continued creating Mentō until late in life, but the faces in this stage looked more gentle and calm as if they reflect Kuraku’s internal spirit. He also left many sumi-e ink paintings. His passion for creation never dried up until he closed his life at age 87, in 2013. "After Kuraku passed away, Mento were left at his house quietly as if they had lost their owner. A few years ago, Moritz and I decided to move into a new house built on the former site of Kuraku’s house. The Mentō came to live in our new house and as we lived together, we became more and more attached to them.” Photo: Kaori and her grandfather in the early 80s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b3b3bdbe-492a-436c-af7d-7655fcf7d022/Photo+2022-11-28+13+12+16.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHER × KURAKU</image:title>
      <image:caption>“We thought they looked happy when we got them outside under the sun again after a long time. We felt as if we had received a baton from my grandfather,” says Kaori. “We strongly felt that we wanted many people to know about Mentō, that’s why we decided to try our first collaboration project between Kyotographer and Kuraku for the 2023 Kyotographer calendar.” Moritz adds, “We feel that introducing Kuraku’s Mentō through my photography can become another way to show many people so they can learn about them. They show various expressions depending on the way the light falls on them and the direction the camera is pointed. It was a really interesting subject for me as a photographer. When I took a Mentō outside to take pictures, I didn’t have to look for the place to take the photo because the Mentō told me where it should be right away.” KYOTOGRAPHER x KURAKU 2023 Calendar is available on the Kyotographer ’s website as well as three postcards featuring Kuraku’s sumi-e paintings. https://kyotographer.com</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/5c970957-65e3-4ee9-a673-3f558577d9fc/HAZUMI+Tokio.JPG</image:loc>
      <image:title>New Stories - KYOTOGRAPHER × KURAKU - “I heard that my grandfather, Tokio Hazumi, loved drawing since he was a teenager. He even dreamed of being a cartoonist, so drawing and creating something had been part of his life,” Kaori starts talking about her grandfather.</image:title>
      <image:caption>Photo: Kuraku working on one of his Mentō</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4a6d2e70-3ed8-4511-98d7-1cbda8c7573b/Mento-2-Kyotographer-D-Moritz-Marutschke-2022-04-04-LEICA+SL+%28Typ+601%29-L1010338.jpg</image:loc>
      <image:title>New Stories - KYOTOGRAPHER × KURAKU</image:title>
      <image:caption>Photo by Kyotographer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/japancraft21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/eb1f4dfc-6be6-4fb8-8a76-58a7e463a1d8/pg01+%E3%82%B5%E3%83%96%E5%B7%AE%E3%81%97%E6%9B%BF%E3%81%88.jpg</image:loc>
      <image:title>New Stories - Revive &amp;amp; Flourish Traditional Japanese Crafts for the Future</image:title>
      <image:caption>Photo by Irwin Wong</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/63205fc2-4af2-4c1e-a826-189c18996d11/Logo.jpg</image:loc>
      <image:title>New Stories - Revive &amp;amp; Flourish Traditional Japanese Crafts for the Future - To learn more about the JapanCraft21 and how you can offer support, visit their website: https://www.japancraft21.com</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3e3f0144-618d-4af9-8163-d70ec6864212/Sendai-1971_tea-ceremony.jpg</image:loc>
      <image:title>New Stories - Revive &amp;amp; Flourish Traditional Japanese Crafts for the Future - KVG: How did the idea of JapanCraft21 started? Steve: JapanCraft21 has been created to reverse the rapid decline of traditional Japanese crafts. In addition to helping to create a school of learning advanced traditional building skills, we are expediently leveraging our resources by launching a series of Japan Traditional Craft Revitalization Contests, each designed to revive a traditional Japanese craft so that it flourishes in the 21st century.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9b0f45ff-c72e-43cb-9b11-a1710521c615/nobegame.jpg</image:loc>
      <image:title>New Stories - Revive &amp;amp; Flourish Traditional Japanese Crafts for the Future</image:title>
      <image:caption>Today, some members of the young generation who wish to become miyadaiku are working hard in their studio every day. One of them is Kosuke Inaba, who was also studying architecuture at university but had his heart grasped by the cool miyadaiku working at Shokodo when he had a chance to visit their studio during a DESIGN WEEK KYOTO event. At that time, he was not sure which way he should take: going on to graduate school or getting a job. But watching how the miyadaiku were working at Shokodo and talking to them made him determine his path right away. “To be honest, I had a wrong impression about carpenters. I thought carpenters were all elderly workers who don’t accept young people. However, visiting Shokodo blew away such an idea. I started my career as a miyadaiku only a few years ago and I can’t imagine how long the path will be to become a real miyadaiku, but I hope to become a true master in the future just like Yokokawa-san wishes for his carpenters to be.” As he speaks, the eyes of this future miyadaiku master are filled with hopes and passion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ad1b94f0-4c77-4a64-950f-1e0923fa4f18/JapanCraft21-210706_271-1920w.jpg</image:loc>
      <image:title>New Stories - Revive &amp;amp; Flourish Traditional Japanese Crafts for the Future</image:title>
      <image:caption>Steve Beimel, born in the U.S., first arrived in Japan in 1971 as an assistant English teacher. It didn’t take too long for him to fall in love with Japanese culture and crafts and he has now lived in Japan for over 5 decades. He founded Esprit Travel &amp; Tours in the early 1990’s which specialized in culturally focused tours to Japan and catering to art enthusiasts. As his love and insights for the Japanese crafts grew, at the same time, his concerns about the future of Japanese traditional crafts deepened. This deep love and concern led him to launch JapanCraft21, an organization to save and revitalize endangered master crafts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgdecember-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ef72d6b5-41d4-4601-8881-c47f8dccf448/Photo+2022-11-28+12+05+11.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE December 2022/January 2023 has been published - This Month’s Features:</image:title>
      <image:caption>“Revive &amp; Flourish Traditional Japanese Crafts for the Future” — Interview with Steve Beimel, the founder of JapanCraft21 Winter Wonders in Nostalgic Ohara KYOTOGRAPHER × KURAKU — The story about art, and the family What’s on in the Old Capital This Month — Seasonal and Traditional Events and Museums Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/shintoarchitecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/77380c51-b83c-4f53-b87f-0635b155aa87/JEREMY_HOARE_DSC9600.jpg</image:loc>
      <image:title>New Stories - Shinto Architecture</image:title>
      <image:caption>Yokokawa himself is not a carpenter but his goal is to establish a company of true miyadaiku. In his words: “Daiku is a word for a carpenter in Japanese. Dai means ‘big’or ‘something respected’ and Ku is to make or produce. Literally, Daiku means the big respected maser of producing. For example, when we build a house, a number of people from different fields are involved. In the olden times, most of them were craftspeople who all worked with their own hands. The Daiku was the chief of the project who could oversee both the whole picture and the precise points. It must have been like being a conductor of a big orchestra, and a daiku must have been an all-rounder.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/0c5e803f-0b79-4ddf-8777-bbae786829c7/_N5A7896.jpg</image:loc>
      <image:title>New Stories - Shinto Architecture - Born in Kyoto, Yokokawa studied machine engineering at university and got a job in a large electrical appliance manufacturing company. His career started successfully as he was working as a designer of friedges for households. However, just after he turned 26, he realized that he actually wanted to be an architect and this realization led him to change his career. However, an even larger change would later come to his career, and also to his life. One day, he met a master of miyadaiku while involved in one of his architectural projects. This was Master Okamoto and it didn’t take long for Yokokawa to realize that he wished to study and work under such a miyadaiku master.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/41286c47-4355-4f02-901e-3205996a39b3/s-DSC_0423.jpg</image:loc>
      <image:title>New Stories - Shinto Architecture</image:title>
      <image:caption>Today, some members of the young generation who wish to become miyadaiku are working hard in their studio every day. One of them is Kosuke Inaba, who was also studying architecuture at university but had his heart grasped by the cool miyadaiku working at Shokodo when he had a chance to visit their studio during a DESIGN WEEK KYOTO event. At that time, he was not sure which way he should take: going on to graduate school or getting a job. But watching how the miyadaiku were working at Shokodo and talking to them made him determine his path right away. “To be honest, I had a wrong impression about carpenters. I thought carpenters were all elderly workers who don’t accept young people. However, visiting Shokodo blew away such an idea. I started my career as a miyadaiku only a few years ago and I can’t imagine how long the path will be to become a real miyadaiku, but I hope to become a true master in the future just like Yokokawa-san wishes for his carpenters to be.” As he speaks, the eyes of this future miyadaiku master are filled with hopes and passion.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4d36b6ef-52e5-46cb-aa23-ba581a475f40/_DSC6944.JPG</image:loc>
      <image:title>New Stories - Shinto Architecture</image:title>
      <image:caption>© Jeremy Hoare</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/interviewwithjoel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/12d2d43f-ec05-4434-9138-d38cfa425867/pineprint.jpg</image:loc>
      <image:title>New Stories - "Finding the Connections: A lifelong exploration of beauty,time and impermanence" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615476353342-EHTL4F3EYPUUTSLGN83D/87054391_10219852691400075_1854028671765970944_o.jpg</image:loc>
      <image:title>New Stories - "Finding the Connections: A lifelong exploration of beauty,time and impermanence" - By Chris Summerville   Chris Summerville has been teaching about Sustainability and Environmental Education at Japanese universities for thirty years. He lives on the shores of Lake Biwa with his family and loves bicycling, camping, and actively trying to share his ideas on learning from Japan’s past to help move towards a more community-based and spiritually ecological future paradigm.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/mindtrail-kdp4w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ecca72bb-82df-4e75-92bb-e9d7e72b5976/%E5%90%89%E9%87%8E%E6%9D%89%E3%81%8C%E4%BD%8F%E3%82%80%E7%A9%BA%E9%96%93%E3%81%AB%E5%B8%B0%E3%81%A3%E3%81%A6%E3%81%8D%E3%81%9F%E5%85%88%E4%BA%BA%E3%81%A8%E3%81%A8%E3%82%82%E3%81%AB%E5%AD%90%E5%AD%AB%E3%81%AE%E6%88%90%E9%95%B7%E3%82%92%E8%A6%8B%E4%B8%8A%E3%81%92%E3%81%A6%E3%81%BF%E3%82%8B+_+%E5%8A%9B%E7%9F%B3%E5%92%B2+_+%E6%92%AE%E5%BD%B1%EF%BC%9A%E4%B8%AD%E6%A3%AE%E4%B8%80%E8%BC%9D.jpg.jpg</image:loc>
      <image:title>New Stories - MIND TRAIL - KVG: What is the unique production and curation that we can find only in the MIND TRAIL? Saito: We try to bring together artists with various viewpoints from the fields of design and creativity, as well as from the typical framework of art, such as painting and sculpture. As a producer, my role is to oversee the entire process. Each event area has its own curator, and artists whose image reflects each curator’s viewpoints and ideas are selected. Therefore, MIND TRAIL is characterized by a wider range of genres and more diverse expressions than other art exhibitions and festivals.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/96979750-0076-402e-a4e0-89af8d1d0a33/MT%E3%83%A1%E3%82%A4%E3%83%B3%E3%83%93%E3%82%B8%E3%83%A5%E3%82%A2%E3%83%AB.png</image:loc>
      <image:title>New Stories - MIND TRAIL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/04216ae3-9ab2-49b9-b4f3-d00977bd0bed/%E5%90%8D%E5%89%8D%E3%81%AF%E3%81%BE%E3%81%A0%E3%81%AA%E3%81%84+_+%E8%A5%BF%E5%B2%A1%E6%BD%94+_+%E6%92%AE%E5%BD%B1%EF%BC%9A%E4%B8%AD%E6%A3%AE%E4%B8%80%E8%BC%9D.jpg.jpg</image:loc>
      <image:title>New Stories - MIND TRAIL - Make it stand out</image:title>
      <image:caption>Artwork by Kiyoshi Nishioka; Photo by Kazuki Nakamori (from 2021)</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgoctober-2022-dckzd-fa8fx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1265d5b9-4506-417d-9a99-3d0917a3faf4/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2022-10-24+10.35.40.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE October 2022 has been published - This month’s features:</image:title>
      <image:caption>— Kyoto’s Ancient Nishijin Textile, Still traditional, still surprising Going Further and Deeper — “MIND TRAIL” Okuyamato Create a Museum in Your Heart KVG Revival — Kyoto Impressions: Reflections from our Past</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvgseptember-2022-dckzd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/bdeacd0f-0534-441a-9b80-9af5d607a031/Photo+2022-09-05+13+09+49+%281%29.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE September 2022 has been published - This month’s features:</image:title>
      <image:caption>— White Edible Gems of Japan: Rice and tofu, two essential staples sustaining the Japanese diet Going Further and Deeper — “Kikka Gin, SEIMEI”, Abe Monju-in Temple’s special craft gin produced on the full moon night KVG Revival — Kyoto Impressions: Reflections from our Past</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/abemonjuin-kikkagin-seimei</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/686a8781-42a8-43c9-bb7b-ffa260a718cc/%E8%9E%B3%E7%89%99%C2%80%E8%82%B4%E6%9E%9A%E8%B0%BF%E4%BC%81%E5%8A%BC%E9%82%8F%EF%A3%B0%E8%AD%9A%E3%83%BB%E7%AB%AD%EF%A3%B0.JPG</image:loc>
      <image:title>New Stories - KIKKA GIN “Seimei”blessed by the Temple of Wisdom - Abe Monju-in Temple, founded in 645, is one of the oldest Buddhist temples in Japan. It is highly respected as the special head temple of the Todaiji branch of the Kegon sect of Buddhism. Since its foundation, Abe Monju-in Temple has engaged in kito (prayers and practices) to grant believers wisdom and good fortune through the divine power of Monju Bosatsu or the Buddha of Wisdom.   The large statue of Monju Bosatsu (7-meter tall; National Treasure), enshrined in the main hall, was created by Kaikei who was one of Japan’s main sculptors in the 13th century. The Monju Bosatsu, accompanied by four attendants, is represented riding a lion and holding a raised sword in his right hand, symbolizing the cutting away of ignorance. The temple also houses a variety of treasures accumulated for more than 1300 years.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f5d4296d-dfe4-4346-8b46-6e02e9805407/%E8%9E%B3%E7%89%99%C2%80%E8%82%B4%E6%9E%9A%E8%B0%BF%E4%BC%81%E5%8A%BC%E9%82%8F%EF%A3%B0%E8%AD%9A%E3%83%BB210818-013.jpg</image:loc>
      <image:title>New Stories - KIKKA GIN “Seimei”blessed by the Temple of Wisdom - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4c74c00a-2c5b-482a-a64c-e1382db2e201/%E8%9E%B3%E7%89%99%C2%80%E8%82%B4%E6%9E%9A%E8%B0%BF%E4%BC%81%E5%8A%BC%E9%82%8F%EF%A3%B0%E8%AD%9A%E3%83%BB%E7%B9%9D%E5%8C%BB%E3%83%A3%E7%B9%9D%E5%86%B7%E8%B4%88.jpg</image:loc>
      <image:title>New Stories - KIKKA GIN “Seimei”blessed by the Temple of Wisdom - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/15ea1aaa-e7c9-4947-9456-77ed0ec6548c/210818-002-scaled.jpg</image:loc>
      <image:title>New Stories - KIKKA GIN “Seimei”blessed by the Temple of Wisdom - “Seimei” is distilled on the day of the autumn full moon night and then the bottles are blessed at Abe Monju-in Temple to ensure that the wishes of those who sip it come true. Only 1,000 bottles are produced in limited quantities each year – What a truly special drink it is to be blessed like a secret Buddhist statue. KIKKA GIN “SEIMEI” (700ml) ¥7,700 *Available only for a limited period of time and number of bottles.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/riceandtofu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e77ee88d-bc2f-4cfc-81a5-a017a580a930/6.jpg</image:loc>
      <image:title>New Stories - RICE &amp;amp; TOFU - Rice is harvested in early autumn. The present method of cutting the entire stalk along with the rice husks began from about the time Kyoto became the capital of Japan (late 8th century). Previously, only the kernels were removed; the remaining stalk was then allowed to rot through winter and ploughed into the soil.   Rice and water. This is all that is needed for cooking plain rice, a process that appears to be very simple and easy. However, preparing the perfect bowl of rice is actually much more difficult if one is not familiar with the key points . Almost every Japanese home has an electric rice cooker (suihan-ki) as people prepare rice regularly, but some people or high quality Japanese restaurants still prefer to use earthen pots (donabe).   Rice cooked in a normal pot can be done without difficulties but the amount of water and setting the right temperature is crucial. Generally, you should add the same amount of water as the rice but the key is to add slightly more water (about 10% more than the quantity of the rice; e.g. add 200ml water to 180ml rice). A non-stick pot is also recommended, but not absolutely necessary.   If some rice is stuck on the surface of the pot, simply add some water and let it soak for about a half an hour, and it will easily come off. Special alloy pots and rice cookers can make the rice fluffier and chewier, but rice was always cooked in a pot before the rice cooker was invented so it just requires more attention while cooking.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/972e548d-de0c-4b16-a2ea-da4b216dd2da/IMG_9609.JPG</image:loc>
      <image:title>New Stories - RICE &amp;amp; TOFU - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/cf99e3bf-bc9a-4b24-a321-50295e973474/%E7%B1%B3.jpg</image:loc>
      <image:title>New Stories - RICE &amp;amp; TOFU - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9bc48414-169b-4571-9353-11293ca6e591/%E5%A4%A7%E8%B1%86.jpg</image:loc>
      <image:title>New Stories - RICE &amp;amp; TOFU - Soft, shiny white cubes. Very simple yet full of nutrition. That’s tofu. Japanese tofu is one of Japan’s most essential staple foods. Due to its nutritional properties, the popularity of tofu has grown steadily around the world. Also, for the rapidly increasing number of Westerners who find that a meatless or vegetarian diet makes good sense, tofu serves as a key source of protein.   There are several theories on how tofu was first brought to Japan. The most popular theory has it that tofu arrived in Japan between the late Nara period (710-794) and the early Heian period (794-1185) in the company of Japanese monks and scholars who were returning from studying all forms of Chinese culture. In those days, China’s Tang dynasty formed the cultural center of Asia.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/5d715850-afc6-4a30-ad60-09ab54930c6a/%E3%82%86%E3%81%B0.jpg</image:loc>
      <image:title>New Stories - RICE &amp;amp; TOFU - While the common people could rarely eat tofu, it was an important part of a Zen monk’s diet. Cuisine eaten in Zen temples is called shojin ryori. Because Zen monks don’t eat any animal products, tofu was, and still is, an important source of protein.   This diet is based on the Buddhist philosophy that one must not kill or eat other animals. Therefore shojin cuisine uses no meat or seafood. Instead the main ingredients are miso (fermented soy bean paste), tofu, yuba (tofu skin), mushrooms and root vegetables such as burdocks and radish.   Ninety percent of the recipes in a shojin ryori book published in the Edo period included tofu (actually, a firmer kind of tofu known as Koya-dofu; basically dehydrated tofu and thus easy to preserve). A best seller about tofu called “Tofu Hyakuchin” (100 Unique Tofu Recipes), published in 1782, reveals that tofu by that time was boiled, steamed, simmered, grilled, deep-fried, and fried. Most likely people in those times knew more about how to prepare tofu than we do today, as meat and seafood were basically taboo for everyone until the end of the 19th century.   Yuba is one of the foods made from soybeans. As soy milk boils, a film forms on the surface. This film is yuba. You can eat yuba in various forms: fried, boiled, or in soup. The photo shows how a film on the surface of heated soymilk is skimmed off gently. This form of yuba is called nama-yuba, or fresh yuba as it’s not dried, and is enjoyed with soy sauce.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-august-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f32a73d1-5d1f-4f17-b701-b807f5ae4d98/Photo+2022-08-08+13+10+55.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE August 2022 has been published - This month’s features:</image:title>
      <image:caption>— Exploring Kurama &amp; Kibune: Kyoto’s cool &amp; spiritual summer retreats — Cool down with icy and melting Kakigori: Experience sophisticated Kakigori in Nara, where the deity of ice resides Going Further and Deeper — “We are what we eat”: Su-balance’s natural, additive-free powdered tea KVG Revival — Kyoto Impressions: Reflections from our Past</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kakigori</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/26c5bb85-189d-47ff-b970-15dd35f3e8f8/IMG_0004.jpg</image:loc>
      <image:title>New Stories - Cool down with icy and melting Kakigori - Creative Kakigori producers are not the only the reason why Nara has become famous for this cool food; there is a historical and spiritual background, too. In ancient times, people made special storage places where ice which formed naturally in the cold, mountainous areas during the winter season was stored until the following summer. This storage for ice was called “Himuro.”</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/02c77309-e660-4e57-b232-551682ab08a4/IMG_9874.jpg</image:loc>
      <image:title>New Stories - Cool down with icy and melting Kakigori - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/bcc20461-fcc3-4d42-b643-b1618db507ec/1636517889280.jpg</image:loc>
      <image:title>New Stories - Cool down with icy and melting Kakigori - Nara is home to many world-famous cultural heritages such as the Big Buddha at Todai-ji Temple and the world’s oldest wooden structure of Horyu-ji Temple. And today, Kakigori has become another big reason for many people to visit Nara to enjoy yet another cultural heritage that tastes sweet and cool. https://nara-kakigori.com</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/subalance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b8260d49-47bf-49ef-8af8-6efd4c219dcb/%E7%B2%89%E6%9C%AB%E8%8C%B6%EF%BC%94%E7%A8%AE%E9%A1%9E.JPG</image:loc>
      <image:title>New Stories - “We are what we eat” - Make it stand out</image:title>
      <image:caption>Su-Balance’s Powdered Tea: ① Green Tea Blend (200cc water + per 1g powdered tea: 23mg caffeine, 130mg catechins)　The “Green Tea Blend” mixes different kinds of green tea leaves from three farms in Nara and offers a perfect balance of aroma, taste, astringency, bitterness, and nourishment. It is rich in nutrients (catechins, vitamin E, K, C, dietary fiber, and more) and keeps your body well-balanced. ② Houjicha Blend (200cc water + per 1g powdered tea: 19mg caffeine, 106mg catechins) The unique aroma and flavor of roasted green tea soothes your mind. It has a simple taste with slight bitterness or astringency. As it contains less caffeine than green tea, it is recommended for children and pregnant women. ③ Green Tea &amp; Lemongrass (200cc water + per 1g powdered tea: 17mg caffeine, 98mg catechins) Adding lemongrass to nutritious green tea makes this blend even more refreshing. Recommended for your relaxation and refreshment. ④ Hojicha Brown Sugar &amp; Ginger (200cc water + per 3g powdered tea: 11mg caffeine, 64mg catechins) Ginger will warm your body up and the natural sweetness of the brown sugar will ease your mind. The fragrant aroma of hojicha, tangy ginger, and a hint of brown sugar sweetness is the best choice when you need a break. Contact Su-Balance for purchasing inquiries: https://www.su-balance.com/ https://www.instagram.com/su_balance</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3cfb7798-622f-4326-a73a-3167a30be343/%E3%83%96%E3%83%AC%E3%83%B3%E3%83%89%E8%8C%B6%E5%85%A8%E7%A8%AE%E9%A1%9E.jpg</image:loc>
      <image:title>New Stories - “We are what we eat” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/62121975-2e9d-4364-9e44-1d0dbf4ab3ef/_K4A0442.JPG</image:loc>
      <image:title>New Stories - “We are what we eat” - The most famous areas in Japan for Japanese tea are Uji in Kyoto or Shizuoka. However, in fact, Nara has a deep connection with the tea that was originally brought to Japan. The history of tea passed down from this time is still rooted in Nara and is known as “Yamato-cha.” The origin of Yamato-cha dates back to 806, when Kobo Daishi (Kukai) brought back tea seeds from the Tang Dynasty of China and planted them in the area called Uda in Nara. It is said that this is the beginning of when the tea manufacturing method was introduced in Japan. Yamato-cha grows in cool mountainous areas where the altitude, average temperature, and rainfall are ideal for tea cultivation. This well-balanced climate and geography allow for a harvest of high quality and tasty green tea. Sumie wanted to use Yamato-cha as a first step for making Su-Balance’s first product and she decided on Ochazuke (a popular Japanese home dish made by pouring tea or broth over cooked rice with savory toppings).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/666ee987-5ee3-47dc-bf9f-fb119a1dd3d2/%E4%B8%AD%E8%A5%BF%E7%B4%94%E6%9E%9D.JPG</image:loc>
      <image:title>New Stories - “We are what we eat” - Sumie Nakanishi (National Registered Dietitian /Food Coordinator / Cafe Planner) Sumie launched the brand “Su-balance” in 2018 as a result of her own child’s allergy, and produces　additive-free “Ochazuke” (a popular　Japanese home dish made by　pouring hot green tea or broth over　rice with savory toppings) using Nara’s famous “Yamato Tea” local tea leaves as powdered tea. “Su-Cha Blend” is made from whole tea leaves in a fine powder without using pesticides, and like all of her products, contributes to helping to make people’s body and mind healthier.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-july-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4dbf8561-320a-4058-822a-ef07f8a86e25/Photo+2022-08-08+13+11+49.jpg</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE July 2022 has been published - This month’s features:</image:title>
      <image:caption>— The Gion Festival: The living symbol of Kyoto’s history and resilience is returning! — KVG celebrates its 35th anniversary: Th bridge between tourists around the world and Kyoto since 1987 — What’s on in the Old Capital This Month</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/blog-post-title-one-56z83</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615474595090-G0BT0G8BZCMPCGBRNFWS/_DSC5863.JPG</image:loc>
      <image:title>New Stories - Message from KVG - But, in fact, Kyoto itself hasn’t changed at all. All what we love and miss about Kyoto is still here unchanged. The history of Kyoto is not divided into “before” or “after” COVID-19 though present-day human beings have to find a new style of life to live with this virus and remain conscious about how to keep ourselves and people around us safe. This also has given us a chance to consider the many ways we can live more considerate, responsible and sustainable lifestyles.   Thanks to the extraordinary dedication and hard work of people in the front line of every field, we are able to hear or see a light of hope for the near future. However, it is still too early to be optimistic, of course. Yet, it shouldn’t be tinged with guilt if we enjoy thinking of our next travel plan or dream of flying to visit our long-awaited destination.   Contemplating traveling to Kyoto will definitely uplift your heart. Kyoto is waiting to once again welcome people from all around the world – with her philosophical gardens, dignified temples and shrines, energetic festivals, unbeatably delicious food, traditional art and crafts born from the legacy of craftspeople, and those who respect their tradition though never stop being innovative, are all here.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-august-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627271863892-T5645WHP81PYSXB23R7B/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2021-07-26+12.45.26.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE August 2021 has been published - This month’s features:</image:title>
      <image:caption>Inheriting and Bequeathing — Be conscious, be aware and be kind to the world through “Zero Waste” from Kyoto — Talk with and Listen to the Wood: Mizokawa Furniture Store in Kyotango Looking Back, Moving Forward to a Sustainable Kyoto — Be Here Now and Leave Us your Memory, Sustainable Localized Tourism Going Further and Deeper — Be aware of your body and yourself through Shiatsu, the Japanese Art of Touch KVG Revival — Reflections from our Past</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/sustainable-localozed-tourism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626767729158-AOY77NTXEQU3UBEP4MG8/IMG_1796.JPG</image:loc>
      <image:title>New Stories - “Sustainable Localized Tourism” - Just over the eastern mountains that surround Kyoto, and just 35 minutes away by local train to the more remote and beautiful area, is Japan's largest lake, one of the ten oldest in the world, known as Mother Lake Biwa as she supplies the drinking water for the residents of Kyoto as well as those who live around her in Shiga prefecture. It is here on the lakes scenic western shores that is home to ‘Tour du Lac Biwa’ a small experiential tour company founded by Hiromi Kawaguchi in 2014. With the concept of offering ‘Slow Life, Slow Food, Leisurely Tours, Alongside the Tranquil Shores of Lake Biwa’ the five married Japanese women who act as professional English-speaking tour conductors have introduced the traditional villages, culture and way of life that continues still vibrant and close-knit to over 2100 visitors from more than 30 countries, predominantly from the USA and UK and Europe. Hiromi states “Tour du Lac only takes orders for as many people as the locals are happy to receive, and only offers private or small group tours. Whenever we create a tour, we always try to find a way to boost up the local economy, as the places are clients visit are mostly suffering from depopulation and rapid aging. We urgently hope that tourism for the next era after Covid-19 should be the way to counter these problems.”</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615476353342-EHTL4F3EYPUUTSLGN83D/87054391_10219852691400075_1854028671765970944_o.jpg</image:loc>
      <image:title>New Stories - “Sustainable Localized Tourism” - By Chris Summerville   Chris Summerville has been teaching about Sustainability and Environmental Education at Japanese universities for thirty years. He lives on the shores of Lake Biwa with his family and loves bicycling, camping, and actively trying to share his ideas on learning from Japan’s past to help move towards a more community-based and spiritually ecological future paradigm.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626767795804-3NAZT8Y47MYNVNCURPRE/DSC_6026+%282%29.JPG</image:loc>
      <image:title>New Stories - “Sustainable Localized Tourism” - Covid-19 has offered all of us the opportunity to reassess the unsustainable ways of living, working and travelling we have come to consider as ‘normal’ and in so doing evolve onto more creative, dynamic, simple, community and family-based, slower and more ecological ways that will benefit us all. Cruise ships, package tours and tourist resorts are some examples of ‘elephants in the room’ as they offer pleasure and profits to the few while contributing little or nothing to the local economy and diminish the quality of life and economic survival of those who live in the places they visit or are located as well as the surrounding environment on which we all depend. So, please do ‘Have a great holiday’ for the sake of all of us and for y/our children’s future and that of mother earth.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626767419557-NX6HHHTYDQ1N96PZHYI9/%E3%81%B3%E3%82%8F%E6%B9%96.jpg</image:loc>
      <image:title>New Stories - “Sustainable Localized Tourism”</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/mizokawa-furniture-store</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626769049680-TEMC73510LZD5GWX3B0C/tsukurite-03.jpg</image:loc>
      <image:title>New Stories - Talk and Listen to the Wood - Interview with Mizokawa Furniture Store</image:title>
      <image:caption>What was life like in the Heian period (794-1185), when life continued without oil, electricity, or gas? People used their inherited knowledge and experience to the utmost in inventing and producing all of their necessities. Care and attention to details was paramount and people always tried to make the best use of materials without waste. They consumed only what they needed and made sure to design durable and attractive products that could be used and passed on for many generations.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626768833269-UBIVDCGY75043LKTRA7H/%E3%83%81%E3%82%A7%E3%82%B9%E3%83%883%E3%83%BB4%E6%8A%BD%E6%96%97.jpg</image:loc>
      <image:title>New Stories - Talk and Listen to the Wood - Interview with Mizokawa Furniture Store - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626768429764-K07TSPV2ZY5LBKD4I2CV/20210422-_DSC0218.jpg</image:loc>
      <image:title>New Stories - Talk and Listen to the Wood - Interview with Mizokawa Furniture Store - Utilizing his background as a joinery furniture company, the KIKOE products use no nails and very little paint in order to let the users feel the true touch of wood. You can find no handle or nub to open the drawers or cabinet, so how can you open them? Push the surface of the drawer lightly – you can’t open the drawer without feeling the wood, and once you experience the feeling you will never want to stop touching it. Such precise structures rely on Mizokawa’s experienced craftspeople, of course. “Our craftspeople listen to and talk with woods,” Takasugi says proudly</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626768222593-LCF9XWXNI68IWLW51JDW/%E6%9D%89%E6%9C%A8%E7%9B%AE.jpg</image:loc>
      <image:title>New Stories - Talk and Listen to the Wood - Interview with Mizokawa Furniture Store</image:title>
      <image:caption>Established in 1960 in Kyotango City located at the northern tip of Kyoto Prefecture, Mizokawa Furniture Store’s business roots are in tategu, or Japanese joinery furniture manufacturing. Tetsuo Takasugi, the director of the company who was born into the furniture business family, has always loved watching how furniture was made by skilled craftspeople since he was a little boy. For him, the sight of craftsmen making furniture was fascinating beyond belief.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626768919443-BL2I31YUJS54YZNCGNJS/%E6%9D%89%E5%89%8D%E8%A7%92.jpg</image:loc>
      <image:title>New Stories - Talk and Listen to the Wood - Interview with Mizokawa Furniture Store - Green Leaf Philosophy About 70% of Japan’s landmass is covered with woodland. About 50% of the woodland is natural forest,40% is planted and the remaining 10% is bamboo or scrub. Most of the artificial woodland consists of acicular (needle-leaf) trees such as Sugi (cedar), Hinoki (cypress) and Matsu (pine). It takes 30 to 50 years for the trees to grow big enough to be used as good materials and it’s not difficult to imagine that the forestry industry is now declining due to high costs and a lack of human resources. There is a fact that many of the trees in Japan are left without care which results in depleted woodlands, though maintaining woodland is essential for keeping our safety and preserving the natural environment: preventing landslides, reducing greenhouse effect gas, and maintaining the mountain ecosystem which feeds water into the rivers and seas.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626768492298-BGQ1RQXLQFDJKX14RNVV/20210422-_DSC0204.jpg</image:loc>
      <image:title>New Stories - Talk and Listen to the Wood - Interview with Mizokawa Furniture Store - Though Takasugi is not himself a furniture craftsman, he dedicates himself to be the best promoter of furniture made by his craftspeople. “My job is to create demand for made-to- order furniture and to provide our craftspeople with work that allows them to keenly utilize their skills and knowledge in the product,” Takasugi says. He is keen to learn from other industries and actively interacts with a variety of people. DESIGN WEEK TANGO is one of the new challenges Mizokawa tried this year.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/japanese-art-of-touch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626836780390-GI8TGYDYPU3MYKYCGUJS/%E3%81%B2%E3%82%8D%E3%81%93%EF%BC%95.jpg</image:loc>
      <image:title>New Stories - The Japanese Art of Touch - Hiroko Mizuguchi Luong</image:title>
      <image:caption>Hiroko is a licensed Shiatsu practitioner in Reims, France, a member of French Shiatsu Professionals union, and an assistant teacher at the School of Do-In and Shiatsu of Toshi Ichikawa, Paris France. She is enjoying her organic and peaceful life with her family. Her personal interests besides Shiatsu is climbing mountains in France and visiting hot springs in Europe. "I try to live as myself, being organic and peaceful as much as possible.” The family grow their own vegetables and enjoying working with the soil, smelling fresh air and relaxing, and we are all excited when we harvest our organic vegetables.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626836676450-SS2VZM9KXR8VI5BBY66I/%E3%81%B2%E3%82%8D%E3%81%93%EF%BC%92.jpg</image:loc>
      <image:title>New Stories - The Japanese Art of Touch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626836379850-W64BDNUIVH0TCHOU1SM7/%E3%83%9E%E3%83%B3%E3%83%80%E3%83%A9.jpg</image:loc>
      <image:title>New Stories - The Japanese Art of Touch - Shiatsu, literally translated as “finger pressure” in English, is a traditional holistic Japanese acupressure.  Shiatsu practitioners use not only their thumbs and hands but also elbows, knees, or even feet to apply pressures on specific acupressure points called tsubo, or meridians, as if breathing together with their beneficiary.   We have a number of tsubo on our body’s energy pathways, and they are important channels for the body’s vital energy, called ki in Japanese.  Shiatsu can release blockages of the meridians thereby stimulating tsubo and can maintain and strengthen the body’s natural ability to heal.  Shiatsu can also reduce stress and increase the overall physical and emotional well-being of a person, such as increasing blood &amp; lymph circulation, regulating neural conduction, organ function, and hormonal secretions, healthy digestion, strengthening of the immune system and greater mind-body integration, just to name a few.</image:title>
      <image:caption>Shiatsu, literally translated as “finger pressure” in English, is a traditional holistic Japanese acupressure.  Shiatsu practitioners use not only their thumbs and hands but also elbows, knees, or even feet to apply pressures on specific acupressure points called tsubo, or meridians, as if breathing together with their beneficiary.  We have a number of tsubo on our body’s energy pathways, and they are important channels for the body’s vital energy, called ki in Japanese.  Shiatsu can release blockages of the meridians thereby stimulating tsubo and can maintain and strengthen the body’s natural ability to heal.  Shiatsu can also reduce stress and increase the overall physical and emotional well-being of a person, such as increasing blood &amp; lymph circulation, regulating neural conduction, organ function, and hormonal secretions, healthy digestion, strengthening of the immune system and greater mind-body integration, just to name a few.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626836553792-KHXQS9R4HNXRC2DT8VJZ/%E3%81%B2%E3%82%8D%E3%81%93.jpg</image:loc>
      <image:title>New Stories - The Japanese Art of Touch - KVG: What made you become a Shiatsu therapist? Hiroko: When I was a little girl, my parents suffered from shoulder pain and often asked me to apply pressure on their shoulders to relieve pain.  I noticed that my touching their shoulder gave moments of serenity and affection not only to them but to me, too.  I was confident in the benefit of the art of “touch” even though I was a little child knowing nothing about the method of Shiatsu.   After I graduated from Kyoto University of Foreign Studies (and KVG was always my favorite and useful reading during my student days!), I worked for a company and as an independent interpreter.  I got married to my Chinese-French husband and we were blessed with our twins 13 years ago.  We lived in Shanghai for eight years and came to settle here in Reims, in eastern France, in 2014.   I can tell these early years of my life were full of big life-time events, both happy and hard ones.  Sometimes I had to face the passing of my precious family members.  It was a really sad and difficult time for me, however, it gave me a significant understanding: passing happens to all of us, no matter who we are. And I felt it was worthwhile and brought happiness being together with the person even if they are suffering great pain and doing what I could do for them with compassion and kindness.   While I was living in Shanghai, I learned foot reflexology and obtained the therapist certificate.  Then, I decided to expand my career as a therapist in the path of Shiatsu in France.  During my four years’ training, the more I learned and practiced Shiatsu, the more I noticed tremendous improvement in my own health.  I had no doubt that Shiatsu has infinite beneficial possibilities for our health.  Shiatsu soon became an essential part of my life.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/zero-waste-kyoto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626772686372-FWR5X3BR9HA0WAKCJ9JT/IMG_0359.JPG</image:loc>
      <image:title>New Stories - Be conscious, be aware and be kind to the world through Zero Waste from Kyoto - “All staff working here can talk for hours about the food we sell because they are so keen to tell stories they learned from the producers who are so passionate about the goods they provide. We simply pass on that love and trust in what they produce to our customers,” says Mutsumi Uera, the director of Zero Waste Kyoto. “Kyoto is the city where people respect tradition and beauty and live side by side with them in the modern day; such a lifestyle is just ordinary here. We couldn’t think of any other city more suited to open our first Zero Waste store than Kyoto because this is the city where all kinds of ‘true’ quality are rooted in people’s daily life. After high school, I left Kansai and lived in Tokyo and abroad for nearly 30 years in the busy and intense financial world but I always felt some kind of nostalgic feeling about Kansai, particularly, Kyoto. When I came back here and settled in the city, I was so grateful. I feel that it is so much easier and natural in Kyoto to practice “Chi-san Chisho (produce locally and consume locally)” on a daily basis, too.”</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626771913280-CW3MLTL7CI600UUZODOJ/IMG_6373.JPG</image:loc>
      <image:title>New Stories - Be conscious, be aware and be kind to the world through Zero Waste from Kyoto - What is “Zero Waste” ? One of the frequent answers is “To try to reduce waste to zero.” As more and more people in the world become aware of the current perilous environmental state of our planet, we face a big question about a lifestyle we take for granted, largely relying on mass production and mass consumption. Another phrase to describe “Zero Waste” more explicitly could be “restructuring the system” and “redefining our mind.” We take resources from the earth and produce a countless number of products. Next we use or consume them for a short time, then they are dumped into the garbage which “disappears”somewhere without us even noticing. We thought, or wanted to believe, we could continue such an easy and convenient lifestyle of producing and dumping forever, but are now becoming aware that it was all an illusion. Japan, for example, is the fifth largest producer of food waste in the world, disposing of 150 kilos per person per year. It also is fifth in the world for its amount of plastic waste generation, totaling 8 million tons a year. Being aware of the concept of “Zero Waste" is a way to step out of this cycle and move towards a system that is inherent in nature and with all other species where everything is used and nothing is discarded. This is known in economic terms as “A Circular Economy.” Instead of disposing of resources as waste they are integrated fully back into the system, and in so doing, help to redefine our present paradigm.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626772237253-1PNWT2JV0BO7CTXWZAXS/Photo+2021-06-14+13+58+42.jpg</image:loc>
      <image:title>New Stories - Be conscious, be aware and be kind to the world through Zero Waste from Kyoto - Just this May, a remarkable step in “restructuring the system” and “redefining our mind” arrived on Teramachi Street, Kyoto’s famous street near the Gosho Imperial Palace. It came in the form of Zero Waste Kyoto – whose entrance is always wide open and is impossible to walk past without becoming curious about what is on display and available on the day. Rice, grains, organic vegetables, tofu, miso, natto (fermented soybeans), ume-boshi (pickled salty plum) and kimchee (Korean spicy pickles), freshly-baked bread, teas, vinegars, and more are available in the store. Everything is organic, fair trade, natural, or handmade. Each item has a story and the staff is more than happy to tell you all about the product you are interested in: who produced it and where, why it is so special, how it tastes and how you can best enjoy it. Browsing around Zero Waste Kyoto will inspire and provide hints of how all of us can redefine our minds with the Zero Waste concept. The locally grown vegetables are all fresh and plastic free as they are kept in cold water or in a package of origami newspaper. Tofu waits to be scooped out of a wooden tub filled with fresh water. Varieties of rice and grain stylishly fill glass tubes hanging along the wall and you can simply hold your container underneath, press the release and purchase the exact quantity you need. There is also a café space and deli showcase at the rear of the store. A variety of dishes and condiments made of seasonal ingredients await you and diners can enjoy the lunch set of the day or choose some dishes displayed in the showcase. The thick vegetable soup will remind your taste buds what vegetables are in season and the fresh and sweet salad is filled with all the nutrients that are absorbed from the soil when they are organically grown.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1626835737031-8OTS4P76AYD96APOMOO9/Photo+2021-07-21+11+47+21.jpg</image:loc>
      <image:title>New Stories - Be conscious, be aware and be kind to the world through Zero Waste from Kyoto</image:title>
      <image:caption>Zero Waste Kyoto 10:00-20:00, Closed Mondays On the west side of Teramachi St., north of Ebisugawa St. 673-1 Kuon’in-cho, Teramachi-dori Ebisugawaagaru,Nakagyo-ku, Kyoto 075-366-4134</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/kvg-march-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627283570663-1DPTO9PCVO520FZX18GX/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2021-07-26+16.07.18.png</image:loc>
      <image:title>New Stories - KYOTO VISITOR’S GUIDE March 2021 has been published - This month’s features:</image:title>
      <image:caption>Message from KYOTO VISITOR’S GUIDE — All you miss about Kyoto is here still vibrant and unchanged Inheriting and Bequeathing — Interview with Isao Kitabayashi, CEO of COS KYOTO &amp; Founder of DESIGN WEEK KYOTO Looking Back, Moving Forward to a Sustainable Kyoto — “Midori Farm”: Making the Connections from Farm to Table Going Deeper and Further — Ancient Knowledge of Japanese Herbal Medicine from Nara KVG Revival — Reflections from our Past</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/interview-with-isaokitabayashi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615475640824-1QTUK7Q6B7DC1I9QGQUE/Photo+2021-02-28+14+10+07.jpg</image:loc>
      <image:title>New Stories - “Creating an independent, circulative and sustainable society with a 1000 year vision through Cultural Business” - “Both the starting point and ultimate goal of my business lies in the same personal wish: to help improve the present state of the earth’s environment.” Isao states. “Within the earth’s 4.6 billion years of life we human beings started our history only a few million years ago, and that marked the beginning of environmental destruction.   Particularly, what we have done in the last few hundred years, since industrialization started, is unbelievable. We have almost used up all the natural resources on the planet! Even though I didn’t understand it scientifically, I was very scared for the future when I was a kid and naturally became interested in environmental issues.”   After graduating from university, Isao worked for some large companies in Kyoto and Tokyo. This experience gave him a chance to look at Kyoto and his hometown, Nara, from a different angle. He discovered a local business in Nara which has existed for over 1000 years. “Continuing a business over a few hundreds of years really shows that the business is sustainable. I felt as if I was enlightened!” Isao recalls.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615475755921-7WXXK1C1BY60FK484AFJ/%E5%8C%97%E6%9E%97%E3%81%95%E3%82%93.jpg</image:loc>
      <image:title>New Stories - “Creating an independent, circulative and sustainable society with a 1000 year vision through Cultural Business” - Isao Kitabayashi CEO of COS KYOTO Co., Ltd., Founder of DESIGN WEEK KYOTO Working as a “Cultural Business Coordinator” who aims to establish a circulative and sustainable society. Founded DESIGN WEEK KYOTO in 2016. Isao has been involved in a variety of projects and events all of which attempt to form a “community” where people with common goals contribute to the society through encouraging and promoting local industry.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/midori-farm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615477521232-E6F26S1SA4TUNRR1Z438/IMG_6509.JPG</image:loc>
      <image:title>New Stories - Making the Connections: From Farm to Table - Despite the hard work this entails, the farm’s website shows what joy being in such rural surroundings in a traditional Japanese village has brought to hundreds of people of all ages and ethnicities. Of course, rural life was like this in Japan for a millennium up to the 1950s: the community worked together planting, maintaining and harvesting the fields, deeply knowledgeable about and respectful of their surroundings.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615476353342-EHTL4F3EYPUUTSLGN83D/87054391_10219852691400075_1854028671765970944_o.jpg</image:loc>
      <image:title>New Stories - Making the Connections: From Farm to Table - By Chris Summerville   Chris Summerville has been teaching about Sustainability and Environmental Education at Japanese universities for thirty years. He lives on the shores of Lake Biwa with his family and loves bicycling, camping, and actively trying to share his ideas on learning from Japan’s past to help move towards a more community-based and spiritually ecological future paradigm.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615477167853-F2XPVUONPBF3C07ZUZ3X/4.jpg</image:loc>
      <image:title>New Stories - Making the Connections: From Farm to Table</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/new-stories/herbal-medicine-from-nara</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615478983553-MJ5I5SKRUMMCF8YDOGNA/%E5%A4%A7%E5%92%8C%E5%BD%93%E5%B8%B0+%281%29.jpg</image:loc>
      <image:title>New Stories - Home of Japanese herbal medicine - One of Yoshimune’s important reformations was to attempt producing medicine domestically. He sent out specialists to search for potential production areas for herbs throughout the country. One of the specialists visited Uda and met Tosuke Morino, a local who knew everything about herbs in the area.   Following his search throughout the country, the specialist was convinced that the herbs from Uda were the best and the Shogun approved his choice.  Yoshimune appointed Morino to start a herb garden with just six kinds of herb seeds he had in his possession. From that day, Morino Medicinal Herb Garden has remained a leader for nearly 300 years in producing and researching medicinal herbs.   Nana Nishida, an aromatherapist, is a member of the group which promotes herbs from the Uda area. “I was born and brought up in Uda, and have always loved my hometown, but I never paid attention to how special my hometown was. Today I have a totally opposite feeling; I am proud of Uda.” Nana continues, “Every country and region has its own local wisdom, including how to best use the area’s natural blessings such as its herbs and plants. Plants help us become more aware of our own body and mind. We wish to introduce herbs, especially Yamato Toki, from Uda as one form of Japanese wisdom passed down by our ancestors.”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615479531307-UALX4M8ZZZ7KXZSP1RPH/image2.jpeg</image:loc>
      <image:title>New Stories - Home of Japanese herbal medicine - Speaker: Nana Nishida Born and brought up in Uda and now living in Ikoma, Nara, she runs a private aroma therapy salon, Neroli, where she heals her clients’ bodies and minds with quality herbal essential oils including one made from Yamato Toki which she grows herself in Uda. Cherishing and respecting the natural blessings of her hometown, Nana hopes to hand over this traditional natural wisdom to the next generation.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615478675028-M0WYZFA6CDVR0P4FK3K9/%E3%82%A4%E3%83%A9%E3%82%B9%E3%83%88+%281%29.jpg</image:loc>
      <image:title>New Stories - Home of Japanese herbal medicine</image:title>
      <image:caption>Nara was another ancient capital of Japan whose history as the center of the nation was already established in the 6th century. Although Nara did not remain the national capital for a very long period compared to that of Kyoto, this is where the fundamental essence of Japan was formed: in religion, politics, art, crafts, food, literature and more. Some people refer to Nara as “Home of Japanese herbal medicines.” Why is this? Let’s unfold the story behind it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1615479474948-4QRNAQAVMZ13FMFRQNII/image5.jpeg</image:loc>
      <image:title>New Stories - Home of Japanese herbal medicine - Yamato Toki 大和当帰 One of the characteristic herbs grown in Uda is Yamato Toki (Angelica acutiloba). Known to be effective for gynecological disorders, scientific research has revealed that Yamato Toki is more beneficial than other Toki variety plants in Japan and China, but its slow growth and smaller yield prevents it from being in the spotlight of Japanese herbs. People in Uda have been working hard to revive Yamato Toki. They plant and grow Yamato Toki and produce a variety of items that exhibit its true quality such as tea, essential oil, bath agents, and more.</image:title>
    </image:image>
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    <lastmod>2021-08-03</lastmod>
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    <image:image>
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      <image:caption>しかし、京都というこの町は、何も変わっていない。京都の歴史に、COVID-19 の「前」と「後」という区分は記されないだろう。一方で、私たち人間は、未知の脅威と隣り合わせにある生活が始まって一年以上もの時間が流れた。今も、世界中が、不安や不便や悲しみを経験している真っ只中を、私たちは共に経験していっているところだ。それは私たちに、日々の暮らしや、もっと言うならば、この世界に対して、もっと心を傾け、自らの行動に責任を持ち、サステナブルになれるのではないか、という問いについて考えるきっかけをくれたように思う。 各分野の最前線で全力を尽くしてくれている人々のおかげで、希望や明るさを感じられる展望や情報を耳にすることも増えてきた。しかし、まだまだ楽観的になるには時期尚早だ。でもそろそろ、少しぐらい明るく、楽しい予定や未来に気持ちを巡らせても良いではないか。 静謐な日本庭園、荘厳にあふれる神社、熱気あふれる祭事、うならずにはいられない美味の数々、代々受け継がれる職人が生み出す工芸美、伝統を重んじ、伝統と共に生きながら、イノベーションを生み出すことを止めない街の人々―。世界中の人々が恋しがるものが、京都には山ほどある。京都は、何も変わっていない。私たちが新しい生活スタイルを身に着け、実践し、自分や周囲の人々の安全に気を配りさえすれば、京都は訪れる人々をいつでも迎えてくれるだろう。</image:caption>
    </image:image>
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      <image:title>日本語 - 木と語り合い、木の声を聴く　　　 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627961174440-0PJDF0FK95RTPWJ1UBWL/20210422-_DSC0204.jpg</image:loc>
      <image:title>日本語 - 木と語り合い、木の声を聴く　　　</image:title>
      <image:caption>高杉さん自身は家具職人ではないが、その代わりに、自社の職人が作った家具をPRする最高のプロモーターとして日々仕事に励む。「私の仕事は、職人がお客さんのために夢中になって作るようなオーダー家具の需要を作ること」と話す。 異なる業種や分野から新しいアイデアやインスピレーションを得ることにも積極的で、その取り組みの一つに、DESIGN WEEK  TANGO への参加がある。</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627961485251-HE8C2I9EYKPEH979KEXE/tsukurite-03.jpg</image:loc>
      <image:title>日本語 - 木と語り合い、木の声を聴く　　　 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627959000102-XMJ0X48RU5YH5M7J17N1/%E6%9D%89%E6%9C%A8%E7%9B%AE.jpg</image:loc>
      <image:title>日本語 - 木と語り合い、木の声を聴く　　　</image:title>
      <image:caption>京都府の最北端の町、京丹後市に1960年に創業したのは、建具屋がルーツという溝川家具店。家具店を営む家に生まれ育った代表の高杉鉄男さんは、小さいときから職人が匠の技で家具を作り上げていく様子を見るのが大好きで、心の底から魅了されていたという。 自社の職人が手がける家具の品質や技術の高さはもちろんのこと、その背景にある理念こそ、高杉さんが伝えたい思いそのものが詰まっている。 自社が属する産業の現状に加えて、さらに広く、深い視線で、世界全体の未来についても思慮する高杉さん。掲げる「Green Leaf」の理念や「KIKOE」シリーズに、彼の考えや信念が表れている。シンプルで循環型のライフスタイルこそが、豊かな心を育むのであり、「里山」や「もったいない」などの日本独自の文化や考えを生み出した源でもあると、強く信じている。</image:caption>
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      <image:title>日本語 - 木と語り合い、木の声を聴く　　　</image:title>
      <image:caption>Green Leaf の理念 日本の国土の約7割が森林です。その内訳は5割が天然林で4割が人工林　残りの1割が竹林などです。この人工林のほとんどは　比較的に成長の早い杉、桧、松などの針葉樹で、戦後の国策により植えられたもので30年から50年経っており収穫期をむかえています。しかしながら現状ではコストや人材不足で間伐が進んでいません。 京都府においては、年間4千㎡の間伐が行われていますが、大半は山中に放置されており、結果として間伐材の利用が進まず森林の荒廃が進んでいます。森林整備を行うことで、土砂災害の防止、温室効果ガスの削減機能、動植物や川、海の生態系の健全化になるのです。</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/japanese/zero-waste-kyoto-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627958607140-I3U3COXVNJOWWWQUHPEH/IMG_0359.JPG</image:loc>
      <image:title>日本語 - 世界に優しい"Zero Waste" な意識や気づきを Kyoto から</image:title>
      <image:caption>「うちで仕事をしてくれているスタッフ全員、ここで販売している商品のことなら何時間でも話せます。作るモノにこだわりと信念のある生産者さんやお店の方から教えていただいたことをお客様に伝えるのが大好きなんです。作り手の愛と信頼を、お客様におつなぎするのが私たちの仕事です」と語るのは、Zero Waste Kyoto 代表の植良睦美さんだ。 「今の時代、人々が伝統や暮らしの美しさを尊び、それらと共に生きているというのはとても稀有なことだと思います。そして、京都ではそれが当たり前に行われていると感じます。私たちの最初のZero Wasteをコンセプトとするお店をオープンする場所に、京都以上にふさわしい町はないと確信がありました。人々の日々の暮らしの中に、“本物”のクオリティが介在しているのが京都だからです。高校を卒業して以来、関西を離れて東京や海外で30年近く暮らしてきました。東京では、多忙で動きの激しい金融業界に身を置いていましたが、いつもどこかで、関西、特に京都への望郷を感じていました。数年前、伝統と歴史の息づく京都の町に移ってきたとき、心がほっとしたことを覚えています。“地産地消”を実践するにも、京都のほうが構えずに、日々の中で続けられるように思います」と語る。</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627958329676-BVECCAYS3LO3UL4UUGRN/IMG_6373.JPG</image:loc>
      <image:title>日本語 - 世界に優しい"Zero Waste" な意識や気づきを Kyoto から</image:title>
      <image:caption>“Zero Waste” ってどういう意味？ 簡潔に答えるとするなら、その一つは「ゴミをゼロまで減らす取り組み」だろうか。私たちが暮らすこの地球が、予断を許さない環境危機に追い込まれているという事実を見聞きする中、これまで「当然」としてきた、大量生産・大量消費に頼るライフスタイルに「？」を感じ始めている人も少なくない。 “Zero Waste” の意味をもう少し深く考えてみると、「システムの再構築」と「マインドの再定義」とも言えるのではないだろうか。地球から資源を得て、数えきれないほどのモノを生産し、それをほんの短い期間、使用や消費する。そのあとはゴミ箱に捨てれば、ゴミは知らないうちにどこかに「消えて」いる。こうした、便利で簡単に生産や消費ができるライフスタイルが、ずっと続くと思っていた（もしくはそう信じていたかった）。しかし、それは幻想だと誰もが気づき始めている。 日本は、食品ロスにおいて世界五位の国であり、年間一人当たり廃棄する職人の量は150㎏に及ぶ。プラスチックゴミの排出量でも世界五位を占め、年間800万トンものプラスチック廃棄物を生んでいる。“Zero Waste”というコンセプトを知ることは、こうした慣れ親しんだサイクルから脱却し、次の新しいシステムに向かうことを意識することでもある。「サーキュラー（循環型）エコノミー」と呼ばれる、自然やほかの生き物すべてと共存し、資源やモノが余すところなく活用され、無駄にされない、そんなシステム。ゴミとして捨てるのではなく、もう一度システムに戻す方法を考える。そうすることで、現行のパラダイムを再定義するきっかけが生まれる。</image:caption>
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      <image:title>日本語 - 世界に優しい"Zero Waste" な意識や気づきを Kyoto から - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1627958712193-3CO16Z49748VLRZIDY11/Photo+2021-07-21+11+47+21.jpg</image:loc>
      <image:title>日本語 - 世界に優しい"Zero Waste" な意識や気づきを Kyoto から - Zero Waste Kyoto</image:title>
      <image:caption>10:00-20:00, 月曜定休 京都市中京区寺町通夷川通上ル 久遠院町673-1 075-366-4143 https://zerowaste.kyoto</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/sustainable-localized-tourism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1632578250442-FVH714BVE5VCIW48A8V5/Chris+Profile.jpg</image:loc>
      <image:title>日本語 - サステナブルでローカルなツーリズム - Text by Chris Summerville</image:title>
      <image:caption>Chris has been teaching about Sustainability and Environmental Education at Japanese universities for thirty years. He lives on the shores of Lake Biwa with his family and loves bicycling, camping, and actively trying to share his ideas on learning from Japan’s past to help move towards a more community-based and spiritually ecological future paradigm.</image:caption>
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      <image:title>日本語 - サステナブルでローカルなツーリズム - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>日本語 - サステナブルでローカルなツーリズム - Covid-19は、私たち全員に、これまで「当たり前」と思ってきた持続不可能な生活、仕事、旅行の方法を見直す機会を与えてくれた。私たちの目線や意識が変わることで、みんなが恩恵を受けられる、より創造的で、ダイナミックで、シンプルで、コミュニティや家族に根ざした、スローでエコロジカルなパラダイムへ進化することができる。クルーズ船、パッケージツアー、観光リゾートなどの旅行形態は、限られた数の人々に楽しみや思い出を生むが、訪れた先の地域への貢献はほとんど生まれない。訪れる場所や土地や、そこに住む人々の生活の質や経済、周辺環境の破壊など、まるで「部屋の中で象を飼う」かのようだ。今を生きる私たち自身のために、そして子供たちの未来と母なる地球のために、「素敵な休日」の過ごし方を考えてみてはどうだろうか。</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1632577874321-HRJ4ZDYR7SK538GU5GOQ/IMG_1796.JPG</image:loc>
      <image:title>日本語 - サステナブルでローカルなツーリズム - 自転車や徒歩での移動は道路の混雑を緩和できるし、地域への負担も減る。日本への到着時や出発時にスーツケースなどの大きな荷物があるときは、バスや電車ではなくタクシーを利用することも有効な手段だ。観光のピークシーズンを避ければ、比較的物価も安く、現地のインフラへの負担も少なくて済み、その分、その土地の人と触れ合ったり、混雑していない場所を楽しむ余裕も生まれるだろう。有名な観光スポットももちろん外しがたいが、そういうところからちょっと離れて、京都を囲む山や町に出かけ、日本の里山風景を垣間見てみるのはどうだろう？ 京都を囲む東の山々を越え、ローカル電車で35分ほど行くと、日本最大の湖で、世界でも10本の指に入る古湖、琵琶湖が広がる。2014年、川口洋美さんを代表とする小さな体験型ツアー会社「Tour de Lac Biwa」が風光明媚な琵琶湖の西岸に生まれた。「静かな琵琶湖の湖畔で、スローライフ、スローフード、スローツアーを提供する」というコンセプトのもと、英語を話すプロのツアーコンダクターを務める5人の日本人女性が、これまでにアメリカやイギリス、ヨーロッパを中心に30カ国以上から2100人以上の旅行者に、日本の昔ながらの山村での暮らしや文化、生活様式を紹介してきた。</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/japanese-art-of-touch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635217073945-8V3JOQHO9CB3BXK1Z58I/%E3%81%B2%E3%82%8D%E3%81%93%EF%BC%95.jpg</image:loc>
      <image:title>日本語 - The Japanese Art of Touch - Hiroko Mizuguchi Luong</image:title>
      <image:caption>フランスのランスで指圧師の免許を取得。フランス指圧師組合所属。パリにある市川敏秀氏主宰の School of Do-In and Shiatsu でアシスタント講師を務める。 プライベートでは、夫と双子の子供たちと共にオーガニックで穏やかな生活を楽しんでいる。指圧以外の趣味は、フランスの山に登ることと、ヨーロッパの温泉地を訪れること。 「自分らしく生きるために、できる限りオーガニックでピースフルな生活を心がけています。」 家族で畑仕事にはげみ、土に触れ、新鮮な空気をいっぱい吸い込んでリラックス。野菜の収穫の時に、みんなで大盛り上がりするのが一番の楽しみ。</image:caption>
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      <image:title>日本語 - The Japanese Art of Touch - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635216715379-RZA53W80H6KZ4SAFVITG/%E3%83%9E%E3%83%B3%E3%83%80%E3%83%A9.jpg</image:loc>
      <image:title>日本語 - The Japanese Art of Touch</image:title>
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      <image:title>日本語 - The Japanese Art of Touch - Make it stand out</image:title>
      <image:caption>KVG：指圧セラピストになろうと思ったきっかけは？ Hiroko：幼い頃、両親が肩こりに悩まされていて、よく肩を揉んでほしいと頼まれていました。 私が肩に触れることで、揉まれている側の両親だけでなく、私も穏やかな気持ちになり、気持ちよさを感じる瞬間があることに気づきました。 そのときは、指圧についてなどもちろん全く知らない小さな子供でしたが、「触れる」ことに特別な力があると、そのときから感じていました。 京都外国語大学を卒業後（学生時代はKVGを愛読していました！）、企業に勤めたり、フリーランスの通訳として仕事をしていました。その後、中国系フランス人の夫と結婚し、13年前に双子の子供を授かりました。 8年間、上海に住んだあと、2014年からここ、フランス東部のランスに暮しています。 これまでの人生では、嬉しいことも辛いことも含めて、いろいろな出来事がありました。 時には、大切な家族や身近な人の死に直面しなければならないときもあり、 それは私にとって本当に悲しく、困難なことでした。でも、その経験は同時に、私に、生きるということについて考える機会でもありました。私達誰もが、いつかは亡くなります。辛い思いをしている人が身近にいたら、その人に寄り添い、思いやりや優しさをもって、自分にできることを精一杯することが、人生のやりがいや幸せにつながるのだと感じています。</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/interview-isaokitabayashi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634521443848-KD0KM6O1ECDV7ODJ3HLS/IMG_6712.JPG</image:loc>
      <image:title>日本語 - 文化から生まれるサーキュレイティブでサステナブルな“1000年ビジョン”</image:title>
      <image:caption>「僕のビジネスの原点であり、また個人的な願いでもある、最終的に目指すものは、地球環境の現状を改善したいという思いです」と言い切る。「46億年もの長い地球の歴史の中で、僕たち人類の歴史はわずか数百万年前に始まり、それは環境破壊の始まりでもあります。 特に、工業化が始まってからのこの数百年の間に、地球上の天然資源をほとんど使い切ってしまうという、信じがたい事実を作ってしまいました。科学的には理解していませんでしたが、子供の頃からそのような地球環境の危機について知るたびに、将来がとても不安になり、それが環境問題に興味を持つようになるきっかけとなりました」。 大学卒業後、京都や東京の企業に就職した北林さん。そこで得たのは、京都や故郷の奈良を別の角度から見る機会だったという。生まれ育った奈良には、1000年以上も同じ事業を営む会社があることを知る。「事業が数百年も続くということは、その事業がサステナブル（持続可能）であることをにほかなりません。それに気づいたとき、不安の闇に光が射したような気がしました」と振り返る。</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634521991383-JW28O0P2NGLCR8KN16OY/Logo+3.jpg</image:loc>
      <image:title>日本語 - 文化から生まれるサーキュレイティブでサステナブルな“1000年ビジョン” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634522065177-Z1TRBJVTLMKET04SMRTB/%E5%8C%97%E6%9E%97%E3%81%95%E3%82%93.jpg</image:loc>
      <image:title>日本語 - 文化から生まれるサーキュレイティブでサステナブルな“1000年ビジョン” - Isao Kitabayashi</image:title>
      <image:caption>株式会社COS KYOTO 代表取締役 DESIGN WEEK KYOTO ファウンダー サーキュレイティブでサステナブルな社会の構築を目指す「文化事業コーディネーター」として活動。2016年にDESIGN WEEK KYOTOを設立。地場産業の振興を通じ、共通の目的を持った人々が社会に貢献する「コミュニティ」の形成を目指し、さまざまなプロジェクトやイベントに携わっている。</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/interview-nananishida-yamatotoki</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634524177061-CA2Q2IMVVM9UHBO57518/image0.jpeg</image:loc>
      <image:title>日本語 - 日本の薬草文化の地・奈良から生まれた和薬草の知恵</image:title>
      <image:caption>吉宗が重要と位置付けた改革の一つに、当時、中国からの輸入に頼っていた薬草の国産化があった。吉宗は専門家を派遣し、薬草の生産地を日本全国に探しにいくよう命じた。その専門家の一人が大宇陀を訪れ、そこで出会ったのが地域の薬草のことを知り尽くしている森野藤助だった。 森野藤助の薬草に関する知識に感服した使節は、森野に宇陀以外の全国の薬草の生産地を一緒に回るよう依頼した。全国行脚ののち、やはり宇陀の薬草が一番品質が良いと確信した森野の進言は、将軍にも認められるものであった。 吉宗は森野を幕府付の薬草の専門職に任命し、手元にあった中国から取り寄せていた希少な6種の薬草の種をまき、育てる薬草園を作らせた。この日以来、森野薬草園は300年近くにわたり、日本の薬草の生産と研究をけん引してきたのである。</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634524745337-TAQHB9B2R30B1Y66T4JU/image5.jpeg</image:loc>
      <image:title>日本語 - 日本の薬草文化の地・奈良から生まれた和薬草の知恵 - 大和当帰（やまととうき）</image:title>
      <image:caption>宇陀市で栽培されている代表的な薬草のひとつが大和当帰。体を温める効果があり、古くから婦人科系疾患に効くとされ、日本のほかの地域や中国で栽培される他種のトウキよりも効能が高いことが科学的に明らかになっている。しかし、成長に時間を要し（苗を植えてから葉を収穫できるまでに丸2年かっかる）、収穫量も少ないため、日本の薬草の中で主力となるには難しい点もある中、宇陀の人々が中心となり、大和当帰を復活させようと日々努力している。最近では、お茶や精油、入浴剤など、大和当帰の効果や香りを生かしたさまざまなアイテムが登場している。</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634525211650-HNAXLVLPB1A09SZXJV7D/image2.jpeg</image:loc>
      <image:title>日本語 - 日本の薬草文化の地・奈良から生まれた和薬草の知恵</image:title>
      <image:caption>お話を聞いた人：西田奈々さん 宇陀出身。現在は奈良県生駒市在住。 プライベートアロマテラピーサロン「ネロリ」を運営。宇陀で自家栽培している大和当帰のエッセンシャルオイルをはじめとする薬草や植物の精油で、訪れる人の心と体を癒してくれる。故郷の自然の恵みを大切にしながら、伝統的な自然の知恵を次の世代に伝えていきたいと、オリジナルブランド「大和かぎろひ」を立ち上げ、宇陀で大和当帰の栽培やそれを使ったアイテムの開発に取り組んでいる。 大和当帰の栽培地や宇陀の薬草に関する場所を巡るツアーも開催。詳細はホームページを参照。</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1634523442435-GV27ZE1FXWCNZETDSZCD/%E3%82%A4%E3%83%A9%E3%82%B9%E3%83%88+%281%29.jpg</image:loc>
      <image:title>日本語 - 日本の薬草文化の地・奈良から生まれた和薬草の知恵</image:title>
      <image:caption>京都と並び、「日本の古都」と称される奈良。6世紀にはすでに日本の中心として、政治や都の機能が確立されていた。京都に比べると、都として栄えた期間は短いかもしれないが、宗教、政治、芸術、工芸、食、文学など、日本文化の根幹を成すあらゆるものが形成された長く、深い歴史と文化を有する場所だ。奈良はまた「和薬草の里」とも呼ばれている。その歴史と由来を紐解いていく。</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/midori-farm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1629787743853-S8E1KCNZQ8H4SN40ZQ66/IMG_4006.jpg</image:loc>
      <image:title>日本語 - 畑からテーブルへ :Midori Farm 主宰 Chuck Kayser さんにインタビュー</image:title>
      <image:caption>では、観光客や地元の人々が、日本の食文化の復興に参加するにはどうすればよいのだろうか？ 自分で畑を耕す時間がないという人は、チャックさんが開く「農場見学ツアー」に参加して、自然を楽しみ、野菜と触れ合ってみてはどうだろう。また、畑のシーズン中（3月〜12月）には、Workawayを通じて、宿泊や食事と引き換えに旅行者がボランティアとして農作業を手伝うこともできる。</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1629787687235-1DKZFNFMQUXUYN518UX9/4.jpg</image:loc>
      <image:title>日本語 - 畑からテーブルへ :Midori Farm 主宰 Chuck Kayser さんにインタビュー - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1629787606222-4FEB5UV5QHIXZTLREUMU/IMG_6509.JPG</image:loc>
      <image:title>日本語 - 畑からテーブルへ :Midori Farm 主宰 Chuck Kayser さんにインタビュー</image:title>
      <image:caption>京都を訪れる多くの観光客が古都に期待するものと言えば、歴史情緒あふれる町並みや、荘厳な社寺仏閣、そして「京料理」に代表される深い食文化だろう。海外からの観光客の増加と共に、英語のメニューを用意するお店も多く、小さなお店にも入りやすくなった。のれんや扉をくぐれば、お店の人や常連さんがおすすめを教えてくれたり、楽しい会話が始まったり。 食べ物についてはさほど評価が高くないイギリスという国からやってきた私は、いつも日本人の妻が食卓に並べてくれる季節の料理が楽しみで仕方ない。夏には冷たい蕎麦、秋にはサツマイモの天ぷら、そして冬にはおなかから温めてくれるおでんなど、数えだしたらキリがない。</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1629787854148-HNZEIECQ9NOTZB0XIAZZ/27797911_10156324739452558_9108939432741602922_o%281%29.jpg</image:loc>
      <image:title>日本語 - 畑からテーブルへ :Midori Farm 主宰 Chuck Kayser さんにインタビュー - 詳しくは、Midori Farmのウェブサイト、Facebook、Instagramから。あなたが京都に数日滞在するだけの旅行者だとしても、美味しい「京の味」を提供している小さなお店を選んだり、買い物をするときに「オーガニック」と表示されているものを選ぶだけでも、「自然との人間が調和した里山の暮らし」に参加することになる。京都での時間を、そういう意識でゆっくり楽しんでほしい。</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/Sustainable+tourism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/Tour+de+Lac+Biwa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/Midori+Farm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/Local</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/Going+Deeper+%26+Further</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/category/Food</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Sustainable+shopping</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/DESIGN+WEEK+KYOTO</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Cultural+Business</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Craft</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Midori+Farm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Local</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Furniture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Kyotango</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Japanese+wood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Shiga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/local</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Yamato+Toki</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Sustainable+tourism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/From+KVG</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Tour+de+Lac+Biwa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Japanese+herb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Going+Deeper+%26+Further</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Shiatsu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Zero+Waste</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Food</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/japanese/tag/Tour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-23</lastmod>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/newyear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/10640410-09c9-4466-992a-bbecb757f2fe/32176850_l.jpg</image:loc>
      <image:title>Seasonal - Welcoming the New Year, Kyoto Style - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/combfestival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/5962aefe-6de8-4487-8e89-f2263f73b966/9.jpg</image:loc>
      <image:title>Seasonal - The Annual Comb Festival &amp;amp; Hair Ornament Exhibition - Make it stand out</image:title>
      <image:caption>Comb with design of Scrollwork; The Sawanoi Collection of Combs and Hairpins exhibited at Hosomi Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6821f305-65ed-4c98-80e3-c40b6b8a9a00/1.jpg</image:loc>
      <image:title>Seasonal - The Annual Comb Festival &amp;amp; Hair Ornament Exhibition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/hydrangea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/78fcdd02-a973-49ed-ade6-0b10457a7fd1/%E4%B8%89%E5%AE%A4%E6%88%B8%E5%AF%BA+%E3%81%82%E3%81%98%E3%81%95%E3%81%84.jpg</image:loc>
      <image:title>Seasonal - The Hydrangea Trails of Kyoto - Make it stand out</image:title>
      <image:caption>Colorful ajisai hydrangea at Mimuroto-ji Temple in Uji</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/nagoshi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d55d48d6-5c3b-4cb1-ae0c-484e9d43a1aa/%E5%A4%A7%E8%8C%85%E3%81%AE%E8%BC%AA.jpg</image:loc>
      <image:title>Seasonal - Honoring the Spirit of Summer with Tradition - Notable Shrines for Nagoshi-no Harae Chinowa Rituals:</image:title>
      <image:caption>Kitano Tenmangu Shrine: A chinowa that visitors can go through will be set up in the precinct from June 1 to 29 (7:00-16:00); The ceremony takes place from 16:00 on the 30th (no going through the chinowa until 16:00 on this day); A giant chinowa (5 meters tall, the largest in Kyoto) will be set up at the shrine gate from the 25th to the 30th; the special small chinowa amulet is also available from June 1; www.kitanotenmangu.or.jp Heian Jingu Shrine: The ceremony starts from 16:00 on the 30th.  A large chinowa will be set up at the main gate about one week before the ceremony; www.heianjingu.or.jp Yasui Konpira-gu Shrine: An amulet made of paper in the shape of a person will be on sale at the office from around June 15. It is said that by writing your name on the paper and touching your body with it, and blowing on it three times, your impurities will be transferred to the paper and washed away; www.yasui-konpiragu.or.jp   Jonan-gu Shrine: Along with the chinowa, visitors purify their bodies and souls by sending paper talismans in the shape of human figures into the Purification Stream in the precinct, which transfers the sins and impurities of the past six months (June 25-30).  A ceremony will be held from 15:00 on the 30th; www.jonangu.com Fushimi Inari Taisha Shrine: The ceremony will be held from 15:00 on the 30th.  After the ceremony, the priests and all attendees pass through the ring; inari.jp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d3efc763-d7ce-4c6f-ae9f-3cc5dfd5779e/%E5%BE%A1%E6%9C%AC%E6%AE%BF%E5%89%8D%E8%8C%85%E3%81%AE%E8%BC%AA.jpg</image:loc>
      <image:title>Seasonal - Honoring the Spirit of Summer with Tradition - Make it stand out</image:title>
      <image:caption>Chinowa at Kitano Tenmangu Shrine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/sakura2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b0ae2a13-b93e-4f3f-b97b-69e8e50cb64e/%E3%83%A1%E3%82%A4%E3%83%B3.jpg</image:loc>
      <image:title>Seasonal - Sakura Viewing in Kyoto - Make it stand out</image:title>
      <image:caption>© Moritz Marutschke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3245dbed-ed60-47d7-a497-340df10d4dc0/%E3%82%B5%E3%83%96+%281%29.jpg</image:loc>
      <image:title>Seasonal - Sakura Viewing in Kyoto - Make it stand out</image:title>
      <image:caption>Visitor's Note: Cherry blossom season typically occurs from the end of March to early April, but timing varies yearly.  Check bloom forecasts before planning your visit.  Many temples offer special evening viewing hours during peak season.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/c5376536-b2e7-401d-9fae-b4c53eeefee2/%E5%8B%9D%E6%8C%81%E5%AF%BA.jpg</image:loc>
      <image:title>Seasonal - Sakura Viewing in Kyoto</image:title>
      <image:caption>Cherry blossoms also represent the Buddhist understanding of the cycle of life and death. Their annual rhythm - budding, blooming, scattering, and returning - mirrors the Buddhist concept of samsara, the endless cycle of birth and rebirth. Yet each cycle is unique, never exactly repeating. Where to observe Maruyama Park, especially around its famous weeping cherry tree (shidare-zakura), offers a profound view of this cycle. The tree, hundreds of years old, continues its annual display, yet each year's blooming is distinct.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1743325590420-7E33JCU3JUPAXYYM1JXQ/unsplash-image-kEgfUDQP-Os.jpg</image:loc>
      <image:title>Seasonal - Sakura Viewing in Kyoto</image:title>
      <image:caption>Where to experience Visit the Philosopher's Path during sakura season.  This stone path, where philosopher Kitaro Nishida practiced daily meditation, offers a perfect setting for contemplating impermanence among falling petals.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/obon-gozan-okuribi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-30</lastmod>
    <image:image>
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      <image:title>Seasonal - Obon - * Date and Time: The Gozan Okuribi is held annually on August 16th. The first fire is lit at 20:00, and the others follow in quick succession.</image:title>
      <image:caption>* Tips for a Smooth Experience: Arrive Early – Crowds gather quickly, so arrive at your chosen viewing spot early to secure a good position. Respect Local Customs – Remember that this is a religious event. Behave respectfully, avoid loud conversations, and do not litter. Bring Essentials – August nights can be very hot even at night, so bring water, a hat, and perhaps a portable fan.</image:caption>
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      <image:title>Seasonal - Obon</image:title>
      <image:caption>Cleaning Graves: Families visit their ancestors’ graves to clean and maintain them. They often leave offerings of food, flowers, and incense to show respect and invite the spirits to visit their homes. Mukae-bi (Welcoming Fires): On the evening of August 13th, small welcoming fires (mukae-bi) are lit at the entrances of homes to guide the spirits back. Bon Odori (Obon Dance): Communities gather for Bon Odori, a traditional dance to welcome the spirits. Participants dance in a circle to the beat of taiko drums, wearing yukata (light summer kimono). The dances vary by region and are often held at temples, shrines, or local parks. Toro Nagashi (Floating Lanterns): On the final evening of Obon, toro nagashi involves setting paper lanterns adrift on rivers or lakes. The lanterns guide the spirits back to the spirit world, symbolizing their safe return.</image:caption>
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      <image:title>Seasonal - Obon - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/noryo-yuka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/42f6120d-e1f2-4f8a-aa7e-56b9c57c9ca4/%E7%B4%8D%E6%B6%BC%E5%BA%8A+%E5%B7%AE%E3%81%97%E6%9B%BF%E3%81%88.jpg</image:loc>
      <image:title>Seasonal - Kamogawa Noryo YUKA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/takigi-noh-gcbk3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9b099ba6-1aae-4ad0-86fa-35f94e70fdaf/%E6%A2%85%E8%8B%91%E3%81%A8%E6%A5%BC%E9%96%80.jpg</image:loc>
      <image:title>Seasonal - “Flower Garden” of Kitano Tenmangu Shrine Open to the Public - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/takikomigohan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9880e65d-36be-4525-acb3-569721264684/takikomi3.jpg</image:loc>
      <image:title>Seasonal - Takikomi Gohan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/838ed016-b43a-4c42-adab-8739aac46945/takikomi4.jpg</image:loc>
      <image:title>Seasonal - Takikomi Gohan</image:title>
      <image:caption>With autumn’s cool nights, mushrooms are the perfect choice. Here we use maitake or dancing mushrooms, perfect for their rich, intense flavor and soft texture. They are so flavorful, in fact, that little is needed in the way of seasonings. Why not try a recipe yourself? Maitake Takikomi Gohan (Serves 6) &lt; Ingredients ・3 cups white Japanese rice ・3.5 cups dashi ・1 package of maitake or shiitake mushrooms ・2 tbs soy sauce ・1 tsp salt ・2 tbs sugar ・2 tbs sake ・kinome for garnish</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/jidaimatsuri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/072bec02-47d5-4b33-ac9a-1675ed60e194/_DSC8181.JPG</image:loc>
      <image:title>Seasonal - Jidai Matsuri Festival</image:title>
      <image:caption>The first festival also marked the opening of Heian Shrine, a two-thirds scale model of Kyoto’s original imperial palace. The shrine was specially built to enshrine the spirit of Emperor Kanmu (reigned 781-806), who founded Kyoto in 794, and the city’s last reigning emperor, Emperor Komei (reigned 1847-1866). Today, after more than 140 years, the Jidai Matsuri Festival continues to be a major focus of pride for the city of Kyoto. For most visitors, the festival’s biggest attraction lies in the grand parade. Each group in the procession represents a different period of Kyoto’s history, starting from the Meiji Restoration period (around 1868) and ending with the Heian period (794-1185).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/ddb18586-c2d8-4d2a-90f0-4712e3bbbd25/Photo+2023-10-09%2C+12+56+36.jpg</image:loc>
      <image:title>Seasonal - Jidai Matsuri Festival</image:title>
      <image:caption>More than 12,000 pieces of furniture, costumes and tools have been recreated based on thorough historical research. It offers visitors a special chance to experience the splendor and detail of Kyoto’s amazing history. The parade itself begins at 7:00 in the morning on the 22nd with the transferal, on sacred palanquins, of the imperial spirits from Heian Shrine to the Old Imperial Palace. At 12:00, the southern central axis of the Old Imperial Palace becomes a massive stage of the ages. A grand costume parade consisting of 2,000 people, about 2 km in length, will start to move across the city to Heian Shrine. The entire route of the parade stretches about five kilometers. Crowds become most dense at the Imperial Palace and on the approach to Heian Shrine, where spectators may want to get a spot early.Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/b06040f4-ec34-48ae-864b-91a6ff824863/_DSC3156.JPG</image:loc>
      <image:title>Seasonal - Jidai Matsuri Festival - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/higan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/3526649b-2e13-4a43-9bf8-a66975822fa7/27240228_l%281%29.jpg</image:loc>
      <image:title>Seasonal - Higan－Dancing on the Far Shore - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/lotusflower</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d65696bb-c5a7-4394-871b-5b5e15af048e/%E6%B3%95%E9%87%91%E5%89%9B%E9%99%A2.jpg</image:loc>
      <image:title>Seasonal - The Lotus Flower - A symbol of beauty and transformation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/gozan-okuribi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/51d74245-aaba-44d0-a6d6-370e57b42dba/DSC06691.JPG</image:loc>
      <image:title>Seasonal - Gozan Okuribi - Sending off the spirits until next Obon - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d4a29930-f6e5-4951-93b3-1e1abddf0599/070816_gozankurib_012.jpg</image:loc>
      <image:title>Seasonal - Gozan Okuribi - Sending off the spirits until next Obon - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6d9af6a8-807c-42eb-b68b-544f0d0cf5ce/migi.jpg</image:loc>
      <image:title>Seasonal - Gozan Okuribi - Sending off the spirits until next Obon - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/gionfestival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/4c8d5955-b4ed-43c5-a149-232380e27025/Gion+Festival++002.jpg</image:loc>
      <image:title>Seasonal - Gion Festival - Kyoto’s largest and most energetic &amp;amp; historical festival - Make it stand out</image:title>
      <image:caption>One of the massive Hoko floats making a 90-degree turn on the da of the Grand Procession; Photo by Moritz Marutschke (kyotographer.com)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/94355c48-ae9e-4910-817d-08cd60c12354/_DSC2862+%28C%29+Jeremy+HoareJPG.jpg</image:loc>
      <image:title>Seasonal - Gion Festival - Kyoto’s largest and most energetic &amp;amp; historical festival - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9c45c793-24a3-44af-b25a-1f820488d102/JEREMY_HOARE_DSC3166.JPG</image:loc>
      <image:title>Seasonal - Gion Festival - Kyoto’s largest and most energetic &amp;amp; historical festival - Photo by Jeremy Hoare</image:title>
      <image:caption>Riding with the chigo are forty men and boys from the neighborhood who have practiced the simple, hypnotic festival music of flutes, gong and drums, for weeks before today. The floats, both large and small, are draped in priceless woven finery, testimony to the wealth of Kyoto’s merchant class since days long past. The Naginata-boko itself displays a floral carpet from Persia, bold embroideries and a Ming tapestry from China, and an 18th century carpet from Turkey. Some decorations have earned themselves the official title Important Cultural Property. They blend together harmoniously despite their diverse origins, and they speak of the surprising extent of foreign trade in pre-modern Japan. The Gion Festival originally began as an Emperor’s supplication to the gods, seeking protection from the plagues which decimated the population during the summer months. Over more than a thousand years the festival has transformed from an imperial event to a people’s festival. The original sixty-six floats representing each of the ancient states in Japan have dwindled in number to thirty-four in the contemporary procession.</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/heianjingu-garden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/f5b705f9-426d-402b-ba68-ffd25fa51284/DSCF4541.JPG</image:loc>
      <image:title>Seasonal - June Garden Tour - Heian Jingu Shrine 8:30-16:30; Kyoto City Bus #5, 100, get off at Okazaki Koen Bijutsukan/Heian Jingu-mae; www.heianjingu.or.jp</image:title>
      <image:caption>June 13: Free admission to enter the Shin-en Garden! The shrine’s Shin-en Garden will be open to the public for free of charge only on July 13, 2023.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/69ba838d-f944-45f6-a0f9-2aa532f39c61/24327607_l.jpg</image:loc>
      <image:title>Seasonal - June Garden Tour - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7cee727e-8797-4185-b3a0-c4b97cf36fc4/23155478_l%281%29.jpg</image:loc>
      <image:title>Seasonal - June Garden Tour - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/rainyday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/9640f072-63e0-4524-ac57-8dbb4c04841b/Photo+2023-04-25+12+34+52.jpg</image:loc>
      <image:title>Seasonal - Rain - Water, mist and mystery - Sanzen-in Temple garden on a rainy day</image:title>
      <image:caption>In the same way, the heavy rains of June and early July create the conditions that bring moss gardens to their much loved maximum lush deep or bright greens. In the same season, bamboo shoots up so quickly that you can literally watch it grow (bamboo reaches its maximum size in one season and then does not grow higher). Rain also has special advantages. It is the perfect excuse to be lazy and lie around at home in bed, reading and dreamily listening to the steady beat of the rain on the roof tiles and the occasional metal object or container. Rain can also turn the most famous tourist spots into the quiet places they were meant to be. For one of the most awe-inspiring sights, venture into one of Japan’s narrow valleys after a good hard rain. From the right vantage point, you can watch strange animal shapes, especially dragons, rise up from the slopes in lazily moving ghost-like ways. Remember rain is wonderful and, in many ways, you can learn so much more from rain than sunshine. Try and learn to appreciate the mysteries and pleasures of rain this month in Kyoto.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6884d222-d50c-46b9-8749-495c16767e43/%E9%9B%A8%E9%99%8D%E3%82%8A.jpg</image:loc>
      <image:title>Seasonal - Rain - Water, mist and mystery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/biwakocruise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e6d4f384-e6f6-408f-bb37-9236cc12828e/%E3%82%B5%E3%82%A4%E3%82%BA%E5%B0%8F_DSC8659.jpg</image:loc>
      <image:title>Seasonal - The Lake Biwa Canal Cruise</image:title>
      <image:caption>© Moritz Marutschke</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/bceba5da-c511-4549-98cf-5387faffb477/%E3%82%B5%E3%82%A4%E3%82%BA%E5%B0%8F3D7D2CDE-4023-49F0-8688-9C6EA7FD769E.jpeg</image:loc>
      <image:title>Seasonal - The Lake Biwa Canal Cruise - Lake Biwa Canal is a man-made waterway, but with the passage of time, the landscape, that exudes the charm of the four seasons, has become a place of recreation for the public. In 1972, the area around one of the branch canals, Nyakuoji, was developed as “The Path of Philosophy”, and it is now known nationwide as a place famous for its cherry blossoms.</image:title>
      <image:caption>In 1996, 12 facilities related to Lake Biwa Canal were designated as National Historic Sites. In addition, Lake Biwa Canal, possessions of Lake Biwa Canal Museum, Nanzen-ji Suiro Kaku, Keage Incline, Keage Water Treatment Plant, and the Keage Power Station, were designated as Heritage of Industrial Modernization sites by the Ministry of Economy, Trade, and Industry in Heisei 19 (2007). Lake Biwa Canal and its related facilities have been acknowledged as heritage sites that “tell the history of modernization in Kyoto”.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8ea3f52e-8de5-4dbe-85eb-81d52f06809e/%E3%82%B5%E3%82%A4%E3%82%BA%E5%B0%8FCF688495-C182-4B8C-96DF-AA297070C3FC.jpeg</image:loc>
      <image:title>Seasonal - The Lake Biwa Canal Cruise - The Biwako Canal has, since 1890, provided the city of Kyoto with the power of water from Japan’s largest lake, Biwa-ko, hidden just behind the city’s eastern mountains. The canal, built in an effort to further Kyoto’s industrial development during a mini-decline that occurred after the capital was transferred to Tokyo during the Meiji Restoration (1868), still today provides the city with water and a re newed vitality. The effort was headed by Kunimichi Kitagaki (1836- 1916), the third Governor of Kyoto, who undertook various measures to modernize the city. At a time when the design and supervision of every major civil engineering work was conducted by foreign engineers, Lake Biwa Canal became the first civil engineering project in Japan constructed completely by Japanese engineers and workers.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/af6974d8-6158-4619-ab18-8a20f829114a/%E5%B1%B1%E7%A7%91%E7%96%8F%E6%B0%B4%E3%83%BB%E5%AE%89%E6%9C%B1%E6%A9%8B%E4%BB%98%E8%BF%91%E3%81%A8%E3%81%B3%E3%82%8F%E6%B9%96%E7%96%8F%E6%B0%B4%E8%88%B9%28%E6%A1%9C%E3%81%A8%E8%8F%9C%E3%81%AE%E8%8A%B1%29%EF%BC%91.JPG</image:loc>
      <image:title>Seasonal - The Lake Biwa Canal Cruise - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/feburaryhighlights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/996f983d-152a-415e-987a-fac671f7a4d5/Kyotographer-D-Moritz-Marutschke-2017-01-15-M_M_1243.jpg</image:loc>
      <image:title>Seasonal - FEBRUARY SEASONAL HIGHLIGHTS - Make it stand out</image:title>
      <image:caption>© Moritz Marutschke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/e71ad0ad-b2c7-4cc5-926c-93779d5604f3/yasakajinja14.jpg</image:loc>
      <image:title>Seasonal - FEBRUARY SEASONAL HIGHLIGHTS - Setsubun Rituals in Kyoto</image:title>
      <image:caption>Heian Shrine (Feb 3): At 12:00, kyogen (the comic interludes between Noh plays) will be performed, and at 15:00 demons are driven out with blazing torches; City Bus #5, Kyoto Kaikan Bijutsukan-mae; www.heianjingu.or.jp Mibu Temple (Feb. 2-4): On the 2nd, there will be a procession of yamabushi mountain ascetics and children; on the 2nd and 3rd, hourly, 13:00-20:00, an 11th century Buddhist morality pantomime play will be performed; entry free; City Bus #26, Mibudera-michi; www.mibudera.com Rozan-ji Temple (Feb. 3): Devils in great costumes make this demon dance one of the most popular and fantastic (from 15:00); City Bus #17, 205, Furitsu Idai Byoin-mae; www7a.biglobe.ne.jp/~rozanji/ Yasaka Shrine (Feb. 2 &amp; 3): Traditional dance performances by geiko and maiko (geiko apprentices): at 13:00 and 15:00; City Bus #206, Gion; www.yasaka-jinja.or.jp Yoshida Shrine (Feb. 2-4): During the Setsubun Karo Festival (starting from about 21:00 on the 3rd) amulets and charms are burned in a giant central bonfire. Stalls selling sake, hot food, and fun will be open on all three days; City Bus #206, Kyodai Seimon-mae; www.yoshidajinja.com Photo: Mame-maki bean scattering event at Yasaka Shrine</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/dd1e3607-9124-4efa-a246-5cf3c64830b6/M_M_7481.jpg</image:loc>
      <image:title>Seasonal - FEBRUARY SEASONAL HIGHLIGHTS - Setsubun — Seasonal division to welcome luck and happiness</image:title>
      <image:caption>Setsubun, literally “seasonal division,” is the most important festival of spring in Japan. Before changing to the Western calendar in 1873, Setsubun marked the lunar New Year in Japan, as it continues to do in China (this being Chinese New Year: 2023 is the Year of the Rabbit; starting January 22). In traditional homes, the whole family will join together and chant, “Oni wa soto, fuku wa uchi.” (“Out with the demons, in with good luck.”), then enthusiastically scatter soy beans about the house to bring good luck. The Oni-odori, or demon dances of Setsubun are the perfect place to be frightened and amused by these creatures. February is a great chance to see different kinds of oni in Kyoto. Check the Setsubun events held at temples and shrines, and enjoy Setsubun this year. Oni-odori demon dance at Rozan-ji Temple © Moritz Marutschke</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/mochi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/168df290-d472-4c4e-9d93-2fcbb752d9e7/mochi1.jpg</image:loc>
      <image:title>Seasonal - Mochi and Mochitsuki - Make it stand out</image:title>
      <image:caption>Mochi (rice cake) is made from pounded mochi-gome (glutinous rice) and is considered a special treat. The term “cake” might not be the best translation, as mochi is not airy and light. Instead, the consistency is more like taffy: stretchy, sticky, starchy and utterly delicious. In the old days, rice was made into mochi by a laborious method of pounding and turning the rice in an usu (oversized mortar). This image is so ingrained in Japanese culture that when looking at a full moon, instead of a “man on the moon,”Japanese people see a rabbit pounding mochi. Today most mochi is made by machine, but you can still see mochi-tsuki (rice cake-pounding) ceremonies in late December in the countryside. Another important oshogatsu element featuring mochi are Kagami (mirror) mochi; two large mochi, six- to eight inches in diameter and topped with a daidai (orange). This is an ancient tradition, dating as far back as the Muromachi period (15th century), and you can see kagami mochi displayed in homes, usually in the family Shinto shrine.</image:caption>
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      <image:title>Seasonal - Mochi and Mochitsuki - Make it stand out</image:title>
      <image:caption>photo53.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/28c5f877-5969-41e8-84fd-0c500e3bbfe2/%E3%82%82%E3%81%A1%E3%81%A4%E3%81%8D.jpg</image:loc>
      <image:title>Seasonal - Mochi and Mochitsuki</image:title>
      <image:caption>Mochi is also used for ozoni, a hearty soup that is enjoyed only on January 1st as the first meal of the New Year. Made with chicken stock and filled with a variety of vegetables and mochi, it’s a meal in a bowl, and so delicious it’s a shame it’s not available at other times of the year. On the second weekend in January, the kagami mochi is broken in a ceremony called kagami-biraki (mirror opening) and enjoyed in a sweet bean soup called oshiruko. Photo: Traditional mochi pounding with the mortar and the wooden mallet</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/rice-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/90efca38-3975-4284-a6a2-47f229964bed/ine+2.jpg</image:loc>
      <image:title>Seasonal - Rice Culture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6479c253-96ae-44cb-bd22-49e9d979fb6d/mochigome.jpg</image:loc>
      <image:title>Seasonal - Rice Culture - History of Rice in Japan</image:title>
      <image:caption>Rice first came to the northern area of Kyushu Island from China or along the Korean peninsula. By the 3rd or 4th century, cultivation had reached all along the island of Honshu to the present-day Tokyo region. Four hundred years later, rice had permeated the northern area of Honshu, reaching the very tip of the island sometime between the 12th and 14th centuries.   In the beginning, rice seeds were planted directly in the paddy fields. This method persisted until about the 5th or 6th century, when the practice of raising seedlings first in nursery beds and then transplanting them to the fields began. Seedlings, actually tall shoots, are raised in tight clusters during April and May in special nursery beds. In June, with the rains and the resulting high humidity, the seedlings are ready to be transplanted to the flooded fields in a process known as taue, or “field-planting.”   Rice is harvested in early autumn. The present method of cutting the entire stalk along with the rice husks began from about the time Kyoto became the capital of Japan (late 8th century), before that only the kernels were cut off; the remaining stalk was then allowed to rot through winter and ploughed under.   By the 8th or 9th century, intensive rice cultivation methods had developed to the point where 1 metric ton of polished rice could be harvested from every hectare (2.5 acres), equal to what many Asian nations are usually harvesting from their fields. Today, Japanese yields have reached more than 4 metric tons per hectare, due to strain hybridization experimentation to produce rice that matures earlier and is resistant to adverse weather and disease.</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/takigi-noh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/2e0b328b-d555-434e-adca-59c4bc330378/Photo+2022-06-14+10+54+18.jpg</image:loc>
      <image:title>Seasonal - TAKIGI NOH - Takigi, or "Firewood" Noh, is actually a convergence of three traditions.  Kofukuji Temple in Nara is the site of the original Takigi Noh said to have first occurred in 1130.  This was a religious rite, performed annually in February, attended by shoguns throughout the Edo Period (1603-1868).  It was held at night, and was lit by torches because they offered the brightest possible lightings.  The outdoor, public tradition derives from Kanjin, or "Subscription" Noh. Most performances during the 500-year history of noh were held in the daytime at temple stages, or indoors by candle or torch light, for select audiences of Japan's nobility, the samurai, Noh actors were considered of art of the samurai class, and their salaries were paid by their lords. Kanjin Noh were special public performances, often to raise money for rebuilding a temple. The headmasters of the five schools of noh were also permitted to hold Subscription Noh performances on their retirement, as a once-in-a-lifetime finale and as a way of raising their "severance pay." These performances were held on specially-built stages in open fields, temples and riverbanks; and since they were offered only once every ten or fifteen years, the curious townsmen flocked to see them. The ten-day Subscription Noh held at the retirement of the Hosho head-master in the mid-19th century is said to have attracted 6000 spectators each day. In 1949, the Kyoto Noh Association decided to stage an annual spectacle at the Heian Shrine which was built to commemorate Kyoto as the nation's capital. Borrowing the torches from Nara and the outdoor setting from Subscription Noh, these inexpensive and thrilling performances began in May. Three years later the dates were fixed on June 1st and 2nd. But there was something still missing from the event, and, taking a cue from the ceremony of lighting and passing the Olympic torch, a "Firewood Lighting Ceremony" was added in 1952.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/aoimatsuri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/6394dd12-8e8a-4689-baf3-635c0743b554/_DSC1766.JPG</image:loc>
      <image:title>Seasonal - Aoi Matsuri Festival - Following Kyoto’s founding in 794, the first emperor to reign here, Kanmu, personally visited the Kamo Shrines, recognized their deities as protectors of Kyoto, and in 807 officially established the Aoi Matsuri as an annual event.  It soon became so famous that it was simply called the Festival.   The Aoi Matsuri became most spectacular during the mid-Heian period.  It is this era, thought by many to be the finest in Kyoto’s history, that today’s festival attempts to recreate.  The destructive Onin Civil War (1467-1477) brought the festival to an end for more than 200 years.  It was revived in 1694, only to be interrupted again between 1867 and 1883 by the Meiji Restoration, and between 1942 and 1952.  Since then the festival has flourished again.  It is now one of the main events in Japan’s annual festival calendar, and attracts crowds of spectators.   One feature of the festival, which has in fact given it its name, is the wearing by all participants of sprigs of Aoi (wild ginger) whose leaves are heart-shaped.    The festival procession consists of two parts: the imperial messenger’s retinue and the Saio-dai.  First comes the Chokushi, the messenger himself, who rides a brightly decorated horse.  He is acoompanie by an escort of servants on foot, a group of court nobles and ladies, a black lacquered ox-drawn cart decorated with wisteria, several large flower-decorated umbrellas, each carried by four men, and a party of mounted warriors dressed in maroon robes and carrying bows and arrows.</image:title>
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      <image:title>Seasonal - Aoi Matsuri Festival - Make it stand out</image:title>
      <image:caption>Splendid Hana-gasa flower umbrella: Photo by Jeremy Hoare</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/cc79213c-2fd9-4d2a-8311-96df1a27bf66/Photo+2023-06-23+21+19+08.jpg</image:loc>
      <image:title>Seasonal - Aoi Matsuri Festival</image:title>
      <image:caption>On the big day the entourage leaves the palace at 10:30 a.m., arrives at Shimogamo Shrine at 11:40 where it stays until 2 p.m., and finally arrives at Kamigamo Shrine at 3:30 p.m.  the route gets quite crowded with spectators, especially at the palace and the shrines, so pick a good vantage spot early.  For those with stamina, following the slow-moving procession along its whole route can be fun.  The best photographs can be obtained by going to the palace park well ahead of 10:30.  Before the start one can freely walk among the participants and nap away endlessly.  What is more, the green trees and palace walls make for the perfect backdrop – no nasty concrete or traffic light to spoil the authenticity!</image:caption>
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      <image:title>Seasonal - Aoi Matsuri Festival - The Saio-dai was, during the Heian period, a daughter of the emperor who served as the head priestess of both Kamo Shrines.  The Saio system lasted from 810 until about 1200, but these days it is briefly revived for Aoi Matsuri, a different woman being chosen each year from among Kyoto families.  She is in many ways the focus of the parade, but has the unenviable task of having to wear simultaneously no less than twelve kimonos.  She is easily recognizable as the slightly ungainly woman in the hand-carried palanquin.  Although the procession is a great splash of color put on for all to see, the ceremonies held within each shrine are open only to invitation holders.  At both, the Chokushi’s petition is presented and gifts given, including a horse which is paraded around the inner shrine to the accompaniment of koto (Japanese harp) music played by the warriors.   After each ceremony at least ten horses with riders are galloped down a special course outside the main shrine compound, to demonstrate the power of the horses being donated, a through-back to the first Aoi Matsuri.    During the first two weeks of May several preliminary events take place.  On May 3rd, there is horseback archery (yabusame) at Shimogamo Shrine, intended as part of the ceremony to “purify” the procession’s route, and on May 5th there is horse racing (kurabeuma) at Kamigamo Shrine between two teams dressed in Heian period costumes.  These riders are among the leaders of the procession on the 15th.</image:title>
      <image:caption>Photo: Saio-dai on the palanquin; photo by Jeremy Hoare</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/interview-sanotoemon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/d57edc04-ab4f-4786-b713-c8b438589ac5/%E4%BD%90%E9%87%8E%E3%81%95%E3%82%93.JPG</image:loc>
      <image:title>Seasonal - Kyoto Sakura Splendor - KVG: What type of cherry trees can be enjoyed in Kyoto? Sano: Cherry trees grow wild all over Japan, from Hokkaido to Kyushu. There are only a few natural kinds like the early-flowering Higan Zakura (the equinox cherry, which blooms around the vernal equinox, or March 21) and the Yama Zakura (mountain cherry). All other cherry trees, like the widely popular Somei Yoshino, are hybrids that were first developed about 150 years ago. Kyoto’s climate is ideal for cherry trees and they can be found in nearly every part of the city. This means that you can enjoy hanami cherry blossom viewing almost anywhere you go in the city. Kyoto is the only Japanese city with a population over one million where you can actually see the bottom of the rivers and the mountains are so close to the city. KVG: How do you take care of cherry trees? Sano: To keep cherry trees at their very best you need to keep an eye on them throughout the year. It’s like raising children. Unfortunately, I have many sick children all over Japan. The main cause of this sickness in cherry trees is that the ground water is polluted. To live long and remain healthy cherry trees require clean water. This is becoming increasingly difficult in urban environments. When I come to care of a cherry tree, I feel like I am “meeting” them. When they require my help, I do whatever I can. Often this involves soil enrichment processes. I get a huge sense of satisfaction when I see cherry trees that are healthy and thriving again.</image:title>
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      <image:title>Seasonal - Kyoto Sakura Splendor - Make it stand out</image:title>
      <image:caption>Magnificent Shidare Sakura (weeping cherry tree) in Maruyama Park</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/23c8f67a-9687-4064-b508-09e61d531c63/_DSC5737.JPG</image:loc>
      <image:title>Seasonal - Kyoto Sakura Splendor - KVG: As a person who has been trained in traditional ways by previous generations, what are your feelings about modern Japan? Sano: Sad as it may seem, I feel that modern Japanese ways, most of them based totally on Western ideas, have for the most part killed Japan’s original traditional culture. Nearly everything that was unique about our civilization has been abandoned. We have stopped wearing our traditional clothing, the kimono. We have largely given up our traditional rice-based diet in favor of meat, bread and pasta. And we have stopped living in homes made of natural materials like mud, wood, bamboo and tile.   Today, people are far too concerned with the pursuit of a more comfortable life. Most of this comfort is based on machine culture. We have lost the wisdom of our ancestors. The biggest problem is that we are too easily satisfied by Western ways of thinking. The Japanese education system has stopped teaching our children the origins of Japanese culture.   Everything in Japanese culture comes from and is intimately connected with the rice growth cycle. Young people today have no idea how rice grows and so they know almost nothing about their own culture. Rice matures through a series of key seasonal stages. Children should know and experience all of them. To get back on the right track, we should look to nature, as we always have. Nature determines what is possible and correct for human beings.</image:title>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/ediblesakura</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/67569191-7366-4c87-942c-102d7f662e7c/wagashi3.jpg</image:loc>
      <image:title>Seasonal - Edible Sakura</image:title>
      <image:caption>Other wagashi use the blossoms i n their entirely, such as the kanten (agar) sakura wagashi pictured here. The blossoms float, suspended in clear kanten over a bed of bean or dairy-based jelly. Their fleeting beauty is almost too beautiful to eat. Sakura have been celebrated since at least 894, during the Heian era, as documented in written accounts of flower-viewing parties. Once a celebration of the aristocracy, the celebrations have grown in scope and popularity over Japan’s long history to become today’s sakura matsuri (festival). It marks the end of winter and the beginning of spring.   We can appreciate nature and beauty as represented by the blossoms— especially their transient nature. We especially love the sight of falling— and fallen blossoms, appreciating this intrinsically Japanese mix of beauty and sadness.   So while you’re in Kyoto at this special time, why not appreciate the sakura with all your senses by trying some of the sakura foods? You can savor one of the truly beautiful flavors of spring.</image:caption>
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      <image:title>Seasonal - Edible Sakura</image:title>
      <image:caption>It’s April, the month when Kyoto is transformed into another worldly paradise by billowy clouds of pink blossoms from the city’s many sakura (cherry) trees. The flowers — which bloom for only a few days in a riot of short-lived and poignant beauty — are celebrated in festivals, decorations, patterns on kimono and clothing, and eaten. Yes, the blossoms and l eaves are actually edible, and they have a delicate floral flavor and fragrance that are true reminders of spring. But to eat sakura, it’s not a matter of simply plucking a few blossoms from flowering trees and sprinkling them into dishes. They are usually preserved by salting, and added to rice — especially mocha-gome (sweet rice), or put into hot water for sakura tea. On the sweet side, sakura is now a popular flavor for ice cream, and has been used for centuries in wagashi (Japanese sweets) such as sakura-mochi. To make sakura-mochi, you take a dollop of red bean paste and cover it with a thin layer of pink mocha-gome that has been pounded to a point where there is still some texture. This is then w rapped in a salted sakura leaf. The sweet and salty combination is particularly delicious.</image:caption>
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  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/hina-matsuri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/a32436f4-bc08-4adc-9f22-ab2a305045eb/hina.jpg</image:loc>
      <image:title>Seasonal - Hina Matsuri</image:title>
      <image:caption>The Hina Matsuri festival is a traditional family celebration for their daughter’s health displaying hina ningyo dolls. Dolls became very popular in the Heian period (794-1185) among the imperial family and aristocrats and soon came to be the caretaker’s of a girl’s health. There are many kinds of hina ningyo doll displays: most simple one consists of only 1 stage with 2 dolls and some gorgeous ones have 7 stairs with 15 dolls. It is because 7 and 15 are auspicious numbers. On the top stage, there are Odairi-sama (emperor) and Ohina-sama (empress) sitting together in front of the golden folding screen. Next dolls are Sannin Kanjo or three female servants, and next are Gonin Bayashi (five music players) who holds various traditional music instruments. The last ones are U-daijin (the court minister on the right) and Sa-daijin (the court minister on the left) who are the loyal guards and servants of the emperor. The styles and facial expression of each doll set are quite different depending on the craftsperson. Some look childish, round smiling face and some look elegant and dignified face.   Hairstyle, the patterns on their costume, colors, etc. are different too. Between each dolls, various kinds of miniature furniture and fittings are presented such as wardrobe, sake ware, wooden plates, trays, palanquins, carts, etc. Don’t look at them as toys or something tinny. Not only their structure is really fine and accurate, they are decorated with real gold foil and first-class lacquer. They are not something that small children play with but something valuable as art crafts.</image:caption>
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      <image:title>Seasonal - Hina Matsuri</image:title>
      <image:caption>Momo or peach tree, its exquisite flowers, and its delicious fruit are all symbolic of Japan. For many, unfortunately, the tree is very difficult to distinguish from the plum (ume), which is much more common.   The flowers of the peach tree symbolize the happiness of marriage and the feminine traits of gentility, composure and tranquility. Since ancient times, the flower has been placed on the highest level of the Hina Matsuri doll display during the festival. Peach blossoms can be seen in all their splendor on the west side of the Kyoto Imperial Palace grounds sometime in March.   A relaxing afternoon under the fine trees in this orchard is ideal for a picnic on a warm day. Hokyo-ji Temple (on Teranouchi, a few meters east of Horikawa) also has some splendid specimens. This temple is also closely connected with Hina Matsuri Festival.   In the realm of the fairytale, the momo plays a special role as the place from which Momotaro (the Peach Boy) born from. Historically, “Peach Mountain” or Momoyama was the name of the castle, Hideyoshi Toyotomi (1537-1598), the pleasure-loving general gave to his southern Kyoto castle and the area around it. A whole historical period, the Momoyama period (1580-1600), considered to be one of Japan’s mostly colorful and artistically original, is named after this castle.</image:caption>
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      <image:title>Seasonal - Hina Matsuri - Make it stand out</image:title>
      <image:caption>Antique Hina Ningyo doll set © Hotaru Images</image:caption>
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  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/plumblossom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/8eaf1353-7e67-400e-bcd6-161eda18f572/ML214029.JPG</image:loc>
      <image:title>Seasonal - Plum Blossoms, the herald of spring</image:title>
      <image:caption>Every year on February 25th, a grand festival to commemorate Sugawara’s spirit is held at the shrine.  The festival is called Baika-sai or Plum Blossom Festival, as Sugawara especially loved the plums.  In the precinct of the shrine, there is a huge plum orchard with about 2,000 plum trees of 50 different kinds.    On the day of the festival, a ritual is held at the main hall and a grand tea ceremony party is held outdoors.  The tea ceremony is based on the giant public tea party Hideyoshi Toyotomi (1537-1598) held at the shrine in 1587.  Tea is served by real maiko and geiko from Kamishichiken.  On the day, you can enjoy several wonderful experiences at one time: beautiful plum blossoms, the graceful appearance of maiko and geiko, and fine matcha green tea (\2,000; the number of ticket is limited).    During other days, the plum garden is open until around the end of March.  The shrine’s treasury is also opened to public during plum season.  What is more, 25th every month is the day of the grand Tenjin-san market.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/7187940a-3162-4ee7-8747-d3b0e65d166a/ML214026.JPG</image:loc>
      <image:title>Seasonal - Plum Blossoms, the herald of spring</image:title>
      <image:caption>Many will say that the sakura, or cherry blossoms, are their favorite of the year. However, there are also many who would choose the ume, or plum flower of all. The trees can become very old and their very shape is exotic. The flowers have strong, sweet smell (unlike the cherry blossom that has almost no smell), that attracts bees without fail. The plum is also said to be the favorite resting place for the rarely seen but much heard uguisu (Japanese nightingale), harbinger of spring. Finally, plums have long been used to make wine (ume-shu) and extremely salty pickles (ume-boshi). Plum tress were introduced to Japan from China I the 8th century. Of the 300 species of plum tree in Japan, the single most common is Japanese apricot. Plum blossoms can be a deep red or white. These are the colors of celebration and happiness in Japan. Nearly all gift wrapping in Japan uses red and while in some form: this comes from the colors of the ume. Plum trees, because of their fruit, are believed to ward off danger. On many older plots of land you will find plum trees planted in the northeast corner, the so-called Demon’s Gate, from where danger and evil are believed to enter. Because of this belief, many family crests also incorporate the plum blossom into their design. Ume-boshi, pickled sour plums, are also believed to keep danger away, when eaten. But most of all, plum blossoms herald spring and offer the perfect occasion for the year’s first picnic. In ancient times, plum orchards became the spring destination for ladies of the Imperial Court in magnificent dress, to compose poetry and celebrate the start of the love season.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/169f7351-5a66-4bce-94d8-69bfa814e59e/ML214027.JPG</image:loc>
      <image:title>Seasonal - Plum Blossoms, the herald of spring - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/setsubun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/30d816f6-abc8-48e5-9c87-347d51f49768/23199254_m.jpg</image:loc>
      <image:title>Seasonal - OUT with the BAD, IN with the GOOD - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/fffc5982-e801-4a47-af17-2252b469e839/IMG_8906.JPG</image:loc>
      <image:title>Seasonal - OUT with the BAD, IN with the GOOD - Family members throw beans out the doors, windows, and other areas of the house to chase the demons away. Some families like to make sure that the oni (demon) won’t come back by placing a sardine’s head pierced with a twig of a holly at the outer gate of the home. The sardine’s head maybe a distinctively Japanese touch – yet it’s fascinating that holly should be a symbol of protection and blessing at Setsubun in Japan, just as it is at Christmas in Western countries. After the house is purified, the family gathers for a small ceremony of eating beans which are supposed to ensure good health in the coming year and other foods. The number of the beans each person eats should equal his or her age, plus one.   Even if you don’t believe in demons, or are convinced that it takes a lot more than beans to stop them, you can still enjoy the colorful pleasures and good humor of Setsubun. Go ahead. Bean that devil. It feels good, doesn’t it? That’s the main idea. Out with the Bad, In with the Good. This article was originally published in Kyoto Visitor’s Guide February issue, 1989.</image:title>
      <image:caption>Omuro Sakura at Omuro Ninna-ji Temple</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/2fedb7d4-6e65-4bc6-9212-cbcd7d479edc/M_M_7463.jpg</image:loc>
      <image:title>Seasonal - OUT with the BAD, IN with the GOOD</image:title>
      <image:caption>Halfway through the dreary Japanese winter the time between the merriment of New Year’s and the cherry blossoms of spring can seem to stretch forever. By the end of January, cramped and shivering spirits are almost crying for relief from the grey skies and the endless cold. The plum blossoms of February bring a little cheer. But this month’s most joyous and reassuring event by far is a festival that promises the end the numbing cold, and the return of warm, shimmering days   Many East Asian countries hold of festivals in which the end of winter is symbolized by the expulsion of evil and welcoming of good spirits. In Japan this festival is called Setsubun. it’s always celebrated in early February. Officially, it’s the first day of spring – though it’s really the beginning of that strange season called the Sankan Shion (three cold, four warm), when the weather in Japan can’t seem to decide whether it still wants winter to keep making curtain calls, or wants spring to make itself at home and stay for a while. Photo: Demon Dance at Rozan-ji Temple © Moritz Marutschke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/train-trip-through-magnificent-autumn-foliage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635737881441-OJIFWWEI0F4LKHW6QQEW/SKR1611D3S_5414.JPG</image:loc>
      <image:title>Seasonal - Train Trip Through Magnificent Autumn Foliage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635741145476-SFZD9UIRA1BEBL6JOH50/005.jpg</image:loc>
      <image:title>Seasonal - Train Trip Through Magnificent Autumn Foliage - One of the Eizan Railway’s carriages is known as “Kirara,” which has a wide glass window on both sides that allows passengers to feel as if they are completely immersed in the magnificent world of colored maple leaves. The Ichijoji area is one of the most highly recommended areas along the train route. About 15 minute-walk to the east from Ichijoji Station there are many small-sized, but must-visit temples such as Manshuin Temple, Shisen-do Temple, and Enko-ji Temple.From Yase Hieizan-guchi Station, one can reach the highly popular Ruriko-in Temple within a 5-min. walk (autumn special opening: ¥2,000). Renge-ji Temple is another attraction in the area located opposite side from Yase Hieizan-guchi. Here, the beautiful moss garden with a small pond and trees creates such a perfect autumn scene; it is especially exquisite after leaves fall on the green moss and ground.</image:title>
      <image:caption>Omuro Sakura at Omuro Ninna-ji Temple</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635740512703-U534E9ER1RS4QQ1ZZPHO/%E7%B4%85%E8%91%89%EF%BC%93.jpg</image:loc>
      <image:title>Seasonal - Train Trip Through Magnificent Autumn Foliage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/autumn-hiking-inrural-nishiyama</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635736324557-CK76I4PHR7IP99ZUUF26/DSC_1158_DxO.jpg</image:loc>
      <image:title>Seasonal - Autumn Hiking in Rural Nishiyama - Even the deity laments, Seeing the beautiful colored leaves of Oharano fall, Please, wind of Mt. Oshio, Blow soft so that we can enjoy it longer. - Poem by Koreie Fujiwara, a Heian-period aristocrat (11th century)</image:title>
      <image:caption>Omuro Sakura at Omuro Ninna-ji Temple</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635735213026-G6H2FTG9GCICVASQG5U5/%E5%96%84%E5%B3%AF%E5%AF%BA%E7%B4%85%E8%91%89%E3%80%80%E9%96%8B%E5%B1%B1%E5%A0%82%E3%82%88%E3%82%8A%E7%9C%BA%E6%9C%9B%E3%80%80%E7%B4%85%E8%91%89.JPG</image:loc>
      <image:title>Seasonal - Autumn Hiking in Rural Nishiyama - Make it stand out</image:title>
      <image:caption>Fine view from Yoshimine Temple’s Kaizan-do Hall © Yoshimine Temple</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1635735574017-IP26FM45RR3VCS3CTILL/%E5%96%84%E5%B3%AF%E5%AF%BA+%E8%96%AC%E5%B8%AB%E5%A0%82%E7%9C%BA%E6%9C%9B.JPG</image:loc>
      <image:title>Seasonal - Autumn Hiking in Rural Nishiyama - Make it stand out</image:title>
      <image:caption>Command the spectacular view from Yoshimine Temple’s Yakushi-do Hall © Yoshimine Temple</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/blog-post-title-two-z4tys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617248396519-3WY1K1EEQAHYVFOWGEB6/%E9%AB%98%E7%80%AC%E8%88%9F.jpg</image:loc>
      <image:title>Seasonal - Phenomenal Sakura - Spring in the Old Capital of Kyoto is one of the most beautiful seasons of the year. For  the Japanese people, the height of spring will always mean the blooming of cherry blossoms or sakura. Nothing could be more poignant to the Japanese heart. The blooming period of sakura is often a lot shorter than one would like it to be, especially when the weather is warm and sunny. The Japanese are said to love this season more than any other, and in Kyoto there are so many ways, in so many places, to celebrate this supreme symbol of spring.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617248968507-4A3KEFIXC1BSQDIIOQT6/%E5%BE%A1%E5%AE%A4%E6%A1%9C2.jpg</image:loc>
      <image:title>Seasonal - Phenomenal Sakura</image:title>
      <image:caption>Omuro Sakura at Omuro Ninna-ji Temple</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kvg-kyoto.com/seasonal/blog-post-title-one-yrsjw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617245089606-7QR9RYJZMXIIS0ZCAZU7/_DSC3189.JPG</image:loc>
      <image:title>Seasonal - GION MATSURI FESTIVAL</image:title>
      <image:caption>© Jeremy Hoare</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617247381631-HSR5IQZ5ULWU1TETL0YX/Gion+Matsuri-5.jpg</image:loc>
      <image:title>Seasonal - GION MATSURI FESTIVAL</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617246978481-579WETOYG4644SLAXUBX/Gion+Matsuri-8.jpg</image:loc>
      <image:title>Seasonal - GION MATSURI FESTIVAL - Alex Davies, from UK, the head distiller of the Kyoto Distillery and a resident of Kyoto for over three years, had an opportunity to take part in the Shinko-sai and Kanko-sai mikoshii rituals in 2018 for the first time. What does it mean to him to be involved in such a speciall cultural display?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617245946139-FXUZY4VWXW5P4G3EHWHG/_DSC3252.JPG</image:loc>
      <image:title>Seasonal - GION MATSURI FESTIVAL - The Yama &amp; Hoko Floats</image:title>
      <image:caption>There are two kinds of floats: Yama and Hoko. There are 33 floats in the grand parade: 23 Yama floats and 10 Hoko floats. Yama are smaller floats (weighing about 1.5 ton, about 6 meters high) and carried by people on their shoulders. The Yama floats depict scenes from Chinese and Japanese history and mythology and often depict pine trees, shrines, and mannequins. Hoko are massive 2-storied floats (weighing about 5-12 ton, about 25 meters high) on large wooden wheels and pulled by people. One float requires at least 12 or 13 people and large ones have 50 people, and still, it is very tough and tiring work to pull these massive floats in the city without a break under the severe summer sun. In the 15th century, when Kyoto’s kimono merchants’ fortunes grew, they began to compete against each other to see who could build the biggest and most beautiful floats. During the Edo period (1600-1868) and early Meiji period (1868-1912), the floats and the city of Kyoto were badly damaged by the fires of war on several occasions. However, each time the citizens worked hard to rebuild everything and the festival continued to grow in popularity and fame. For this reason, the floats are also called “moving museums.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3a0a703e0efa2be15ae983/1617246134606-4QGNMTGS3KR70MWAKJY8/_DSC3067.JPG</image:loc>
      <image:title>Seasonal - GION MATSURI FESTIVAL</image:title>
    </image:image>
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      <image:caption>アドブレーン株式会社 ／ AD BRAIN Inc. アドブレーン（株）では、KYOTO VISITOR'S GUIDE の企画・編集・発行をはじめ、グラフィックデザインからエディトリアルまで幅広く手掛けています。グローバルなコミュニケーションが求められる時代に通用するソリューションをご提案いたします。お気軽にお問合せ下さい。 AD BRAIN Inc. has published KYOTO VISITOR'S GUIDE since 1987. We also provide a wide range of other graphic design and editorial services. Find solutions with us for a better global communication. Feel free to contact us. 【会社概要】 アドブレーン株式会社 創立 昭和58年5月1日 ／ 設立 平成2年1月1日 代表取締役 西村 義之 〒604-0973 京都市中京区柳馬場夷川上ル五丁目239-1-401 Tel: 075-253-0321 ／ Fax: 075-253-0322 Email: edit@kyotoguide.com</image:caption>
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